Author: Jammy Schmidt
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Rapport fait au nom de la commission des finances chargée d'examiner le projet de loi portant fixation du budget général de l'exercice 1938. Rapport général. Annexe au procès-verbal de la séance du 7 juillet 1937
Author: Jammy Schmidt
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Annexes au rapport fait au nom de la Commission du budget chargée d'examiner le projet de loi portant fixation du budget général des dépenses ...
Author: Paul Delombre
Publisher:
ISBN:
Category :
Languages : fr
Pages : 450
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 450
Book Description
Rivals and Conspirators
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Rapport fait au nom de la Commission du Budget chargée d'examiner le projet de loi portant fixation du Budget général des Dépenses et des Recettes de l'Exercice 1898, (Supplément au Rapport général) Par M. Camille Krantz,... (28 février 1898).
Author: Camille Krantz
Publisher:
ISBN:
Category :
Languages : fr
Pages : 124
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 124
Book Description
Rapport fait au nom de la commission des finances chargée d'examiner le projet de loi portant fixation du budget général de l'exercice 1929
Author: France. Chambre des députés
Publisher:
ISBN:
Category :
Languages : fr
Pages : 18
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 18
Book Description
Rapport fait au nom de la commission des finances chargée d'examiner le projet de loi portant fixation du budget général d l'exercice 1938 (Travaux publics). Annexe au procèsverbal de la séance du 7 juillet 1937(1).
Author: M. Philip
Publisher:
ISBN:
Category :
Languages : fr
Pages : 151
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 151
Book Description
European Economic and Political Survey
Author:
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 408
Book Description
Rapport fait au nom de la Commission du Budget chargée d'examiner le projet de loi adopté par la Chambre des Députés, adopté avec modifications par le Sénat, portant fixation du Budget général de l'Exercice 1898
Author: Camille Krantz
Publisher:
ISBN:
Category :
Languages : fr
Pages : 155
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 155
Book Description
Rapport fait au nom de la commission des finances chargeee d'examiner le projet de loi portant fixation du budget general de l'exercice 1938
Author:
Publisher:
ISBN:
Category : Finance, Public
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category : Finance, Public
Languages : fr
Pages :
Book Description