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Author: Prue Shaw
Publisher: W. W. Norton & Company
ISBN: 0871407809
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
The best and most eloquent introduction to Dante for our time. Prue Shaw is one of the world's foremost authorities on Dante. Written with the general reader in mind, Reading Dante brings her knowledge to bear in an accessible yet expert introduction to his great poem. This is far more than an exegesis of Dante’s three-part Commedia. Shaw communicates the imaginative power, the linguistic skill and the emotional intensity of Dante’s poetry—the qualities that make the Commedia perhaps the greatest literary work of all time and not simply a medieval treatise on morality and religion. The book provides a graphic account of the complicated geography of Dante's version of the afterlife and a sure guide to thirteenth-century Florence and the people and places that influenced him. At the same time it offers a literary experience that lifts the reader into the universal realms of poetry and mythology, creating links not only to the classical world of Virgil and Ovid but also to modern art and poetry, the world of T. S. Eliot, Seamus Heaney and many others. Dante's questions are our questions: What is it to be a human being? How should we judge human behavior? What matters in life and in death? Reading Dante helps the reader to understand Dante’s answers to these timeless questions and to see how surprisingly close they sometimes are to modern answers. Reading Dante is an astonishingly lyrical work that will appeal to both those who’ve never read the Commedia and those who have. It underscores Dante's belief that poetry can change human lives.
Author: Prue Shaw
Publisher: W. W. Norton & Company
ISBN: 0871407809
Category : Literary Criticism
Languages : en
Pages : 398
Get Book
Book Description
The best and most eloquent introduction to Dante for our time. Prue Shaw is one of the world's foremost authorities on Dante. Written with the general reader in mind, Reading Dante brings her knowledge to bear in an accessible yet expert introduction to his great poem. This is far more than an exegesis of Dante’s three-part Commedia. Shaw communicates the imaginative power, the linguistic skill and the emotional intensity of Dante’s poetry—the qualities that make the Commedia perhaps the greatest literary work of all time and not simply a medieval treatise on morality and religion. The book provides a graphic account of the complicated geography of Dante's version of the afterlife and a sure guide to thirteenth-century Florence and the people and places that influenced him. At the same time it offers a literary experience that lifts the reader into the universal realms of poetry and mythology, creating links not only to the classical world of Virgil and Ovid but also to modern art and poetry, the world of T. S. Eliot, Seamus Heaney and many others. Dante's questions are our questions: What is it to be a human being? How should we judge human behavior? What matters in life and in death? Reading Dante helps the reader to understand Dante’s answers to these timeless questions and to see how surprisingly close they sometimes are to modern answers. Reading Dante is an astonishingly lyrical work that will appeal to both those who’ve never read the Commedia and those who have. It underscores Dante's belief that poetry can change human lives.
Author: Matthew Collins
Publisher: Harvey Miller
ISBN: 9781912554508
Category : Illumination of books and manuscripts
Languages : en
Pages : 416
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Book Description
This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired.
Author: George Corbett
Publisher: Open Book Publishers
ISBN: 1783741724
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
Author:
Publisher:
ISBN: 9781915487353
Category :
Languages : en
Pages : 0
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Book Description
Author: Giuseppe Mazzotta
Publisher: Yale University Press
ISBN: 0300191359
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
divdivA towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works.div /DIVdivBased on Mazzotta’s highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante’s autobiographical Vita nuova, Mazzotta establishes the poetic and political circumstances of The Divine Comedy. He situates the three sections of the poem—Inferno, Purgatory, Paradise—within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topics with which Dante was particularly concerned./DIV/DIV/DIV
Author: Alison Cornish
Publisher: Yale University Press
ISBN: 9780300133493
Category : Science
Languages : en
Pages : 246
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Book Description
Astronomy is one of the most prominent and perplexing features of Dante's Divine Comedy. In the final rhyme of the poem's three parts, and in scores of descriptions and analogies, the stars are an intermediate goal and a constant point of reference for the spiritual journey the poem narrates. This book makes a sustained analysis of Dante's use of astronomy, not only in terms of the precepts of medieval science but also in relation to specific moral, philosophical, and poetic problems laid out in each chapter.For Dante, Alison Cornish says, the stars offer optical representations of invisible realities, from divine providence to the workings of the human soul. Dante's often puzzling celestial figures call attention to the physical world as a scene of reading in which visible phenomena are subject to more than one explanation, Cornish contends. The poetry of Dante's astronomy, as well as its difficulty, rests on this imperative of interpretation. Reading the stars, like reading literature, is an ethical undertaking fraught with risk, not just an exercise in technical understanding. Cornish's book is the first guide to the astronomy of Dante's masterpiece to encompass both ways of reading his work.
Author: Jesper Hede
Publisher: Lexington Books
ISBN: 9780739121962
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Reading Dante: The Pursuit of Meaning examines the problem of determining the thematic unity of Dante's Divina Commedia in the history of Dante studies. The question of unity has puzzled Dante readers for centuries, due to an apparent discrepancy between Dante's construction of the afterworld and medieval Christian teachings on the conditions of the afterlife. If all sins condemned in Hell can be forgiven, we would expect to see them purged in Purgatory and their virtuous opposite celebrated in Paradise. In Dante's account, however, the three realms of the afterlife appear as self-contained entities with only partially related structures that undermine the establishment of thematic correspondences and the determination of the poem's thematic unity. Was Dante inconsistent in his exposition of the divine order, or have Dante scholars been inconsistent in their treatment of the poem's thematic content? Jesper Hede examines the prevalent strategies of reading applied by Dante scholars in their attempt to solve the problem of unity. Detailing the major contributions to the resolution of the problem and focusing on medieval philosophy and modern hermeneutics, Hede argues that a systematic parallel reading of the poem's three parts reveals that it is the vision of divine order that gives the poem its thematic unity.
Author: George Corbett
Publisher: Open Book Publishers
ISBN: 1783742569
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Author: Vincenzo R. Latella
Publisher: Griffon House Publications
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
In 1988, Vincent R. Latella took on the task of painting a series of illustrations depicting key moments from Dante's Inferno. Completed in 1990, the series is made up of 34 paintings, one for each canto. The book contains reproductions of each painting accompanied by the excerpts from the Inferno which inspired them, in both the original Italian and English translations. Also included is a 31-page essay by Dante scholar, Dr. Anne Paolucci, entitled, "The Strident Voices of Hell."
Author: Julia Hartley
Publisher: Transcript
ISBN: 9781781888445
Category :
Languages : en
Pages : 154
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Book Description
What can Dante tell us about Proust, and what can Proust tell us about Dante? In this book, Hartley follows a process of analogy, reading Dante's Divine Comedy and Proust's À la recherche du temps perdu in light of one another in order to offer new insights into both works. Navigating Dante and Proust's different literary and historical contexts, as well as the rich body of scholarship that their works have generated, Hartley explores in particular their treatments of subjectivity, authorship, and vocation. The book's comparative perspective brings a unique contribution to such debated issues as the universality of Dante's poem, Proust's elevation of art, and the relationship between gender and literary authority. Julia Hartley is a Leverhulme Early Career Fellow in the School of Modern Languages and Cultures, University of Warwick.
