Author: Deidre Shauna Lynch
Publisher: University of Chicago Press
ISBN: 022618384X
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Loving Literature
Author: Deidre Shauna Lynch
Publisher: University of Chicago Press
ISBN: 022618384X
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Publisher: University of Chicago Press
ISBN: 022618384X
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Reading Literature Historically
Author: Greg Walker
Publisher: Edinburgh University Press
ISBN: 0748681035
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
This study demonstrates the value of historical and cultural analysis alongside traditional literary scholarship for enriching our understanding of plays and poems from the medieval and early Tudor past and of the cultures which produced and received them
Publisher: Edinburgh University Press
ISBN: 0748681035
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
This study demonstrates the value of historical and cultural analysis alongside traditional literary scholarship for enriching our understanding of plays and poems from the medieval and early Tudor past and of the cultures which produced and received them
A History of Reading
Author: Alberto Manguel
Publisher: Penguin Group
ISBN: 9780140166545
Category : Books
Languages : en
Pages : 0
Book Description
On history of reading
Publisher: Penguin Group
ISBN: 9780140166545
Category : Books
Languages : en
Pages : 0
Book Description
On history of reading
Scenes from Prehistoric Life
Author: Francis Pryor
Publisher: Apollo
ISBN: 1789544157
Category : Great Britain
Languages : en
Pages : 0
Book Description
An invigorating journey through Britain's prehistoric landscape, and an insight into the lives of its inhabitants. 'Highly compelling' Spectator, Books of the Year 'An evocative foray into the prehistoric past' BBC Countryfile Magazine 'Vividly relating what life was like in pre-Roman Britain' Choice Magazine 'Makes life in Britain BC often sound rather more appealing than the frenetic and anxious 21st century!' Daily MailIn Scenes from Prehistoric Life, the distinguished archaeologist Francis Pryor paints a vivid picture of British and Irish prehistory, from the Old Stone Age (about one million years ago) to the arrival of the Romans in AD 43, in a sequence of fifteen profiles of ancient landscapes. Whether writing about the early human family who trod the estuarine muds of Happisburgh in Norfolk c.900,000 BC, the craftsmen who built a wooden trackway in the Somerset Levels early in the fourth millennium BC, or the Iron Age denizens of Britain's first towns, Pryor uses excavations and surveys to uncover the daily routines of our ancient ancestors. By revealing how our prehistoric forebears coped with both simple practical problems and more existential challenges, Francis Pryor offers remarkable insights into the long and unrecorded centuries of our early history, and a convincing, well-attested and movingly human portrait of prehistoric life as it was really lived.
Publisher: Apollo
ISBN: 1789544157
Category : Great Britain
Languages : en
Pages : 0
Book Description
An invigorating journey through Britain's prehistoric landscape, and an insight into the lives of its inhabitants. 'Highly compelling' Spectator, Books of the Year 'An evocative foray into the prehistoric past' BBC Countryfile Magazine 'Vividly relating what life was like in pre-Roman Britain' Choice Magazine 'Makes life in Britain BC often sound rather more appealing than the frenetic and anxious 21st century!' Daily MailIn Scenes from Prehistoric Life, the distinguished archaeologist Francis Pryor paints a vivid picture of British and Irish prehistory, from the Old Stone Age (about one million years ago) to the arrival of the Romans in AD 43, in a sequence of fifteen profiles of ancient landscapes. Whether writing about the early human family who trod the estuarine muds of Happisburgh in Norfolk c.900,000 BC, the craftsmen who built a wooden trackway in the Somerset Levels early in the fourth millennium BC, or the Iron Age denizens of Britain's first towns, Pryor uses excavations and surveys to uncover the daily routines of our ancient ancestors. By revealing how our prehistoric forebears coped with both simple practical problems and more existential challenges, Francis Pryor offers remarkable insights into the long and unrecorded centuries of our early history, and a convincing, well-attested and movingly human portrait of prehistoric life as it was really lived.
Space Between Words
Author: Paul Saenger
Publisher: Stanford University Press
ISBN: 9780804740166
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.
Publisher: Stanford University Press
ISBN: 9780804740166
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.
