Author: Johnny Gruelle
Publisher: Read Books Ltd
ISBN: 1473384354
Category : Juvenile Fiction
Languages : en
Pages : 108
Book Description
Raggedy Ann tales, written and drawn by Johnny Gruelle, have been entertaining children since 1918. Gruelle (1880 - 1930), was an American artist and political cartoonist, as well as a children's book illustrator and author. The books of 'The Raggedy Ann Series' all feature their central protagonist, with red yarn for hair and a triangle nose - charting her considerable adventures. Gruelle created Raggedy Ann for his daughter, Marcella, when she brought him an old hand-made rag doll. He drew a face on it, and from his bookshelf, pulled a book of poems by James Whitcomb Riley, combining the names of two poems, 'The Raggedy Man' and 'Little Orphant Annie.' From this moment on, the much-loved children's series went from strength to strength. Sought after by collectors, this re-printed edition showcases Gruelle's original text, further enhanced by his wonderful colour drawings, in order that the two may be fully appreciated by young and old alike. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s classics and fairy tales – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight once again.
Raggedy Ann and Betsy Bonnet String - Illustrated by Johnny Gruelle
Author: Johnny Gruelle
Publisher: Read Books Ltd
ISBN: 1473384354
Category : Juvenile Fiction
Languages : en
Pages : 108
Book Description
Raggedy Ann tales, written and drawn by Johnny Gruelle, have been entertaining children since 1918. Gruelle (1880 - 1930), was an American artist and political cartoonist, as well as a children's book illustrator and author. The books of 'The Raggedy Ann Series' all feature their central protagonist, with red yarn for hair and a triangle nose - charting her considerable adventures. Gruelle created Raggedy Ann for his daughter, Marcella, when she brought him an old hand-made rag doll. He drew a face on it, and from his bookshelf, pulled a book of poems by James Whitcomb Riley, combining the names of two poems, 'The Raggedy Man' and 'Little Orphant Annie.' From this moment on, the much-loved children's series went from strength to strength. Sought after by collectors, this re-printed edition showcases Gruelle's original text, further enhanced by his wonderful colour drawings, in order that the two may be fully appreciated by young and old alike. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s classics and fairy tales – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight once again.
Publisher: Read Books Ltd
ISBN: 1473384354
Category : Juvenile Fiction
Languages : en
Pages : 108
Book Description
Raggedy Ann tales, written and drawn by Johnny Gruelle, have been entertaining children since 1918. Gruelle (1880 - 1930), was an American artist and political cartoonist, as well as a children's book illustrator and author. The books of 'The Raggedy Ann Series' all feature their central protagonist, with red yarn for hair and a triangle nose - charting her considerable adventures. Gruelle created Raggedy Ann for his daughter, Marcella, when she brought him an old hand-made rag doll. He drew a face on it, and from his bookshelf, pulled a book of poems by James Whitcomb Riley, combining the names of two poems, 'The Raggedy Man' and 'Little Orphant Annie.' From this moment on, the much-loved children's series went from strength to strength. Sought after by collectors, this re-printed edition showcases Gruelle's original text, further enhanced by his wonderful colour drawings, in order that the two may be fully appreciated by young and old alike. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s classics and fairy tales – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight once again.
Raggedy Ann and Betsy Bonnet String
Author: Johnny Gruelle
Publisher:
ISBN:
Category : Dolls
Languages : en
Pages : 95
Book Description
Publisher:
ISBN:
Category : Dolls
Languages : en
Pages : 95
Book Description
Toy Time!
Author: Christopher Byrne
Publisher: Three Rivers Press (CA)
ISBN: 9780385349123
Category : ANTIQUES & COLLECTIBLES
Languages : en
Pages : 0
Book Description
"A nostalgic celebration of the most beloved toys of decades past - like Twister, LEGOs, My Little Ponies, Lite Brite, Viewmaster, Transformers ... and much more. Attractive, gifty, and fully illustrated with photos of vintage toy packaging, advertisements, and of course the toys themselves, Toy Time! is chock full of fun facts, trivia, and memories about the toys you cherished most"--
Publisher: Three Rivers Press (CA)
ISBN: 9780385349123
Category : ANTIQUES & COLLECTIBLES
Languages : en
Pages : 0
Book Description
"A nostalgic celebration of the most beloved toys of decades past - like Twister, LEGOs, My Little Ponies, Lite Brite, Viewmaster, Transformers ... and much more. Attractive, gifty, and fully illustrated with photos of vintage toy packaging, advertisements, and of course the toys themselves, Toy Time! is chock full of fun facts, trivia, and memories about the toys you cherished most"--
The Optical Unconscious
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Colour-Coded
Author: Constance Backhouse
Publisher: University of Toronto Press
ISBN: 1442690852
Category : Social Science
Languages : en
Pages : 505
Book Description
Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society
Publisher: University of Toronto Press
ISBN: 1442690852
Category : Social Science
Languages : en
Pages : 505
Book Description
Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society
320 rue St Jacques
Author: Wendy Michallat
Publisher: White Rose University Press
ISBN: 1912482134
Category : Biography & Autobiography
Languages : en
Pages : 410
Book Description
In November 1939 Madeleine Blaess, a French-born, British-raised student, set off for Paris to study for a doctorate in Medieval French literature at the Sorbonne. In June 1940, the German invasion cut off her escape route to the ports, preventing her return to Britain. She was forced to remain in France for the duration of the Occupation and in October 1940 began to write a diary. Intended initially as a replacement letter to her parents in York, she wrote it in French and barely missed an entry for almost four years. Madeleine’s diary is unique as she wrote it to record as much as she could about everyday life, people and events so she could use these written traces to rekindle memories later for the family from whom she had been parted. Many diaries of that era focus on the political situation. Madeleine’s diary does reflect and engage with military and political events. It also provides an unprecedented day-by-day account of the struggle to manage material deprivation, physical hardship, mental exhaustion and depression during the Occupation. The diary is also a record of Madeleine’s determination to achieve her ambition to become a university academic at a time when there was little encouragement for women to prioritise education and career over marriage and motherhood. Her diary is edited and translated here for the first time.
