Author: Matthew Gregory Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Matthew G. Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages : 11

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Author: Mathew Gregory Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages : 11

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Author: Richard Wrigley
Publisher: Routledge
ISBN: 135157535X
Category : Art
Languages : en
Pages : 288

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Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.

Author: Louis F. Peck
Publisher: Pickle Partners Publishing
ISBN: 178720989X
Category : History
Languages : en
Pages : 595

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Matthew Lewis (17775-1818), author of The Monk—one of the most famous of gothic novels—is attracting increasing attention for his own talent and his pre-eminence in the gothic school. The gothic mode, aside from its intrinsic interest, is important because of its distinct influence in British, continental, and American literature. Yet a full-length biography of Lewis has not appeared since 1839. For the nonspecialist seeking an introduction to Romanticism and the Regency, Lewis is a valuable man to know, with his varied literary interests—poetry, the novel, drama—and his wide acquaintance: royalty, the peerage, literary celebrities like Byron, Scott, Shelley, Sheridan, and the theatrical world. As a writer he showed uncanny anticipation of popular literary trends and a talent for the spectacular. This new biography, based on information which has appeared since 1839 and on new material, presents the whole man, not a selection of eccentricities. It includes treatment of all his works and a section of newly edited correspondence.

Author: Francesca Saggini
Publisher: Routledge
ISBN: 1317319516
Category : Literary Criticism
Languages : en
Pages : 312

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In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.

Author: David Lorne Macdonald
Publisher: University of Toronto Press
ISBN: 9780802047496
Category : Biography & Autobiography
Languages : en
Pages : 340

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A modern critical biography of Matthew Gregory Lewis (1775-1818), until now neglected as a cultural figure. This is the first study to consider all of Lewis's works and their connections to his personal and public life.

Author: Manfred Pfister
Publisher: Rodopi
ISBN: 9789042012882
Category : Literary Collections
Languages : en
Pages : 220

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Book Description
Is there a 'history' of laughter? Or isn't laughter an anthropological constant rather and thus beyond history, a human feature that has defined humanity as homo ridens from cave man and cave woman to us? The contributors to this collection of essays believe that laughter does have a history and try to identify continuities and turning points of this history by studying a series of English texts, both canonical and non-canonical, from Anglosaxon to contemporary. As this is not another book on the history of the comic or of comedy it does not restrict itself to comic genres; some of the essays actually go out of their way to discover laughter at the margins of texts where one would not have expected it all - in Beowulf, or Paradise Lost or the Gothic Novel. Laughter at the margins of texts, which often coincides with laughter from the margins of society and its orthodoxies, is one of the special concerns of this book. This goes together with an interest in 'impure' forms of laughter - in laughter that is not the serene and intellectually or emotionally distanced response to a comic stimulus which is at the heart of many philosophical theories of the comic, but emotionally disturbed and troubled, aggressive and transgressive, satanic and sardonic laughter. We do not ask, then, what is comic, but: who laughs at and with whom where, when, why, and how?

Author: Matthew Gregory Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages : 22

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Author: Donald H. Reiman
Publisher: JHU Press
ISBN: 0801877954
Category : Literary Criticism
Languages : en
Pages : 554

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Book Description
The first American edition of Shelley's complete poetry since 1892—with more poems, fragments, and collations than any previous collective edition. Winner of the Richard J. Finneran Award of the Society for Textual Scholarship, CHOICE Outstanding Academic Title of the Choice ACRL A milestone in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that describe their contextual origins and subsequent reception. Rejected passages of released poems appear as supplements to those poems, while other poetic drafts that Shelley rejected or left incomplete at his death will be grouped according to either their publication histories or the notebooks in which they survive. Volume One includes Shelley's first four works containing poetry (all prepared for publication before his expulsion from Oxford), as well as "The Devil's Walk" (circulated in August 1812), and a series of short poems that he sent to friends between 1809 and 1814, including a bawdy satire on his parents and "Oh wretched mortal," a poem never before published. An appendix discusses poems lost or erroneously attributed to the young Shelley. "These early poems are important not only biographically but also aesthetically, for they provide detailed evidence of how Shelley went about learning his craft as a poet, and the differences between their tone and that of his mature short poetry index a radical change in his self-image . . . The poems in Volume I, then, demonstrate Shelley's capacity to write verse in a range of stylistic registers. This early verse, even in its most abandoned forays into Sensibility, the Gothic, political satire, and vulgarity—perhaps especially in these most apparently idiosyncratic gestures—provides telling access to its own cultural moment, as well as to Shelley's art and thought in general."—from the Editorial Overview