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Author: Ravi Varma
Publisher: Nesma Books India
ISBN: 9788190157605
Category : Art
Languages : en
Pages : 283
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Book Description
Color reproductions of the paintings of Ravi Varma, 1848-1906, Indian painter.
Author: Ravi Varma
Publisher: Nesma Books India
ISBN: 9788190157605
Category : Art
Languages : en
Pages : 283
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Book Description
Color reproductions of the paintings of Ravi Varma, 1848-1906, Indian painter.
Author: Ravi Varma
Publisher:
ISBN: 9788190157612
Category : Painting, Indic
Languages : en
Pages :
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Book Description
On the life and works of Raja Ravi Varma, 1848-1906, famous painter from Kerala; includes reproduction of his paintings.
Author: Sri Chitra Art Gallery (Trivandrum, India)
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 11
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Book Description
Author: Ravi Varma
Publisher:
ISBN: 9788191002614
Category : Hindu goddesses in art
Languages : en
Pages : 253
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Book Description
This book Raja Ravi Varma 'Oleographs Catalogue', a pioneering work with the exclusive publication of 110 oleographs / lithographs of Ravi Varma's paintings, giving the corresponding thematic description of the subjects covering vast topics like Hindu religion, Mythology, Sanskrit Literature such as Shakunthalam, Kadambari, Priyadarshika, etc., is written by Dr.D.Jegat Ishwari. Collection of oleographs has taken more than fifteen years of strenuous efforts and writing of the book more than two years for reference work. These prints have great antique value and have become collectors' choice. The book unlike other art publications is without obtaining courtesy from any extraneous source. It gives a comprehensive idea of Ravi Varma's oleographs, will serve as collectors' guide for antique lovers and help students of art and critics. Could be of immense use to readers who love Indian art, culture and for art Institutions / Departments. Foreword for the book is written by the Superintending Archaeologist, Archaeological Survey of India (ASI), Chennai circle and Preface by the Regional Director, Indian Council for Cultural Relations (ICCR), Ministry of External Affairs, Govt. of India, Chennai.
Author: Partha Mitter
Publisher: Cambridge University Press
ISBN: 9780521443548
Category : Art
Languages : en
Pages : 538
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Book Description
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
Author: Shobha Tharoor Srinivasan
Publisher: Red Panda
ISBN: 9789390679317
Category :
Languages : en
Pages : 0
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Book Description
Author: C. Raja Raja Varma
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 364
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Book Description
The Diary Of C. Raja Raja Varma, Ravi Varma`S Brother, Is A Huge Source Of Information On The Accomplishmnets Of Ravi Varma And The Working Of His Lithographic Press Over A Ten-Year Period, 1894-05-1905
Author: Manu S. Pillai
Publisher:
ISBN: 9789391165895
Category : History
Languages : en
Pages : 0
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Book Description
In this brilliantly researched book, Manu S. Pillai uncovers a picture of the Indian princes far removed from the existing cliches and reminds us that the maharajahs were serious political actors - essential to knowing modern India.
Author: Vandana Saberval
Publisher: Vikas Publishing House
ISBN: 9325994631
Category : Science
Languages : en
Pages : 250
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Book Description
Social Science Made Simple strictly adheres to the syllabus of the Social Science books published by the NCERT for Classes 6 to 8. The books contain a plethora of study material to help reinforce the concepts taught in the NCERT books, along with numerous exercises covering all aspects of the chapter.Social Science Made Simple strictly adheres to the syllabus of the Social Science books published by the NCERT for Classes 6 to 8. The books contain a plethora of study material to help reinforce the concepts taught in the NCERT books, along with numerous exercises covering all aspects of the chapter.
Author: Eugenio Barba
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
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Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
