Author:
Publisher: BRILL
ISBN: 9004415068
Category : Drama
Languages : en
Pages : 177
Get Book Here
Book Description
Racine’s Andromaque: Absences and Displacements casts a new look at the dynamism, richness, and complexity of Racine’s first major tragedy (first performed in Paris in 1667), through a collection of articles specially commissioned by the editors Nicholas Hammond and Joseph Harris. Challenging received opinions about the fixity of French ‘classicism’, this volume demonstrates how Racine’s play is preoccupied with absences, displacements, instability, and uncertainty. The articles explore such issues as: movement and transactions, offstage characters and locations, hallucinations and fantasies, love and desire, and translations and adaptations of Racine’s play. This collection will be an invaluable resource for students and scholars of seventeenth-century French theatre. Contributors: Nicholas Hammond, Joseph Harris, Michael Moriarty, Emilia Wilton-Godberfforde, Delphine Calle, Jennifer Tamas, Michael Hawcroft, Katherine Ibbett, Richard Parish.
Author: June Moravcevich
Publisher:
ISBN:
Category : Andromache (Legendary character) in literature
Languages : en
Pages : 216
Get Book Here
Book Description
Author: Bright Summaries
Publisher: BrightSummaries.com
ISBN: 2806288185
Category : Literary Criticism
Languages : en
Pages : 21
Get Book Here
Book Description
Unlock the more straightforward side of Andromaque with this concise and insightful summary and analysis! This engaging summary presents an analysis of Andromaque by Jean Racine, which tells the tragic story of the passion of four characters who fall into unrequited love, leading to their despair and, eventually, untimely demise. It remains Racine’s most-performed play and a pioneering work of the tragic genre. Racine is one of France’s most renowned dramatists and is still considered a revolutionary genius in the literary domain. Find out everything you need to know about Andromaque in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
Author: Jean Racine
Publisher: Penguin Classics
ISBN: 9780140441956
Category : Drama
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Gordon Pocock
Publisher: CUP Archive
ISBN:
Category : Drama
Languages : en
Pages : 340
Get Book Here
Book Description
This study highlights that both Corneille and Racine were living writers, struggling to create developing forms within the strait-jacket of neo-classical decorum.
Author: Jean Racine
Publisher: Hal Leonard Corporation
ISBN: 9781557830210
Category : Drama
Languages : en
Pages : 132
Get Book Here
Book Description
(Applause Books). "Love? What does love mean in this fearsome drama? Not much that is affirmative. Not much to heat the heart of a sentimental spectator. It signifies a passion that amounts to illness, an alternately aching and frantic desire that cannot be slaked. The three characters who love strive to conquer love by straining their will power to its elastic limits. And what does loved mean here? Not the ecstasy of glowing with selflessness and basking in another's affection, but a tormenting burden that cannot be shaken off, can only be readjusted to serve as an instrument of convenience or harm." from the Afterword by Albert Bermel
Author: Nicholas Hammond
Publisher: Brill
ISBN: 9789004415058
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Racine's Andromaque: Absences and Displacements casts a new look at the dynamism, richness, and complexity of Racine's first major tragedy, through a collection of articles specially commissioned by the editors Nicholas Hammond and Joseph Harris.
Author: Mitchell Greenberg
Publisher: U of Minnesota Press
ISBN: 0816660832
Category : Literary Criticism
Languages : en
Pages : 307
Get Book Here
Book Description
A study of all of the major tragedies of Jean Racine, France's preeminent dramatist-and, according to many, its greatest and most representative author-Mitchell Greenberg's work offers an exploration of Racinian tragedy to explain the enigma of the plays' continued fascination. Greenberg shows how Racine uses myth, in particular the legend of Oedipus, to achieve his emotional power. In the seventeenth-century tragedies of Racine, almost all references to physical activity were banned from the stage. Yet contemporary accounts of the performances describe vivid emotional reactions of the audiences, who were often reduced to tears. Greenberg demonstrates how Racinian tragedy is ideologically linked to Absolutist France's attempt to impose the "order of the One" on its subjects. Racine's tragedies are spaces where the family and the state are one and the same, with the result that sexual desire becomes trapped in a closed, incestuous, and highly formalized universe. Greenberg ultimately suggests that the politics and sexuality associated with the legend of Oedipus account for our attraction to charismatic leaders and that this confusion of the state with desire explains our continued fascination with these timeless tragedies.
Author: Katherine E. Wheatley
Publisher: University of Texas Press
ISBN: 1477307001
Category : Literary Criticism
Languages : en
Pages : 359
Get Book Here
Book Description
Literary historians and critics who have written on the influence of Racine in England during the neoclassical period apparently have assumed that the English translators and adapters of Racine’s plays in general succeeded in presenting the real Racine to the English public. Katherine Wheatley here reveals the wide discrepancy between avowed intentions and actual results. Among the English plays she compares with their French originals are Otway’s Titus and Berenice, Congreve’s The Mourning Bride, and Philips’s The Distrest Mother. These comparisons, fully supported by quoted passages, reveal that those among the English public and contemporary critics who could not themselves read French had no chance whatever to know the real Racine: “The adapters and translators, so-called, had eliminated Racine from his tragedies before presenting them to the public.” Unacknowledged excisions and additions, shifts in plot, changes in dénouement, and frequent mistranslation turned Racine’s plays into “wretched travesties.” Two translations of Britannicus, intended for reading rather than for acting, are especially revealing in that they show which Racinian qualities eluded the British translators even when they were not trying to please an English theatergoing audience. Why it is, asks the author, that no English dramatist could or would present Racine as he is to the English public of the neoclassical period? To answer this question she traces the development of Aristotelian formalism in England, showing the relation of the English theory of tragedy to French classical doctrine and the relation of the English adaptations of Racine to the English neoclassical theory of tragedy. She concludes that “deliberate alterations made by the English, far from violating classical tenets, bring Racine’s tragedies closer to the English neoclassical ideal than they were to begin with, and this despite the fact that some tenets of English doctrine came from parallel tenets widely accepted in France.” She finds that “in the last analysis, French classical doctrine was itself a barrier to the understanding of Racinian tragedy in England and an incentive to the sort of change English translators and adapters made in Racine.” This paradox she explains by the fact that Racine himself had broken with the classical tradition as represented by Corneille.
Author: Louis Marin
Publisher: Stanford University Press
ISBN: 9780804741514
Category : Philosophy
Languages : en
Pages : 466
Get Book Here
Book Description
This is a collection of twenty-two essays by an eminent philosopher, critic, and theorist that appeared between 1971 and 1992. The book interrogates the theory and practice of representation as it is carried out by both linguistic and graphic signs, and thus the complex relation between language and image, between perception and conception.
