Author: Lallana Prasāda Vyāsa
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
Research papers presented in conferences on RamayanĐa of Valmiki.
Ramayana, Its Universal Appeal and Global Role
Author: Lallana Prasāda Vyāsa
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
Research papers presented in conferences on RamayanĐa of Valmiki.
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
Research papers presented in conferences on RamayanĐa of Valmiki.
The Ramayana, Global View
Author: Lallana Prasāda Vyāsa
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 224
Book Description
Research papers presented in conferences on Ramayana of Valmiki.
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 224
Book Description
Research papers presented in conferences on Ramayana of Valmiki.
Authority and Meaning in Indian Religions
Author: Julia Leslie
Publisher: Routledge
ISBN: 1351772996
Category : Religion
Languages : en
Pages : 261
Book Description
This title was first published in 2003. Can a text be used either to validate or to invalidate contemporary understandings? Texts may be deemed 'sacred', but sacred to whom? Do conflicting understandings matter? Is it appropriate to try to offer a resolution? For Hindus and non-Hindus, in India and beyond, Valmiki is the poet-saint who composed the epic Rà mà yaõa. Yet for a vocal community of dalits (once called 'untouchables'), within and outside India, Valmiki is God. How then does one explain the popular story that he started out as an ignorant and violent bandit, attacking and killing travellers for material gain? And what happens when these two accounts, Valmiki as God and Valmiki as villain, are held simultaneously by two different religious groups, both contemporary, and both vocal? This situation came to a head with controversial demonstrations by the Valmiki community in Britain in 2000, giving rise to some searching questions which Julia Leslie now seeks to address.
Publisher: Routledge
ISBN: 1351772996
Category : Religion
Languages : en
Pages : 261
Book Description
This title was first published in 2003. Can a text be used either to validate or to invalidate contemporary understandings? Texts may be deemed 'sacred', but sacred to whom? Do conflicting understandings matter? Is it appropriate to try to offer a resolution? For Hindus and non-Hindus, in India and beyond, Valmiki is the poet-saint who composed the epic Rà mà yaõa. Yet for a vocal community of dalits (once called 'untouchables'), within and outside India, Valmiki is God. How then does one explain the popular story that he started out as an ignorant and violent bandit, attacking and killing travellers for material gain? And what happens when these two accounts, Valmiki as God and Valmiki as villain, are held simultaneously by two different religious groups, both contemporary, and both vocal? This situation came to a head with controversial demonstrations by the Valmiki community in Britain in 2000, giving rise to some searching questions which Julia Leslie now seeks to address.
Seeing Beauty, Sensing Race in Transnational Indonesia
Author: L. Ayu Saraswati
Publisher: University of Hawaii Press
ISBN: 0824837878
Category : Social Science
Languages : en
Pages : 194
Book Description
In Indonesia, light skin color has been desirable throughout recorded history. Seeing Beauty, Sensing Race explores Indonesia’s changing beauty ideals and traces them to a number of influences: first to ninth-century India and some of the oldest surviving Indonesian literary works; then, a thousand years later, to the impact of Dutch colonialism and the wartime occupation of Japan; and finally, in the post-colonial period, to the popularity of American culture. The book shows how the transnational circulation of people, images, and ideas have shaped and shifted discourses and hierarchies of race, gender, skin color, and beauty in Indonesia. The author employs “affect” theories and feminist cultural studies as a lens through which to analyze a vast range of materials, including the Old Javanese epic poem Ramayana, archival materials, magazine advertisements, commercial products, and numerous interviews with Indonesian women. The book offers a rich repertoire of analytical and theoretical tools that allow readers to rethink issues of race and gender in a global context and understand how feelings and emotions—Western constructs as well as Indian, Javanese, and Indonesian notions such as rasa and malu—contribute to and are constitutive of transnational and gendered processes of racialization. Saraswati argues that it is how emotions come to be attached to certain objects and how they circulate that shape the “emotionscape” of white beauty in Indonesia. Her ground-breaking work is a nuanced theoretical exploration of the ways in which representations of beauty and the emotions they embody travel geographically and help shape attitudes and beliefs toward race and gender in a transnational world.
Publisher: University of Hawaii Press
ISBN: 0824837878
Category : Social Science
Languages : en
Pages : 194
Book Description
In Indonesia, light skin color has been desirable throughout recorded history. Seeing Beauty, Sensing Race explores Indonesia’s changing beauty ideals and traces them to a number of influences: first to ninth-century India and some of the oldest surviving Indonesian literary works; then, a thousand years later, to the impact of Dutch colonialism and the wartime occupation of Japan; and finally, in the post-colonial period, to the popularity of American culture. The book shows how the transnational circulation of people, images, and ideas have shaped and shifted discourses and hierarchies of race, gender, skin color, and beauty in Indonesia. The author employs “affect” theories and feminist cultural studies as a lens through which to analyze a vast range of materials, including the Old Javanese epic poem Ramayana, archival materials, magazine advertisements, commercial products, and numerous interviews with Indonesian women. The book offers a rich repertoire of analytical and theoretical tools that allow readers to rethink issues of race and gender in a global context and understand how feelings and emotions—Western constructs as well as Indian, Javanese, and Indonesian notions such as rasa and malu—contribute to and are constitutive of transnational and gendered processes of racialization. Saraswati argues that it is how emotions come to be attached to certain objects and how they circulate that shape the “emotionscape” of white beauty in Indonesia. Her ground-breaking work is a nuanced theoretical exploration of the ways in which representations of beauty and the emotions they embody travel geographically and help shape attitudes and beliefs toward race and gender in a transnational world.
Ramayana in the Arts of Asia
Author: Garrett Kam
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 312
Book Description
The 5 Hours and After
Author:
Publisher:
ISBN:
Category : Ayodhya (Faizabad, India)
Languages : en
Pages : 356
Book Description
Contributed articles on the Ayodhya issue following December 6, 1992.
Publisher:
ISBN:
Category : Ayodhya (Faizabad, India)
Languages : en
Pages : 356
Book Description
Contributed articles on the Ayodhya issue following December 6, 1992.
Journal of Social and Economic Studies
Author:
Publisher:
ISBN:
Category : Social sciences
Languages : en
Pages : 386
Book Description
Publisher:
ISBN:
Category : Social sciences
Languages : en
Pages : 386
Book Description
Annotated Bibliography on Value Education in India
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 970
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 970
Book Description
Rocznik orientalisticzny
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 892
Book Description
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 892
Book Description
Graphic Novels and Comics as World Literature
Author: James Hodapp
Publisher: Bloomsbury Publishing USA
ISBN: 1501373439
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Graphic narratives are one of the world's great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale. Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others.
Publisher: Bloomsbury Publishing USA
ISBN: 1501373439
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Graphic narratives are one of the world's great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale. Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others.