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Author:
Publisher: BRILL
ISBN: 9004682708
Category : History
Languages : en
Pages : 310
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Book Description
Plundering and taking home precious objects from a defeated enemy was a widespread activity in the Greek and Hellenistic-Roman world. In this volume literary critics, historians and archaeologists join forces in investigating this phenomenon in terms of appropriation and cultural change. In-depth interpretations of famous ancient spoliations, like that of the Greeks after Plataea or the Romans after the capture of Jerusalem, reveal a fascinating paradox: while the material record shows an eager incorporation of new objects, the texts display abhorrence of the negative effects they were thought to bring along. As this volume demonstrates, both reactions testify to the crucial innovative impact objects from abroad may have.
Author:
Publisher: BRILL
ISBN: 9004682708
Category : History
Languages : en
Pages : 310
Get Book Here
Book Description
Plundering and taking home precious objects from a defeated enemy was a widespread activity in the Greek and Hellenistic-Roman world. In this volume literary critics, historians and archaeologists join forces in investigating this phenomenon in terms of appropriation and cultural change. In-depth interpretations of famous ancient spoliations, like that of the Greeks after Plataea or the Romans after the capture of Jerusalem, reveal a fascinating paradox: while the material record shows an eager incorporation of new objects, the texts display abhorrence of the negative effects they were thought to bring along. As this volume demonstrates, both reactions testify to the crucial innovative impact objects from abroad may have.
Author: Lennart Wouter Kruijer
Publisher: Taylor & Francis
ISBN: 1003861830
Category : Social Science
Languages : en
Pages : 287
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Book Description
This book explores the analytical and practical value of the notion of "rooted cosmopolitanism" for the field of cultural heritage. Many concepts of present-day heritage discourses - such as World Heritage, local heritage practices, or indigenous heritage - tend to elide the complex interplay between the local and the global - entanglements that are investigated as "glocalisation" in Globalisation Studies. However, no human group ever creates more than a part of its heritage by itself. This book explores an exciting new alternative in scholarly (critical) heritage discourse, the notion of rooted cosmopolitanism, a way of making manifestations of globalised phenomena comprehensible and relevant at local levels. It develops a critical perspective on heritage and heritage practices, bringing together a highly varied yet conceptually focused set of stimulating contributions by senior and emerging scholars working on the heritage of localities across the globe. A contextualising introduction is followed by three strongly theoretical and methodological chapters which complement the second part of the book, six concrete, empirical chapters written in "response" to the more theoretical chapters. Two final reflective conclusions bring together these different levels of analysis. This book will appeal primarily to archaeologists, anthropologists, heritage professionals, and museum curators who are ready to be confronted with innovative and exciting new approaches to the complexities of cultural heritage in a globalising world.
Author:
Publisher: Oxford University Press
ISBN: 0198940246
Category :
Languages : en
Pages : 249
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Book Description
Author: Matthew Loar
Publisher: Cambridge University Press
ISBN: 1108418422
Category : History
Languages : en
Pages : 339
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Book Description
An interdisciplinary exploration of Roman cultural appropriation, offering new insights into the processes through which Rome made and remade itself.
Author: Alison Keith
Publisher: University of Toronto Press
ISBN: 148754796X
Category : Literary Criticism
Languages : en
Pages : 462
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Book Description
Born in 70 BCE, the Roman poet Vergil came of age during a period of literary experimentalism among Latin authors. These authors introduced new Greek verse forms and metres into the existing repertoire of Latin poetic genres and measures, foremost among them being elegy, a genre that the ancients thought originated in funeral lament, but which in classical Rome became first-person poetry about the poet-lover’s amatory vicissitudes. Despite the influence of notable elegists on Vergil’s early poetry, his critics have rarely paid attention to his engagement with the genre across his body of work. This collection is devoted to an exploration of Vergil’s multifaceted relations with elegy. Contributors shed light on Vergil’s interactions with the genre and its practitioners across classical, medieval, and early modern periods. The book investigates Vergil’s hexameter poetry in relation to contemporary Latin elegy by Gallus, Tibullus, and Propertius, and the subsequent reception of Vergil’s radical combination of epic with elegy by later Latin and Italian authors. Filling a striking gap in the scholarship, Vergil and Elegy illuminates the famous poet’s wide-ranging engagement with the genre of elegy across his oeuvre.
Author: Zahra Newby
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409
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Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
Author: Amy Russell
Publisher: Cambridge University Press
ISBN: 1107040493
Category : Architecture
Languages : en
Pages : 247
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Book Description
This book explores how public space in Republican Rome was an unstable category marked, experienced, and defined by multiple actors and audiences.
Author:
Publisher: BRILL
ISBN: 900441665X
Category : Social Science
Languages : en
Pages : 348
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Book Description
New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies.
Author: Marco Fantuzzi
Publisher: Cambridge University Press
ISBN: 9781139442527
Category : History
Languages : en
Pages : 530
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Book Description
Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.
Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 1400890276
Category : Art
Languages : en
Pages : 375
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Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
