Twenty Years in Europe

Twenty Years in Europe PDF Author: Samuel Hawkins Marshall Byers
Publisher:
ISBN:
Category : History
Languages : en
Pages : 392

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Twenty Years in Europe

Twenty Years in Europe PDF Author: Samuel Hawkins Marshall Byers
Publisher:
ISBN:
Category : History
Languages : en
Pages : 392

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Book Description


The Annex of the Library of Congress

The Annex of the Library of Congress PDF Author: Martin Arnold Roberts
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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A Complete History of Music

A Complete History of Music PDF Author: W.J Baltzell
Publisher: BoD – Books on Demand
ISBN: 3752405325
Category : Fiction
Languages : en
Pages : 458

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Book Description
Reproduction of the original: A Complete History of Music by W.J Baltzell

Capturing Sound

Capturing Sound PDF Author: Mark Katz
Publisher: Univ of California Press
ISBN: 0520261054
Category : Business & Economics
Languages : en
Pages : 336

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Book Description
Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.

Reading the Movies

Reading the Movies PDF Author: William V. Costanzo
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 216

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Book Description
Provides an overview of the film genre and illustrates how traditional textual analysis can be used to understand a film's themes.

The Revolt of the Cockroach People

The Revolt of the Cockroach People PDF Author: Oscar Zeta Acosta
Publisher: Vintage
ISBN: 0307831663
Category : Fiction
Languages : en
Pages : 273

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Book Description
The further adventures of “Dr. Gonzo” as he defends the “cucarachas”— the Chicanos of East Los Angeles. One of The Atlantic’s Great American Novels of the Past 100 Years Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo" a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge. In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes us behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of "chicken" Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga.

Report of the Librarian of Congress

Report of the Librarian of Congress PDF Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 246

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Van Deursen Family

Van Deursen Family PDF Author: Albert Harrison Van Deusen
Publisher:
ISBN:
Category :
Languages : en
Pages : 500

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The Film Book

The Film Book PDF Author: Ronald Bergan
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9780241484838
Category : Biography & Autobiography
Languages : en
Pages : 0

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Book Description
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.

Togo Mizrahi and the Making of Egyptian Cinema

Togo Mizrahi and the Making of Egyptian Cinema PDF Author: Prof. Deborah A. Starr
Publisher: Univ of California Press
ISBN: 0520976126
Category : Social Science
Languages : en
Pages : 252

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Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.