Ramón Griffero: Your Desires in Fragments and other Plays PDF Download
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Author: Ramón Griffero
Publisher: Bloomsbury Publishing
ISBN: 1783197285
Category : Drama
Languages : en
Pages : 268
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Book Description
Contains the plays Your Desires in Fragments, Cups of Wrath, Midday Lunches or Petit Dejeuner du Midi, Sebastopol (Desert Times), Downstream (Río Tormentoso), Ecstasy or Steps to Sainthood, Long Live the Republic: The Three Antonios, Gorda, The Opera Cleaners, and Legua’s Gynecologist The first collection of plays in English from the influential and radical Chilean playwright and director, Ramon Griffero, whose plays from the late 1980s to the present have been essential components in the resurgence of contemporary Chilean theatre. Adam Versényi’s translations will bring Griffero's contributions to theatre to the English-speaking-world for the first time. Having been forced to leave Chile at the time of the military coup in 1973, because of his radical political activities, Ramon Griffero returned in the early 1980s. As an openly gay former revolutionary, he founded the theatre company Teatro del Fin de Siglo, and ‘El Trolley’, a cultural space for resistance to the Pinochet dictatorship.
Author: Ramón Griffero
Publisher: Bloomsbury Publishing
ISBN: 1783197285
Category : Drama
Languages : en
Pages : 268
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Book Description
Contains the plays Your Desires in Fragments, Cups of Wrath, Midday Lunches or Petit Dejeuner du Midi, Sebastopol (Desert Times), Downstream (Río Tormentoso), Ecstasy or Steps to Sainthood, Long Live the Republic: The Three Antonios, Gorda, The Opera Cleaners, and Legua’s Gynecologist The first collection of plays in English from the influential and radical Chilean playwright and director, Ramon Griffero, whose plays from the late 1980s to the present have been essential components in the resurgence of contemporary Chilean theatre. Adam Versényi’s translations will bring Griffero's contributions to theatre to the English-speaking-world for the first time. Having been forced to leave Chile at the time of the military coup in 1973, because of his radical political activities, Ramon Griffero returned in the early 1980s. As an openly gay former revolutionary, he founded the theatre company Teatro del Fin de Siglo, and ‘El Trolley’, a cultural space for resistance to the Pinochet dictatorship.
Author: Geraldine Brodie
Publisher: Taylor & Francis
ISBN: 1315436809
Category : Art
Languages : en
Pages : 319
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Book Description
Adapting Translation for the Stage presents a sustained dialogue between scholars, actors, directors, writers, and those working across boundaries, exploring common themes encountered when writing, staging, and researching translated works.
Author: Ramón Griffero
Publisher: Bloomsbury Publishing
ISBN: 135023561X
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
In Ramón Griffero's seminal work, The Dramaturgy of Space, the playwright and director describes his aesthetic philosophy and theoretical approach to theatrical creation, illustrating his theory through practical application in a series of exercises. As well as touching upon some of Griffero's own work, like Cinema utopia (1985), Tus deseos en fragmentos (2003), Fin del eclipse (2007) and El azar de la fiesta (1992), this book also reinforces the practicality of Griffero's concepts through a series of online videos, breaking down each exercise and allowing readers to engage with the effects of his celebrated approach. Published here in English for the first time, in a translation by the leading expert on Griffero, The Dramaturgy of Space reveals the internationally renowned Chilean artist's thought process, and how his practice has influenced the theatrical, political, and social context, from the Pinochet dictatorship to the present day.
Author: Tracy C. Davis
Publisher: Routledge
ISBN: 1351271709
Category : Performing Arts
Languages : en
Pages : 972
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Book Description
The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: "what is specific to the historiography of the performative?" The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources, and creating meaning. Reflecting on issues of recording — from early modern musical scores, through VHS-technology to latest digital procedures — and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations. This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally.