Beasts of a Little Land
Author: Juhea Kim
Publisher: Simon and Schuster
ISBN: 0861543238
Category : Fiction
Languages : en
Pages : 406
Book Description
Winner of the Yasnaya Polyana Award * Finalist for the Dayton Literary Peace Prize 'Unforgettable' Nguyễn Phan Quế Mai, author of The Mountains Sing As the Korean independence movement gathers pace, two children meet on the streets of Seoul. Fate will bind them through decades of love and war. They just don’t know it yet. It is 1917, and Korea is under Japanese occupation. With the threat of famine looming, ten-year-old Jade is sold by her desperate family to Miss Silver's courtesan school in the bustling city of Pyongyang. As the Japanese army tears through the country, she is forced to flee to the southern city of Seoul. Soon, her path crosses with that of an orphan named JungHo, a chance encounter that will lead to a life-changing friendship. But when JungHo is pulled into the revolutionary fight for independence, Jade must decide between following her own ambitions and risking everything for the one she loves. Sweeping through five decades of Korean history, Juhea Kim's sparkling debut is an intricately woven tale of love stretched to breaking point, and two people who refuse to let go. Longlisted for the HWA Debut Crown Longlist 2022 * Longlisted for the Nota Bene Prize 2023 'A stunning achievement' TLS
Publisher: Simon and Schuster
ISBN: 0861543238
Category : Fiction
Languages : en
Pages : 406
Book Description
Winner of the Yasnaya Polyana Award * Finalist for the Dayton Literary Peace Prize 'Unforgettable' Nguyễn Phan Quế Mai, author of The Mountains Sing As the Korean independence movement gathers pace, two children meet on the streets of Seoul. Fate will bind them through decades of love and war. They just don’t know it yet. It is 1917, and Korea is under Japanese occupation. With the threat of famine looming, ten-year-old Jade is sold by her desperate family to Miss Silver's courtesan school in the bustling city of Pyongyang. As the Japanese army tears through the country, she is forced to flee to the southern city of Seoul. Soon, her path crosses with that of an orphan named JungHo, a chance encounter that will lead to a life-changing friendship. But when JungHo is pulled into the revolutionary fight for independence, Jade must decide between following her own ambitions and risking everything for the one she loves. Sweeping through five decades of Korean history, Juhea Kim's sparkling debut is an intricately woven tale of love stretched to breaking point, and two people who refuse to let go. Longlisted for the HWA Debut Crown Longlist 2022 * Longlisted for the Nota Bene Prize 2023 'A stunning achievement' TLS
Forgotten Readers
Author: Elizabeth McHenry
Publisher: Duke University Press
ISBN: 9780822329954
Category : Literary Collections
Languages : en
Pages : 444
Book Description
DIVRecovers the history of nineteenth- and early-twentieth-century African American reading societies./div
Publisher: Duke University Press
ISBN: 9780822329954
Category : Literary Collections
Languages : en
Pages : 444
Book Description
DIVRecovers the history of nineteenth- and early-twentieth-century African American reading societies./div
The First World War
Author: John Keegan
Publisher: Vintage
ISBN: 0307831701
Category : History
Languages : en
Pages : 715
Book Description
NATIONAL BESTSELLER • The definitive account of the Great War from one of our most eminent military historians. "Elegantly written, clear, detailed, and omniscient.... Keegan is...perhaps the best military historian of our day." —The New York Times Book Review The First World War created the modern world. A conflict of unprecedented ferocity, it abruptly ended the relative peace and prosperity of the Victorian era, unleashing such demons of the twentieth century as mechanized warfare and mass death. It also helped to usher in the ideas that have shaped our times—modernism in the arts, new approaches to psychology and medicine, radical thoughts about economics and society—and in so doing shattered the faith in rationalism and liberalism that had prevailed in Europe since the Enlightenment. The First World War probes the mystery of how a civilization at the height of its achievement could have propelled itself into such a ruinous conflict and takes us behind the scenes of the negotiations among Europe's crowned heads (all of them related to one another by blood) and ministers, and their doomed efforts to defuse the crisis. Keegan reveals how, by an astonishing failure of diplomacy and communication, a bilateral dispute grew to engulf an entire continent. But the heart of Keegan's superb narrative is, of course, his analysis of the military conflict. With unequalled authority and insight, he recreates the nightmarish engagements whose names have become legend—Verdun, the Somme and Gallipoli among them—and sheds new light on the strategies and tactics employed, particularly the contributions of geography and technology. No less central to Keegan's account is the human aspect. He acquaints us with the thoughts of the intriguing personalities who oversaw the tragically unnecessary catastrophe—from heads of state like Russia's hapless tsar, Nicholas II, to renowned warmakers such as Haig, Hindenburg and Joffre. But Keegan reserves his most affecting personal sympathy for those whose individual efforts history has not recorded—"the anonymous millions, indistinguishably drab, undifferentially deprived of any scrap of the glories that by tradition made the life of the man-at-arms tolerable." By the end of the war, three great empires—the Austro-Hungarian, the Russian and the Ottoman—had collapsed. But as Keegan shows, the devastation ex-tended over the entirety of Europe, and still profoundly informs the politics and culture of the continent today. His brilliant, panoramic account of this vast and terrible conflict is destined to take its place among the classics of world history.
