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Author: David Lloyd
Publisher:
ISBN: 9781781333846
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Radio Secrets is the definitive guide to radio and podcast production and presentation techniques in contemporary talk or music radio, written by a top radio programmer and drawing on interviews with the leaders in their field.
Author: David Lloyd
Publisher:
ISBN: 9781781333846
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Radio Secrets is the definitive guide to radio and podcast production and presentation techniques in contemporary talk or music radio, written by a top radio programmer and drawing on interviews with the leaders in their field.
Author: Michael S. Sweeney
Publisher: Univ of North Carolina Press
ISBN: 0807875600
Category : Language Arts & Disciplines
Languages : en
Pages : 290
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Book Description
During World War II, the civilian Office of Censorship supervised a huge and surprisingly successful program of news management: the voluntary self-censorship of the American press. In January 1942, censorship codebooks were distributed to all American newspapers, magazines, and radio stations with the request that journalists adhere to the guidelines within. Remarkably, over the course of the war no print journalist, and only one radio journalist, ever deliberately violated the censorship code after having been made aware of it and understanding its intent. Secrets of Victory examines the World War II censorship program and analyzes the reasons for its success. Using archival sources, including the Office of Censorship's own records, Michael Sweeney traces the development of news media censorship from a pressing necessity after the attack on Pearl Harbor to the centralized yet efficient bureaucracy that persuaded thousands of journalists to censor themselves for the sake of national security. At the heart of this often dramatic story is the Office of Censorship's director Byron Price. A former reporter himself, Price relied on cooperation with--rather than coercion of--American journalists in his fight to safeguard the nation's secrets.
Author: Tony Hertz
Publisher: Ecademy Press
ISBN: 1908746653
Category : Business & Economics
Languages : en
Pages : 177
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Book Description
In today's content consumed advertising business, radio remains a powerful and relevant way to reach millions of consumers all over the world. It will make you want to sit down and write a great radio ad!
Author: David Lloyd
Publisher: Biteback Publishing
ISBN: 1849549346
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
There is no such thing as perfect radio - and therein lies its delicious unpredictability. In fact, so charming is this quality that 90 per cent of UK adults tune into the medium every week. Like many things, radio done well sounds effortless. It is not. Producing great radio is partly down to instinct and partly down to learning then mastering the basics. Drawing upon his thirty years spent working with some of the finest talents in British radio, David Lloyd shares a plethora of valuable tips and tricks of the trade in this unique and authoritative guide to broadcasting success. Covering speech and music formats, local and national stations, technical and artistic skills, content and style considerations, and much, much more, this how-to is essential and accessible reading for all - whether you are taking your tentative first steps in radio or refreshing your existing industry knowledge. Lloyd's hugely entertaining selection of anecdotes, examples, research, insight and pointers sets out to bottle the very essence of memorable radio, determining the factors that differentiate a truly great broadcaster from a distinctly average one, and helping budding hopefuls achieve their radio goals.
Author: David Lloyd
Publisher: Biteback Publishing
ISBN: 1785903187
Category : Biography & Autobiography
Languages : en
Pages : 330
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Book Description
In the 1970s, '80s and '90s Britain witnessed what many in the business saw as the second great age of radio. It was a period when FM radio blossomed and local stations opened and broadcast across the land. It was a step away from the output of the national broadcaster, the BBC, which had held a monopoly on the airways since its inception. Broadcaster, station manager and regulator for over forty years David Lloyd was very much a part of this revolution and is, amongst his peers, well placed to tell that story. Lloyd describes the period as one of innovation, his aim to create a timeline of radio of this era through to the present day, to capture those heady days, the characters, the fun and heartache, life on the air, life off the air. And to revisit those station launches, company consolidations, the successes and the failures. Told with the insight of an insider, with his characteristic wit and a huge dollop of nostalgia, David Lloyd brings to life a unique age in broadcasting in this fascinating account. David Lloyd has spent a lifetime in radio and has worked with some of the UK's biggest names. An award-winning broadcaster, he was part of the first wave of commercial radio in the 1980s. He later joined the Radio Authority, where he was given responsibility for overseeing compliance across the commercial radio industry. A Fellow of the Radio Academy, he has been MD and Programme Director of LBC, a programmer for Virgin Radio and a BBC manager and broadcaster. He was, until recently, Group Editorial Director at Orion Media.
Author: Claude Jollet
Publisher: Claude Jollet
ISBN: 0995027323
Category : Technology & Engineering
Languages : en
Pages : 114
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Book Description
The contents of this book are mostly aimed at the amateur radio beginner and aspiring ones. Therefore, this book provides answers to basic questions like: What is the best HF antenna for my needs and location? What type of stand-alone antenna tuner should I use and which should I avoid? How can I hide my HF antenna from the neighbors and still get acceptable performance from it? What about lightning protection? This book will supply immediately useful answers to the above questions and many more. A properly designed and installed amateur radio HF antenna system can potentially make the humblest ham radio equipment perform like stations worth thousands of dollars. We are confident that the antenna experimenter will find the information given here priceless. Furthermore, any ham radio operator, armed with the information this book contains, will become a much better informed buyer of commercially made HF antenna systems and accessories. This special compendium edition is published in response to ham radio operators who wrote to ask that all the basic information, on and related to amateur radio HF antennas, be made available in one book instead of four, arguing that it would be more convenient. The author and publisher agree. Therefore this edition contains the complete four-book series on Amateur Radio HF Antennas published by Claude Jollet, VE2DPE.
