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Author: Ralph Eugene Meatyard
Publisher:
ISBN: 9781934435335
Category : Art
Languages : en
Pages : 0
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Book Description
Published in conjunction with an exhibition organized by the Art Institute of Chicago and held at the Art Institute of Chicago, July 2-Sept. 25, 2011; the De Young Museum, San Francisco, Oct. 8, 2011-Feb. 26, 2012, and the Philadelphia Museum of Art, May 19-Aug. 5, 2012.
Author: Ralph Eugene Meatyard
Publisher:
ISBN: 9781934435335
Category : Art
Languages : en
Pages : 0
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Book Description
Published in conjunction with an exhibition organized by the Art Institute of Chicago and held at the Art Institute of Chicago, July 2-Sept. 25, 2011; the De Young Museum, San Francisco, Oct. 8, 2011-Feb. 26, 2012, and the Philadelphia Museum of Art, May 19-Aug. 5, 2012.
Author: Alexander Nemerov
Publisher:
ISBN: 9781881337447
Category : Photography
Languages : en
Pages : 97
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Book Description
The legendary, mysterious photographer Ralph Eugene Meatyard (1925–72) lived in Lexington, Kentucky, working in a close-knit community of artists and writers while making his living as an optician. Ralph Eugene Meatyard: American Mystic, by esteemed art historian Alexander Nemerov, is a groundbreaking study of Meatyard’s work, creative thinking and sources of inspiration.Given rare access to the personal library in which Meatyard had tellingly annotated works of fiction, poetry and other pages of personal significance, Nemerov examines the artist’s process of creating characters and staging dreamlike scenes. American Mystic also considers the artists and writers whose work influenced Meatyard, such as William Blake, Ludwig Wittgenstein and Thomas Merton -- Publisher's website.
Author: Wendell Berry
Publisher: Counterpoint Press
ISBN: 9781593760922
Category : Nature
Languages : en
Pages : 111
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Book Description
A celebratory collection of essays and photographs, originally published as part of an effort to preserve Red River Gorge from plans to build a dam and a man-made lake, shares the T. S. Eliot Award-winning writer's perspectives on the gorge's wild beauty and the nature of rivers. Reprint.
Author: Guy Davenport
Publisher: David R. Godine Publisher
ISBN: 9781567920802
Category : Literary Collections
Languages : en
Pages : 404
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Book Description
In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.
Author: James Rhem
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Photography
Languages : en
Pages : 136
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Book Description
Edited by James Rhem.
Author: Ralph Eugene Meatyard
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 141
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Book Description
Author: Ralph Eugene Meatyard
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 116
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Book Description
"Correspondence between Thomas Merton and Ralph Eugene Meatyard": p. 65-75.
Author: Rebekah Modrak
Publisher: Taylor & Francis
ISBN: 0415779197
Category : Art
Languages : en
Pages : 555
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Book Description
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --
Author: Brian Sholis
Publisher: Yale University Press
ISBN: 0300218982
Category : Art
Languages : en
Pages : 193
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Book Description
A groundbreaking study of the extraordinary photographers, writers, printmakers, and publishers who formed a flourishing modernist community in Kentucky Dozens of American cities witnessed the founding of camera clubs in the first half of the 20th century, though few boasted as many accomplished artists as the one based in Lexington, Kentucky. This pioneering book provides the most absorbing account to date of the Lexington Camera Club, an under-studied group of artists whose ranks included Ralph Eugene Meatyard, Van Deren Coke, Robert C. May, James Baker Hall, and Cranston Ritchie. These and other members of the Lexington Camera Club explored the craft and expressive potential of photography. They captured Kentucky's dramatic natural landscape and experimented widely with different techniques, including creating double and multiple exposures or shooting deliberately out-of-focus images. In addition to compiling images by these photographers, this book examines their relationships with writers, publishers, and printmakers based in Kentucky at the time, such as Wendell Berry, Guy Davenport, Jonathan Greene, and Thomas Merton. Moreover, the publication seeks to highlight the unique contributions that the Lexington Camera Club made to 20th-century photography, thus broadening a narrative of modern art that has long focused on New York and Chicago. Featuring a wealth of new scholarship, this fascinating catalogue asserts the importance and artistic achievement of these often overlooked photographers and their circle.
Author: Fraenkel Gallery
Publisher:
ISBN: 9781881337331
Category : Photography, Abstract
Languages : en
Pages : 0
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Book Description
Since the invention of photography almost 175 years ago, the medium has proven itself understandably adept at capturing what is there to be photographed: the solid, the concrete, that which can be seen. Another tradition exists, however; a parallel tradition in which photographers and artists have attempted to depict via photographic means that which is not so easily photographed: dreams, ghosts, god, thought, time. The Unphotographable explores this parallel tradition, and is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
