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Author: Paula Richman
Publisher: Indiana University Press
ISBN: 0253219531
Category : Fiction
Languages : en
Pages : 285
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Book Description
Fresh perspectives on the classic Indiana epic.
Author: Paula Richman
Publisher: Indiana University Press
ISBN: 0253219531
Category : Fiction
Languages : en
Pages : 285
Get Book Here
Book Description
Fresh perspectives on the classic Indiana epic.
Author: Paula Richman
Publisher: Oxford University Press
ISBN: 0197552536
Category : Religion
Languages : en
Pages : 393
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Book Description
The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance. Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments. The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.
Author: Aaron Sherraden
Publisher: Anthem Press
ISBN: 1839984716
Category : Religion
Languages : en
Pages : 187
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Book Description
According to Vālmīki’s Sanskrit Rāmāyaṇa (early centuries CE), Śambūka was practicing severe acts of austerity to enter heaven. In engaging in these acts as a Śūdra, Śambūka was in violation of class- and caste-based societal norms prescribed exclusively by the ruling and religious elite. Rāma, the hero of the Rāmāyaṇa epic, is dispatched to kill Śambūka, whose transgression is said to be the cause of a young Brahmin’s death. The gods rejoice upon the Śūdra’s death and restore the life of the Brahmin. Subsequent Rāmāyaṇa poets almost instantly recognized this incident as a blemish on Rāma’s character and they began problematizing this earliest version of the story. They adjusted and updated the story to suit the expectations of their audiences. The works surveyed in this study include numerous works originating in Hindu, Jain, Dalit and non-Brahmin communities while spanning the period from Śambūka’s first appearance in the Vālmīki Rāmāyaṇa through to the present day. The book follows the Śambūka episode chronologically across its entire history—approximately two millennia—to illuminate the social, religious, legal, and artistic connections that span the entire range of the Rāmāyaṇa’s influence and its place throughout various phases of Indian history and social revolution.
Author: Deborah de Koning
Publisher: LIT Verlag
ISBN: 3643965044
Category : Social Science
Languages : en
Pages : 422
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Book Description
This book discusses Ravanisation: the revitalisation of Ravana among Sinhalese Buddhists in post-war (after 2009) Sri Lanka. The Hindu Ramayana generally portrays Ravana as a cruel king. How and why, then, has Ravana gained the interest of Sinhalese Buddhists? This study takes an ethnographic perspective to answer these questions. The book discusses multiple Ravana representations that have emerged at an urban Buddhist site (the Sri Devram Maha Viharaya) and a rural site (Lakegala), and discloses how Ravanisation relates to Sinhalese Buddhist ethno-nationalism. In addition, the material, ritual, and spatial perspectives offer unique insights in the personal and local relevance of Ravana. Dr. Deborah de Koning holds a PhD degree in Religious Studies (Tilburg University, research funded by the Dutch Research Council) and currently works as lecturer Intercultural Communication and Hinduism and Buddhism at the Christian University of Applied Sciences (CHE, The Netherlands).
Author: Bidhu Chand Murmu, Somjeeta Pandey
Publisher: Ukiyoto Publishing
ISBN: 9354904505
Category : Fiction
Languages : en
Pages : 250
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Book Description
As a school of criticism, the central argument in Postcolonial studies revolves around dismantling the dominant narrative of colonial or imperial history. A colonization process not only captures the native people and culture but their lands too. Proper reading of postcolonial theory would be by understanding the epistemology of colonized environment or vice-versa. Even after decolonization the ideology of imperialism is persistent in native memory and thought. An embeddedness in native psyche not only nurtures imperialism but manifests them with the footprints of colonial masters. In postcolonial countries the discourse of social and economic justice is deeply rooted in ecology. As a consequence, environmental activists from postcolonial nations tend to see any modern policy as a disguised form of neocolonialism or imperial dominance, globalization and modernization. Since the shocks of imperialism and globalization are most strongly felt in the third world countries, most of them being former colonies, this edited volume intends to explore texts by South Asian writers examining how these writers and their characters cope with the destruction of the environment. This edited volume plans to seek out the writings of epistemological understanding of our environment. Moreover, the volume would also see a critical entanglement of race, class, gender, culture, modernization, globalization, nation and trans-nation etc. Furthermore, this book will attempt to show how different genres of literature ranging from fiction to non-fiction can bring out inimitable insights into varied understanding of postcolonial and ecocritical studies.
Author: Diane P. Mines
Publisher: Indiana University Press
ISBN: 0253013577
Category : Social Science
Languages : en
Pages : 582
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Book Description
Now updated: An “eminently readable, highly engaging” anthology about the lives of ordinary citizens in India, Pakistan, Bangladesh, Nepal, and Sri Lanka (Margaret Mills, Ohio State University). For the second edition of this popular textbook, readings have been updated and new essays added. The result is a timely collection that explores key themes in understanding the region, including gender, caste, class, religion, globalization, economic liberalization, nationalism, and emerging modernities. New readings focus attention on the experiences of the middle classes, migrant workers, and IT professionals, and on media, consumerism, and youth culture. Clear and engaging writing makes this text particularly valuable for general and student readers, while the range of new and classic scholarship provides a useful resource for specialists.
