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Author: Phyllis Carey
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
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Book Description
This ground-breaking collection of essays combines the efforts of twelve contributors to explore previously uncharted paths in the literary relationship between James Joyce and Samuel Beckett, two of the foremost writers of the twentieth century. Eleven essays, written by scholars from Canada, England, the United States, and New Zealand, throw new light on the biographies, texts, techniques, and artistic consciousness of Joyce and Beckett as well as on fundamental questions of literary authority and influence. In addition, the volume contains the first working bibliography devoted exclusively to the Joyce-Beckett relationship. The collection culminates with an original one-act play that celebrates both writers in, with, and through the language that they each explored so profoundly. The eleven essays provide a number of avenues for discussing the literary relationship between Joyce and Beckett: Melvin Friedman assesses the strengths and weaknesses of the Joyce and Beckett biographies by Richard Ellmann and Deirdre Bair. John Fletcher and John P. Harrington provide complementary studies of two of Beckett's early short stories in relation to their possible "counterparts" in Dubliners. James Acheson and David Cohen both draw on Ulysses and various works by Beckett to focus attention on links and divergencies between the two writers in their uses of allusions. Analyzing fictional techniques, Michael Patrick Gillespie foregrounds the impulse for gaming that Joyce and Beckett both employ as a narrative strategy. Alan Loxterman explores the techniques both writers use to raise metaphysical questions. Susan Brienza and Phyllis Carey provide complementary readings of artistic consciousness, Brienza drawing attention to bodily fluids and elimination as images of creation, and Carey focusing on the divergent debts of both writers to Dante. Finally, Steven Connor and Ed Jewinski attack the problems of "authority" and "influence," respectively in the process illuminating differences in modernist and postmodernist understandings of these concepts. A bibliography of well over one hundred entries, compiled by John P. Harrington, lists the most substantive discussions of the Joyce-Beckett relationship. Denis Regan's one-act play Becket et Joyce et Beckettesque, creates a medley of Beckett and Joyce echoes through imaginative dialogues in the afterlife mind of Samuel Beckett. Although the volume was in progress when Samuel Beckett died in December 1989, it now serves as a memorial and a tribute to both Samuel Beckett and James Joyce.
Author: Phyllis Carey
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
Get Book Here
Book Description
This ground-breaking collection of essays combines the efforts of twelve contributors to explore previously uncharted paths in the literary relationship between James Joyce and Samuel Beckett, two of the foremost writers of the twentieth century. Eleven essays, written by scholars from Canada, England, the United States, and New Zealand, throw new light on the biographies, texts, techniques, and artistic consciousness of Joyce and Beckett as well as on fundamental questions of literary authority and influence. In addition, the volume contains the first working bibliography devoted exclusively to the Joyce-Beckett relationship. The collection culminates with an original one-act play that celebrates both writers in, with, and through the language that they each explored so profoundly. The eleven essays provide a number of avenues for discussing the literary relationship between Joyce and Beckett: Melvin Friedman assesses the strengths and weaknesses of the Joyce and Beckett biographies by Richard Ellmann and Deirdre Bair. John Fletcher and John P. Harrington provide complementary studies of two of Beckett's early short stories in relation to their possible "counterparts" in Dubliners. James Acheson and David Cohen both draw on Ulysses and various works by Beckett to focus attention on links and divergencies between the two writers in their uses of allusions. Analyzing fictional techniques, Michael Patrick Gillespie foregrounds the impulse for gaming that Joyce and Beckett both employ as a narrative strategy. Alan Loxterman explores the techniques both writers use to raise metaphysical questions. Susan Brienza and Phyllis Carey provide complementary readings of artistic consciousness, Brienza drawing attention to bodily fluids and elimination as images of creation, and Carey focusing on the divergent debts of both writers to Dante. Finally, Steven Connor and Ed Jewinski attack the problems of "authority" and "influence," respectively in the process illuminating differences in modernist and postmodernist understandings of these concepts. A bibliography of well over one hundred entries, compiled by John P. Harrington, lists the most substantive discussions of the Joyce-Beckett relationship. Denis Regan's one-act play Becket et Joyce et Beckettesque, creates a medley of Beckett and Joyce echoes through imaginative dialogues in the afterlife mind of Samuel Beckett. Although the volume was in progress when Samuel Beckett died in December 1989, it now serves as a memorial and a tribute to both Samuel Beckett and James Joyce.
Author: Phyllis Carey
Publisher:
ISBN: 9780823296446
Category : LITERARY CRITICISM
Languages : en
Pages : 0
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Book Description
The relationship between James Joyce and Samuel Beckett has long been of interest to literary critics and readers alike and Re: Joyce 'n Beckett explores that relationship more fully that any other single work of the current scholarship. This volume provides the reader with an overview of the main trends and dilemmas that have dominated discussions on the complex Joyce/Beckett relationship, and pulls together previously scattered materials into a cohesive whole. It also contains an extensive bibliography of particular interest to scholars who will find this composite of sources priceless. The main section offers eleven engaging new essays written from many points of view on a variety of topics including, the impact of biographies written on both Joyce and Beckett, the handling of Irish materials in the short story form, the use of allusion as well as larger narrative structures, the portrayal of the concept of the artist, and the way in which each author deals with the problem of "authority" in their writings. An original one-act play by Denis Regan is also included; the play premiered in April 1990 at the Milwaukee Irishfest. This work does much to challenge previous misconceptions about the Joyce/Beckett relationship. Re: Joyce 'n Beckett is a rich, lively work that brings the relationship of these two, crucially important literary figures of the twentieth century together in one definitive volume.