Author: Paulo de Assis
Publisher: Leuven University Press
ISBN: 9462701180
Category : Music
Languages : en
Pages : 573
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Book Description
Deleuze’s and Guattari’s philosophy in the field of artistic research Gilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Félix Guattari. Within different understandings of artistic research, the authors—composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists—map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies. Contributors VOLUME 1: Paulo de Assis, Arno Böhler, Edward Campbell, Diego Castro-Magas, Pascale Criton, Zornitsa Dimitrova, Lois Fitch, Mike Fletcher, Paolo Galli, Lindsay Gianoukas, Keir GoGwilt, Oleg Lebedev, Jimmie LeBlanc, Nicolas Marty, Frédéric Mathevet, Vincent Meelberg, Catarina Pombo Nabais, Tero Nauha, Gabriel Paiuk, Martin Scherzinger, Einar Torfi Einarsson, Steve Tromans, Toshiya Ueno, Susanne Valerie, Audronė Žukauskaitė VOLUME 2: Éric Alliez, Manola Antonioli, Jūratė Baranova, Zsuzsa Baross, Anna Barseghian, Ian Buchanan, Elena del Río, Luis de Miranda, Lucia D’Errico, Lilija Duoblienė, Adreis Echzehn, Jae Emerling, Verina Gfader, Ronny Hardliz, Rahma Khazam, Stefan Kristensen, Erin Manning, John Miers, Elfie Miklautz, Marc Ngui, Andreia Oliveira, Federica Pallaver, Andrej Radman, Felix Rebolledo, Anne Sauvagnargues, Janae Sholtz, Mhairi Vari, Mick Wilson, Elisabet Yanagisawa
Author: Ramón Griffero
Publisher: Oberon Books
ISBN: 9781783197279
Category : Drama
Languages : en
Pages : 432
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Book Description
Contains the plays Your Desires in Fragments, Cups of Wrath, Midday Lunches or Petit Dejeuner du Midi, Sebastopol (Desert Times), Downstream (Río Tormentoso), Ecstasy or Steps to Sainthood, Long Live the Republic: The Three Antonios, Gorda, The Opera Cleaners, and Legua’s Gynecologist The first collection of plays in English from the influential and radical Chilean playwright and director, Ramon Griffero, whose plays from the late 1980s to the present have been essential components in the resurgence of contemporary Chilean theatre. Adam Versényi’s translations will bring Griffero's contributions to theatre to the English-speaking-world for the first time. Having been forced to leave Chile at the time of the military coup in 1973, because of his radical political activities, Ramon Griffero returned in the early 1980s. As an openly gay former revolutionary, he founded the theatre company Teatro del Fin de Siglo, and ‘El Trolley’, a cultural space for resistance to the Pinochet dictatorship.
Author: Marco Antonio De LA Parra
Publisher: Virtual Bookworm.Com Pub Incorporated
ISBN: 9781589392250
Category : Fiction
Languages : en
Pages : 152
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Book Description
This is a translation of Chilean author Marco Antonio de la Parra?
Author: Daniel Sack
Publisher: Taylor & Francis
ISBN: 1351965603
Category : Drama
Languages : en
Pages : 313
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Book Description
Imagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include: In what way is writing itself a performance? How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions? Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?
Author: Stefano Catucci
Publisher: LetteraVentidue Edizioni
ISBN: 8862426798
Category : Architecture
Languages : en
Pages : 337
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Book Description
Cities are not made only of stone: they harbor ways of life, practices, movements, moods, atmospheres, feelings. Yet the ineffable nature of affects has long deprived human passions of a meaningful role when it comes to observing urban space and envisioning its future transformation. With this book, we explore the contemporary city and its transitional conditions from a different perspective: a quest to understand how the space of collective life and the feelings this engenders are connected, how they mutually give form to each other. In an interdisciplinary collection of essays, The Affective City means to open a discussion on the “soft” presences animating the world of urban objects: beyond the city built out of mere things, this book’s focus is on the forces that make urban life emerge, thrive, flourish, but also wither, and sometimes die. A task crucial for the survival of cities as human habitats, in an urban world that – with every passing day – seems to draw closer a crisis.
Author: Bobbi Owen
Publisher:
ISBN: 9781469665467
Category : Theater
Languages : en
Pages :
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Book Description
"This book traces the trajectory of the first fifty years of PlayMakers Repertory Company (PRC). As you will read in the pages that follow, when Tom Haas and Arthur Housman conceived of PlayMakers Repertory Company in 1975, they created a unique institution, a professional theatre company not only located on the campus of a major research university, but one embedded within UNC's Department of Dramatic Art. That combination of professional artistic achievement coupled with the highest quality theatrical training characterizes PlayMakers Repertory Company from its inception to the present day. Then as now, the core of the resident company--composed of faculty who are both teachers and practitioners--along with the graduate students in the Department's three MFA programs, is constantly supplemented by the best directors, designers, and performers working in the field today. Graduate students receive professional training during the day from teachers who become their collaborators at night both off and onstage. Undergraduates learn from faculty members who are constantly moving back and forth between the classroom and the stage, with the knowledge gained in one realm sparking creativity in the other"--