Author: Sarah Pinto
Publisher: Fordham University Press
ISBN: 0823286681
Category : History
Languages : en
Pages : 313
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Book Description
Just before India’s independence, a young Punjabi woman, ill at ease in her marriage and eager for personal and national freedom, sat down with psychiatrist Dev Satya Nand for an experiment in his new method of dream analysis. The published analysis documents a surge of emotion and reflections on sexuality, gender, marriage, ambition, trauma, and art. “Mrs. A.” (as she is known) turned to female figures from Hindu myth to reimagine her social world and its ethical arrangements, envisioning a future beyond marriage, colonial rule, and gendered constraints. This book explores the conversation between Mrs. A. and Satya Nand, its window onto gender and sexuality in late colonial Indian society, and the ways Mrs. A. put ethics in motion, creating alternatives to ideals of belonging, recognition, and consciousness. It finds in Mrs. A.’s musings repertoires for the creative transformation of ideals and explores the possibilities of thinking with a dynamic concept of counter-ethics. An unconventional history of gender and sexuality in late colonialism, this book reminds us that the west did not invent feminism, that psychiatry’s history of innovation and creativity is global, and that ethical thinking does not need to center on western myths or paradigms.
Author: Jo Ann Cavallo
Publisher: Modern Language Association
ISBN: 1603296190
Category : Language Arts & Disciplines
Languages : en
Pages : 200
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Book Description
Cultures across the globe have embraced epics: stories of memorable deeds by heroic characters whose actions have significant consequences for their lives and their communities. Incorporating narrative elements also found in sacred history, chronicle, saga, legend, romance, myth, folklore, and the novel, epics throughout history have both animated the imagination and encouraged reflection on what it means to be human. Teaching World Epics addresses ancient and more recent epic works from Africa, Europe, Mesoamerica, and East, Central, and South Asia that are available in English translations. Useful to instructors of literature, peace and conflict studies, transnational studies, women's studies, and religious studies, the essays in this volume focus on epics in sociopolitical and cultural contexts, on the adaptation and reception of epic works, and on themes that are especially relevant today, such as gender dynamics and politics, national identity, colonialism and imperialism, violence, and war. This volume includes discussion of Ludovico Ariosto's Orlando Furioso, Giulia Bigolina's Urania, The Book of Dede Korkut, Luís Vaz de Camões's Os Lusíadas, David of Sassoun, The Epic of Askia Mohammed, The Epic of Gilgamesh, the epic of Sun-Jata, Alonso de Ercilla y Zúñiga's La Araucana, Homer's Iliad and Odyssey, Kalevala, Kebra Nagast, Kudrun, The Legend of Poṉṉivaḷa Nadu, the Mahabharata, Manas, John Milton's Paradise Lost, Mwindo, the Nibelungenlied, Poema de mio Cid, Popol Wuj, the Ramayana, the Shahnameh, Sirat Bani Hilal, Edmund Spenser's The Faerie Queene, Statius's Thebaid, The Tale of the Heike, Three Kingdoms, Gaspar Pérez de Villagrá's Historia de la Nueva México, and Virgil's Aeneid.
Author: Beena. G
Publisher: Notion Press
ISBN: 1645873420
Category : Fiction
Languages : en
Pages : 208
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Book Description
How different would mythological narratives be, if women voiced their perspectives? Amidst great wars, superhuman heroes and their ‘glorious’ victories, is there a place for women? Are ‘great wars’ limited to armed conflicts between armies of men on the battlefields? Do women have their own battles before, after and beyond the confines of wars in the epic narratives of India? Both the Ramayana and the Mahabharata have integrated into our social and cultural fabric, and permeated into the myriad layers of life across genres and media. It is a common practice to revisit mythological landscapes and realign the lenses to look at them afresh from different perspectives. Re-renderings often bring in multiple interpretations that are creative and critical, adding variety and currency to the original narratives. Vision and Re-vision traces the lives of seven marginalized women from revisionist works against the central motif of war. It follows the pursuits of Ganga, Surpanakha, Uruvi, Sita, Urmila, Satyavati and Draupadi to understand their struggles and victories as women. Analyzing textual spaces provided to women, it explores their marginalized voices and their resistance patterns. These, in turn, establish new narratives of subversion and reclaim the voices and identities of women from the margins. A sound theoretical framework enables a comprehensive understanding of feminism and its distinct Indo-centric identity.
Author: Kedar Arun Kulkarni
Publisher: Bloomsbury Publishing
ISBN: 9354351816
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
World Literature and the Question of Genre in Colonial India describes the way Marathi literary culture, entrenched in performative modes of production and reception, saw the germination of a robust, script-centric dramatic culture owing to colonial networks of literary exchange and the newfound, wide availability of print technology. The author demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers and translators. These people participated in global conversations that left their mark on theory in the early twentieth century. Reading through archives and ephemera, Kedar Arun Kulkarni illustrates how literary cultures in colonised locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity.
