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Author: Marit Grotta
Publisher: Edinburgh University Press
ISBN: 1399527010
Category :
Languages : en
Pages : 274
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Book Description
Portrait photography increased in popularity during the modernist period and offered new ways of seeing and understanding the human face. This book examines how portrait photographs appeared as literary motifs in the works of three modernist writers with personal experience of the medium: Marcel Proust, Franz Kafka and Virginia Woolf. Combining perspectives from literary, visual and media studies, Marit Grotta discusses these writers' ambivalent views on portrait photographs and the uncertain status of technical images in the early twentieth century more generally. In reconsidering the attention paid to analogue photographs in literature, this book throws light on both modernist reactions to portrait photography and on our relationships to photographs today.
Author: Marit Grotta
Publisher: Edinburgh University Press
ISBN: 1399527010
Category :
Languages : en
Pages : 274
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Book Description
Portrait photography increased in popularity during the modernist period and offered new ways of seeing and understanding the human face. This book examines how portrait photographs appeared as literary motifs in the works of three modernist writers with personal experience of the medium: Marcel Proust, Franz Kafka and Virginia Woolf. Combining perspectives from literary, visual and media studies, Marit Grotta discusses these writers' ambivalent views on portrait photographs and the uncertain status of technical images in the early twentieth century more generally. In reconsidering the attention paid to analogue photographs in literature, this book throws light on both modernist reactions to portrait photography and on our relationships to photographs today.
Author: Marit Grøtta
Publisher:
ISBN: 9781399526982
Category :
Languages : en
Pages : 0
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Book Description
[headline]Considers the emotional and relational implications of portrait photographs for three modernist writersPortrait photography increased in popularity during the modernist period and offered new ways of seeing and understanding the human face. This book examines how portrait photographs appeared as literary motifs in the works of three modernist writers with personal experience of the medium: Marcel Proust, Franz Kafka and Virginia Woolf. Combining perspectives from literary, visual and media studies, Marit Grøtta discusses these writers' ambivalent views on portrait photographs and the uncertain status of technical images in the early twentieth century more generally. In reconsidering the attention paid to analogue photographs in literature, this book throws light on both modernist reactions to portrait photography and on our relationships to photographs today.[author bio]Marit Grøtta is Professor of Comparative Literature at the University of Oslo. She is the author of Baudelaire's Media Aesthetics: The Gaze of the Flâneur and 19th-Century Media(2015) and a number of articles on Schlegel, Baudelaire, Proust, Kafka, Woolf, Queneau and Agamben. Her research interests are nineteenth-century and modernist literature, visual culture, media philosophy and aesthetic theory.
Author: Jens Brockmeier
Publisher: Oxford University Press
ISBN: 0199861579
Category : Psychology
Languages : en
Pages : 425
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Book Description
Our longstanding view of memory and remembering is in the midst of a profound transformation. This transformation does not only affect our concept of memory or a particular idea of how we remember and forget; it is a wider cultural process. In order to understand it, one must step back and consider what is meant when we say memory. Brockmeier's far-ranging studies offer such a perspective, synthesizing understandings of remembering from the neurosciences, humanities, social studies, and in key works of autobiographical literature and life-writing. His conclusions force us to radically rethink our very notion of memory as an archive of the past, one that suggests the natural existence of a distinctive human capacity (or a set of neuronal systems) enabling us to "encode," "store," and "recall" past experiences. Now, propelled by new scientific insights and digital technologies, a new picture is emerging. It shows that there are many cultural forms of remembering and forgetting, embedded in a broad spectrum of human activities and artifacts. This picture is more complex than any notion of memory as storage of the past would allow. Indeed it comes with a number of alternatives to the archival memory, one of which Brockmeier describes as the narrative approach. The narrative approach not only permits us to explore the storied weave of our most personal form of remembering--that is, the autobiographical--it also sheds new light on the interrelations among memory, self, and culture.
Author: John Gross
Publisher: University of Chicago Press
ISBN: 9780226309873
Category : Literary Collections
Languages : en
Pages : 340
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Book Description
Twelve authors, from W.B. Yeats to Franz Kafka, and how the TLS reacted to their work on its first appearance, and something of how it has come to be viewed in retrospect.