Author: Ronald Paul Milione
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
ABOUT NUMBER STATIONSThere are actually several types of number stations, but the prototypical one is simply someone on the air reading lists of numbers (or sending them via Morse code). Some read off other coded messages (like phonetic alphabet letters) or have sounds in the background that may or may not be digitally-encoded messages. One even used a sound clip from a Yosemite Sam cartoon to separate bursts of data! According to the Conet Project, number stations were heard as early as World War I. In most cases, no one knows for sure what the purpose of the stations are, but there are dedicated groups that try to locate them and even decode what they are saying. However, it is thought that most of them use some form of one time pad cryptography which makes trying to decode them a very long shot. It is pretty widely accepted, though, that the purpose of most (if not all) of these stations is to deliver clandestine messages.For example, suppose I wanted to send you secret messages so I give you a shortwave receiver. I tell you to listen to a certain frequency at a certain time and I read off a series of numbers. To decode my message, you treat the numbers I read as a page number followed by a word number in, for example, a newspaper that is a day or two old. As long as you keep a copy of the newspaper and you have the radio, I can send you messages that would be very hard to decipher unless someone told you what newspaper we agreed to use. This is a form of one time pad, and if you keep the secrets, the method is practically unbreakable. The key, though, is that when they search your hotel room and find a shortwave receiver and a few days of newspapers, that's not particularly suspicious. There's a group called ENIGMA 2000 that catalogs and analyzes number stations, producing the Enigma Control List (although the latest one is a few years old). They have a naming scheme that identifies stations based on language or other characteristics of the signal. For example, stations starting with E broadcast in English, while stations starting with S broadcast in a Slavic language. M stations use Morse code. Naturally, these are just handy designations (like E22). In most cases, we don't know what the stations call themselves. In 1998, the FBI arrested five Cuban intelligence officers. The spies received messages via a numbers station (using Sony shortwave radios) and the coded messages were a big part of the FBI's court case. The FBI acquired the software the spies used to decode the messages and were able to read them (and present them in court). This may be the only time that a government has admitted that these stations are tied to covert operations.The Cuban Five, also known as the Miami Five (Gerardo Hernández, Antonio Guerrero, Ramón Labañino, Fernando González, and René González) were tried and convicted of conspiracy to commit espionage, conspiracy to commit murder, acting as an agent of a foreign government, and other charges.WHY NOW?Numbers Station.. You have to wonder, in this day of Internet and satellite phones, why these stations still operate. After all, a shortwave receiver is a bit more unusual today than it used to be. Maybe the receivers are camouflaged as standard radios and need some James Bond-style gadget to put them on the shortwave band. After all, a satellite phone implies you are talking to someone and Internet usage is traceable. Short of being caught in the act (or using software like the Cubans), there's no proof of what you are listening to on a radio. Still, it seems incredible that there are apparently still operatives somewhere right now copying encoded instructions from these number stations. You can only wonder what they are up to.HOW CAN I HEAR THEM?If you have a software defined radio setup, that's perfect. Of course, a general coverage receiver or a ham radio that has a wide receive range will do the trick too. An easy way to find common stations!
Author: John Biewen
Publisher: Univ of North Carolina Press
ISBN: 0807895660
Category : Language Arts & Disciplines
Languages : en
Pages : 223
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Book Description
Over the last few decades, the radio documentary has developed into a strikingly vibrant form of creative expression. Millions of listeners hear arresting, intimate storytelling from an ever-widening array of producers on programs including This American Life, StoryCorps, and Radio Lab; online through such sites as Transom, the Public Radio Exchange, Hearing Voices, and Soundprint; and through a growing collection of podcasts. Reality Radio celebrates today's best audio documentary work by bringing together some of the most influential and innovative practitioners from the United States, Canada, the United Kingdom, and Australia. In these nineteen essays, documentary artists tell--and demonstrate, through stories and transcripts--how they make radio the way they do, and why. Whether the contributors to the volume call themselves journalists, storytellers, even audio artists--and although their essays are just as diverse in content and approach--all use sound to tell true stories, artfully. Contributors: Jad Abumrad Jay Allison damali ayo John Biewen Emily Botein Chris Brookes Scott Carrier Katie Davis Sherre DeLys Lena Eckert-Erdheim Ira Glass Alan Hall Natalie Kestecher The Kitchen Sisters Maria Martin Karen Michel Rick Moody Joe Richman Dmae Roberts Stephen Smith Sandy Tolan
Author: Laurie Taylor
Publisher: Random House (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
Author: Paul Chantler
Publisher: Bloomsbury Publishing
ISBN: 1408141280
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
'Incredibly comprehensive. Learn and understand this lot and you will have a fine grasp' Jon Snow 'This sets the standard for every radio newsroom' - Andy Ivy, Editor, Sky News Radio In an age of infinite choice made possible by new technology, and a disturbing move away from traditional reporting into colourful comment and speculation by blogs and `citizen journalists' there has never been a better time to focus on pure journalism skills. Essential Radio Journalism is a vastly comprehensive working manual for radio journalists as well as a textbook for broadcast journalism students. It contains practical advice for gathering, reporting, writing, editing and presenting, the news, alongside media law and ethics. There is a wealth of 'inside' information, checklists and on-the-job advice that you can immediately put to use whether you are in your first job or have several years of experience. This is a book to inspire responsible, accurate and exceptional journalism skills.