Publisher: White Rose University Press
ISBN: 1912482134
Category : Biography & Autobiography
Languages : en
Pages : 410
Book Description
In November 1939 Madeleine Blaess, a French-born, British-raised student, set off for Paris to study for a doctorate in Medieval French literature at the Sorbonne. In June 1940, the German invasion cut off her escape route to the ports, preventing her return to Britain. She was forced to remain in France for the duration of the Occupation and in October 1940 began to write a diary. Intended initially as a replacement letter to her parents in York, she wrote it in French and barely missed an entry for almost four years. Madeleine’s diary is unique as she wrote it to record as much as she could about everyday life, people and events so she could use these written traces to rekindle memories later for the family from whom she had been parted. Many diaries of that era focus on the political situation. Madeleine’s diary does reflect and engage with military and political events. It also provides an unprecedented day-by-day account of the struggle to manage material deprivation, physical hardship, mental exhaustion and depression during the Occupation. The diary is also a record of Madeleine’s determination to achieve her ambition to become a university academic at a time when there was little encouragement for women to prioritise education and career over marriage and motherhood. Her diary is edited and translated here for the first time.
Literature & Composition
Author: Carol Jago
Publisher: Bedford/St. Martin's
ISBN: 9780312388065
Category : Literary Collections
Languages : en
Pages : 1568
Book Description
From Carol Jago and the authors of The Language of Composition comes the first textbook designed specifically for the AP* Literature and Composition course. Arranged thematically to foster critical thinking, Literature & Composition: Reading • Writing • Thinking offers a wide variety of classic and contemporary literature, plus all of the support students need to analyze it carefully and thoughtfully. The book is divided into two parts: the first part of the text teaches students the skills they need for success in an AP Literature course, and the second part is a collection of thematic chapters of literature with extensive apparatus and special features to help students read, analyze, and respond to literature at the college level. Only Literature & Composition has been built from the ground up to give AP students and teachers the materials and support they need to enjoy a successful and challenging AP Literature course. Use the navigation menu on the left to learn more about the selections and features in Literature & Composition: Reading • Writing • Thinking. *AP and Advanced Placement Program are registered trademarks of the College Entrance Examination Board, which was not involved in the publication of and does not endorse this product.
Publisher: Bedford/St. Martin's
ISBN: 9780312388065
Category : Literary Collections
Languages : en
Pages : 1568
Book Description
From Carol Jago and the authors of The Language of Composition comes the first textbook designed specifically for the AP* Literature and Composition course. Arranged thematically to foster critical thinking, Literature & Composition: Reading • Writing • Thinking offers a wide variety of classic and contemporary literature, plus all of the support students need to analyze it carefully and thoughtfully. The book is divided into two parts: the first part of the text teaches students the skills they need for success in an AP Literature course, and the second part is a collection of thematic chapters of literature with extensive apparatus and special features to help students read, analyze, and respond to literature at the college level. Only Literature & Composition has been built from the ground up to give AP students and teachers the materials and support they need to enjoy a successful and challenging AP Literature course. Use the navigation menu on the left to learn more about the selections and features in Literature & Composition: Reading • Writing • Thinking. *AP and Advanced Placement Program are registered trademarks of the College Entrance Examination Board, which was not involved in the publication of and does not endorse this product.
Raggedy Ann and the Wonderful Witch
Author: Johnny Gruelle
Publisher:
ISBN:
Category : Dolls
Languages : en
Pages : 104
Book Description
Raggedy Ann outwits a mean old witch who tries to get her magical wishing pebble.
Publisher:
ISBN:
Category : Dolls
Languages : en
Pages : 104
Book Description
Raggedy Ann outwits a mean old witch who tries to get her magical wishing pebble.
Dance and Drama in French Baroque Opera
Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505
Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505
Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Country Music Records
Author: Tony Russell
Publisher: New York : Oxford University Press
ISBN: 0195139895
Category : Antiques & Collectibles
Languages : en
Pages : 1198
Book Description
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Publisher: New York : Oxford University Press
ISBN: 0195139895
Category : Antiques & Collectibles
Languages : en
Pages : 1198
Book Description
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.