Author: Marcel Proust
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
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Book Description
No library's complete without the classics! The first volume of Proust's seven-part novel "In Search of Lost Time," also known as "A Remembrance of Things Past," "Swann's Way" is the auspicious beginning of Proust's most prominent work. A mature, unnamed man recalls the details of his commonplace, idyllic existence as a sensitive and intuitive boy in Combray. For a time, the story is narrated through his younger mind in beautiful, almost dream-like prose. In a subsequent section of the volume, the narrator tells of the excruciating romance of his country neighbor, Monsieur Swann. The narrator reverts to his childhood, where he begins a similarly hopeless infatuation with Swann's little daughter, Gilberte. More than this apparently fragmented narrative, however, is the importance of the themes of memory, time, and art that connect and interweave the man's memories. Considered to be one of the twentieth century's major novels, Proust ultimately portrays the volatility of human life in this sweeping contemplation of reality and time. Illustrated with book-end doodles about reading
Author: Haruki Murakami
Publisher: Vintage
ISBN: 1400079276
Category : Fiction
Languages : en
Pages : 481
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Book Description
NATIONAL BESTSELLER • From the acclaimed author of The Wind-Up Bird Chronicle and one of the world’s greatest storytellers comes “an insistently metaphysical mind-bender” (The New Yorker) about a teenager on the run and a deceptively simple old man. Now with a new introduction by the author. Here we meet fifteen-year-old runaway Kafka Tamura and the elderly Nakata, who is drawn to Kafka for reasons that he cannot fathom. As their paths converge, acclaimed author Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder, in what is a truly remarkable journey. “As powerful as The Wind-Up Bird Chronicle.... Reading Murakami ... is a striking experience in consciousness expansion.”—Chicago Tribune
Author: Marit Gr�tta
Publisher: Bloomsbury Publishing USA
ISBN: 1501326449
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Baudelaire's Media Aesthetics situates Charles Baudelaire in the midst of 19th-century media culture. It offers a thorough study of the role of newspapers, photography, and precinematic devices in Baudelaire's writings, while also discussing the cultural history of these media generally. The book reveals that Baudelaire was not merely inspired by the new media, but that he played with them, using them as frames of perception and ways of experiencing the world. His writings demonstrate how different media respond to one another and how the conventions of one medium can be paraphrased in another medium. Accordingly, Baudelaire's Media Aesthetics argues that Baudelaire should be seen merely as an advocate of ?pure poetry,? but as a poet in a media saturated environment. It shows that mediation, montage, and movement are features that are central to Baudelaire's aesthetics and that his modernist aesthetics can be conceived of, to a large degree, as a media aesthetics. Highlighting Baudelaire's interaction with the media of his age, Baudelaire's Media Aesthetics discusses the ways in which we respond to new media technology, drawing on perspectives from Walter Benjamin and Giorgio Agamben. Combining detailed research with contemporary theory, the book opens up new perspectives on Baudelaire's writings, the figure of the fl�neur, and modernist aesthetics.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 418
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Book Description
Author: Marcel Proust
Publisher: Oxford University Press
ISBN: 0191062324
Category : Literary Collections
Languages : en
Pages : 241
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Book Description
'Swann's love . . . could not have been torn out of him without destroying him almost entirely' Swann in Love is a brilliant, devastating novella that tells of infatuation, love, and jealousy. Set against the backdrop of Paris at the end of the nineteenth century, the story of Charles Swann illuminates the fragilities and foibles of human beings when in the grip of desire. Swann is a highly cultured man-about-town who is plunged into turmoil when he falls for a young woman called Odette de Crécy. The novel traces the progress of Swann's emotions with penetrating exactitude as he encounters Odette at the regular gatherings in the salon of the Verdurins. His wilful self-delusion is both poignant and ridiculous , and his tormented feelings play out in scenes of high comedy amongst Odette's socially pretentious circle. Swann in Love is part of Proust's monumental masterpiece In Search of Lost Time, and it is also a captivating self-contained story. This new translation encapsulates the qualities that have secured Proust's reputation, and serves as a perfect introduction to his writing.
Author: Elizabeth Abel
Publisher: University of Chicago Press
ISBN: 0226832686
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
A new reading of Virginia Woolf in the context of “long modernism.” In recent decades, Virginia Woolf’s contribution to literary history has been located primarily within a female tradition. Elizabeth Abel dislodges Woolf from her iconic place within this tradition to uncover her shadowy presence in other literary genealogies. Abel elicits unexpected echoes of Woolf in four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. By mapping the wayward paths of what Woolf called “odd affinities” that traverse the boundaries of gender, race, and nationality, Abel offers a new account of the arc of Woolf’s career and the transnational modernist genealogy constituted by her elusive and shifting presence. Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, gender and sexuality studies, and African American studies.