Author: Peter J. Murphy
Publisher: University of Toronto Press
ISBN: 1442692642
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Given that the Nobel Prize-winning author Samuel Beckett (1906-1989) was personally acquainted with the modernist master James Joyce, and even helped research and promote Finnegans Wake, it should come as no surprise that Beckett was greatly influenced by Joyce's own work. However, much analysis of Beckett's work tends to argue that he forged his own artistic identity in opposition to Joyce, seeking and eventually finding styles and methods unoccupied by his "mentor." Beckett's Dedalus is a comprehensive reassessment of this line of criticism and traces the nature and extent of Joyce's influence in more complex, contestatory, and complementary ways throughout all of Beckett's major fiction. Paying close attention to the extensive network of allusions Beckett derived from Joyce's writing, P.J. Murphy reveals how Beckett consistently echoed and engaged in dialogue with Joyce's works, especially A Portrait of the Artist as a Young Man and, in particular, its protagonist Stephen Dedalus. This study proposes that the relationship between the two writers was a complex life-giving and art-building dialogue concerned with aesthetic theories, depictions of reality, and the artistic integrity needed to carry out these critical investigations. emBeckett's Dedalus is a fascinating study of the literary influence one generation has on the next. It will change the way we consider the relationship between two of the greatest writers of the twentieth century.
Author: F. Smith
Publisher: Springer
ISBN: 0230513662
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Beckett's Eighteenth Century is the first book-length study of Samuel Beckett's affinity with the British eighteenth century and of the influence of its writers on his work. Reading Swift, Pope, Defoe, Fielding, Sterne, Johnson, Gray, and other writers of this period, this study demonstrates how he was not only influenced by them but interprets them for us in a quite modern way. Beckett's uniqueness is not questioned here, but this uniqueness is shown, paradoxically, to have its roots at least in part in his native literature of two centuries ago.
Author: Daniela Caselli
Publisher: Manchester University Press
ISBN: 1847796303
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Beckett's Dantes: Intertextuality in the Fiction and Criticism is the first study in English on the literary relation between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. It is an informative intertextual reading of Beckett's work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett's fiction and criticism. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett's published works in English and French, and on manuscripts (which use English, French, German and Italian). Through a close reading of Beckett's fiction and criticism, the book will argue that Dante is both assumed as an external source of literary and cultural authority in Beckett's work, and also participates in Beckett's texts' sceptical undermining of authority. Moreover, the book demonstrates that the many references to various 'Dantes' produce 'Mr Beckett' as the figure of the author responsible for such a remarkably interconnected oeuvre. The book is aimed at the scholarly communities interested in literatures in English, literary and critical theory, comparative literature and theory, French literature and theory and Italian studies. Its jargon-free style will also attract third-year or advanced undergraduate students, and postgraduate students, as well as those readers interested in the unusual relationship between one of the greatest writers of the twentieth century and the medieval author who stands for the very idea of the Western canon.
Author:
Publisher: BRILL
ISBN: 900450141X
Category : History
Languages : en
Pages : 212
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Book Description
The nine interdisciplinary essays in this volume were presented in 2003 in Berlin at the Fourth International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The nine articles in this volume cover two areas: “Surveying the Field” and “Music and the Spoken Word”. Topics include postmodernism, philosophy, German literary modernism, opera, film, the Lied, radio plays, and “verbal counterpoint”. They cover the works of such philosophers, critics, literary figures, and composers as Argento, Beckett, Deleuze, Guattari, Feldman, Glenn Gould, Nietzsche, Schubert, Strauss, Wagner, and Wolfram. Three films are discussed: Casablanca, The Fisher King, and Thirty Two Short Films About Glenn Gould.
Author: Suzanne M. Lodato
Publisher: Rodopi
ISBN: 9042018976
Category : Art
Languages : en
Pages : 217
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Book Description
The nine interdisciplinary essays in this volume were presented in 2003 in Berlin at the Fourth International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The nine articles in this volume cover two areas: "Surveying the Field" and "Music and the Spoken Word". Topics include postmodernism, philosophy, German literary modernism, opera, film, the Lied, radio plays, and "verbal counterpoint". They cover the works of such philosophers, critics, literary figures, and composers as Argento, Beckett, Deleuze, Guattari, Feldman, Glenn Gould, Nietzsche, Schubert, Strauss, Wagner, and Wolfram. Three films are discussed: Casablanca, The Fisher King, and Thirty Two Short Films About Glenn Gould.
Author: Charles A. Carpenter
Publisher: A&C Black
ISBN: 144117852X
Category : Reference
Languages : en
Pages : 525
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Book Description
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.
Author: Lucia Boldrini
Publisher: Cambridge University Press
ISBN: 0521792762
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Boldrini examines how Dante's literary and linguistic theories helped shape Joyce's radical narrative techniques.
Author: Claudia Olk
Publisher: Cambridge University Press
ISBN: 1009084844
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
'The danger is in the neatness of identifications', Samuel Beckett famously stated, and, at first glance, no two authors could be further distant from one another than William Shakespeare and Samuel Beckett. This book addresses the vast intertextual network between the works of both writers and explores the resonant correspondences between them. It analyses where and how these resonances manifest themselves in their aesthetics, theatre, language and form. It traces convergences and inversions across both œuvres that resound beyond their conditions of production and possibility. Uncovering hitherto unexplored relations between the texts of an early modern and a late modern author, this study seeks to offer fresh readings of single passages and entire works, but it will also describe productive tensions and creative incongruences between them.