Publisher: Vintage
ISBN: 0307831701
Category : History
Languages : en
Pages : 715
Book Description
NATIONAL BESTSELLER • The definitive account of the Great War from one of our most eminent military historians. "Elegantly written, clear, detailed, and omniscient.... Keegan is...perhaps the best military historian of our day." —The New York Times Book Review The First World War created the modern world. A conflict of unprecedented ferocity, it abruptly ended the relative peace and prosperity of the Victorian era, unleashing such demons of the twentieth century as mechanized warfare and mass death. It also helped to usher in the ideas that have shaped our times—modernism in the arts, new approaches to psychology and medicine, radical thoughts about economics and society—and in so doing shattered the faith in rationalism and liberalism that had prevailed in Europe since the Enlightenment. The First World War probes the mystery of how a civilization at the height of its achievement could have propelled itself into such a ruinous conflict and takes us behind the scenes of the negotiations among Europe's crowned heads (all of them related to one another by blood) and ministers, and their doomed efforts to defuse the crisis. Keegan reveals how, by an astonishing failure of diplomacy and communication, a bilateral dispute grew to engulf an entire continent. But the heart of Keegan's superb narrative is, of course, his analysis of the military conflict. With unequalled authority and insight, he recreates the nightmarish engagements whose names have become legend—Verdun, the Somme and Gallipoli among them—and sheds new light on the strategies and tactics employed, particularly the contributions of geography and technology. No less central to Keegan's account is the human aspect. He acquaints us with the thoughts of the intriguing personalities who oversaw the tragically unnecessary catastrophe—from heads of state like Russia's hapless tsar, Nicholas II, to renowned warmakers such as Haig, Hindenburg and Joffre. But Keegan reserves his most affecting personal sympathy for those whose individual efforts history has not recorded—"the anonymous millions, indistinguishably drab, undifferentially deprived of any scrap of the glories that by tradition made the life of the man-at-arms tolerable." By the end of the war, three great empires—the Austro-Hungarian, the Russian and the Ottoman—had collapsed. But as Keegan shows, the devastation ex-tended over the entirety of Europe, and still profoundly informs the politics and culture of the continent today. His brilliant, panoramic account of this vast and terrible conflict is destined to take its place among the classics of world history.
A History of Reading
Author: Steven R. Fischer
Publisher: Reaktion Books
ISBN: 9781861892096
Category : History
Languages : en
Pages : 388
Book Description
Takes in a wonderful diversity of things."-Nature. Now available in paperback, this final volume in the trilogy Language/Writing/Reading traces the complete story of reading from the time when symbols first acquired meaning through to the electronic texts of the digital age.
Publisher: Reaktion Books
ISBN: 9781861892096
Category : History
Languages : en
Pages : 388
Book Description
Takes in a wonderful diversity of things."-Nature. Now available in paperback, this final volume in the trilogy Language/Writing/Reading traces the complete story of reading from the time when symbols first acquired meaning through to the electronic texts of the digital age.
Reading and the Making of Time in the Eighteenth Century
Author: Christina Lupton
Publisher: JHU Press
ISBN: 1421425777
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.
Publisher: JHU Press
ISBN: 1421425777
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.