Author: Raymond Leppard
Publisher: Bold Strummer
ISBN: 9780912483962
Category : Music
Languages : en
Pages : 764

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Author: Joan Peyser
Publisher: Bold Strummer
ISBN: 9780912483993
Category : Music
Languages : en
Pages : 504

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Author: Stephen Mould
Publisher: Routledge
ISBN: 1000338606
Category : Music
Languages : en
Pages : 188

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Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.

Author: Kenneth Sillito
Publisher:
ISBN: 9781528904858
Category : Biography & Autobiography
Languages : en
Pages : 200

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Kenneth Sillito is internationally recognised as one of Britain's most distinguished musicians. Born in Newcastle-upon-Tyne, he studied with David Martin at the Royal Academy of Music, and in Rome with Remy Principe. His first major appointment was as associate leader of the newly created English Chamber Orchestra in 1960. He was subsequently appointed leader and remained with the orchestra until 1973, during which time he established a worldwide reputation as both director and soloist. In 1967, he founded the Gabrieli String Quartet, which swiftly established itself as one of this country's leading chamber ensembles. With the Academy of St Martin-in-the-Fields, which he joined in l980, Kenneth led and directed innumerable distinguished recordings and performances until his retirement in 2012. He was made a Fellow of the Royal Academy in 1971 and awarded the highly prestigious Cobbett Medal in 2017 by The Worshipful Company of Musicians for his services to chamber music.

Author: Mark Ellis
Publisher: Routledge
ISBN: 1351578146
Category : Music
Languages : en
Pages : 268

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For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the 'terrible dissonance' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as 'poignantly expressive'. J. S. Bach considered an occurrence of the chord in one of his forebear's motets 'remarkably bold'. During Bach's composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a 'signpost' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart's Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin's Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer's strikingly original harmonic experiments. Wagner's much-analyzed 'Tristan Chord' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord's mercurial

Author: Ellen Rosand
Publisher: Routledge
ISBN: 1351552090
Category : Music
Languages : en
Pages : 289

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After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.

Author: Tino Zottola
Publisher: Bold Strummer
ISBN: 9780933224971
Category : Music
Languages : en
Pages : 104

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Author: Shannon Ables
Publisher:
ISBN: 9781736967232
Category :
Languages : en
Pages :

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Author: Jenny Doctor
Publisher: Routledge
ISBN: 1000090019
Category : Music
Languages : en
Pages : 601

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At this book's core is a critical edition of letters exchanged over 50 years between Anglo-Irish composer Elizabeth Maconchy (1907-1994) and the Welsh composer Grace Williams (1906-1977). These two innovative and talented women are highly regarded for their music, their professional activities and their roles in British musical life. The edition comprises around 200 letters from 1927 to 1977, none of which have been published before, along with scholarly introductions and contextualizations. Interwoven commentaries, in tandem with carefully constructed appendices, frame the letter texts. Moreover, the commentaries and introductory essays highlight and track the development of important themes and issues that characterize the study of twentieth-century British music today. This edition presents a dialogue, through both sides of a unique correspondence, offering an alternative commentary on musical and cultural developments of this period.

Author: Richard T. Pinnell
Publisher:
ISBN: 9780933224421
Category : Music
Languages : en
Pages : 42

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