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Author: Guthrie P. Ramsey
Publisher: Univ of California Press
ISBN: 0520243331
Category : Art
Languages : en
Pages : 296
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Book Description
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
Author: Guthrie P. Ramsey
Publisher: Univ of California Press
ISBN: 0520243331
Category : Art
Languages : en
Pages : 296
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Book Description
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
Author: Ronald M. Radano
Publisher: University of Chicago Press
ISBN: 9780226701998
Category : History
Languages : en
Pages : 728
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Book Description
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
Author: Peter Wade
Publisher: University of Chicago Press
ISBN: 9780226868455
Category : History
Languages : en
Pages : 340
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Book Description
Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music—which has its roots in a black, marginal region of the country—manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism. Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.
Author: Marc Kaplan
Publisher: Xlibris Corporation
ISBN: 1469177609
Category : Fiction
Languages : en
Pages : 178
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Book Description
Into the newly-settled (in 1910) Mississippi Delta country comes Sam Schwartz, a Russian immigrant, one of the many wandering Jewish peddlers who comb the backwoods of the American South, a man fleeing an oppressive country and a painful past. He experiences an emotional rebirth with Leafy, a black Delta woman. Race Music (the original term for blues recordings) is the story of Sam and Leafy's relationship, of the family they start and of a love betrayed - a betrayal that has consequences that will span fifty years and reach all the way from the Delta to Chicago's South Side. Delta music - the blues - is always in the background. Celebrated figures like Charlie Patton and Bessie Smith and the fabled Robert Johnson are encountered as they create the Delta's truest history and cultural legacy.
Author: Paul McCann
Publisher: Associated University Presse
ISBN: 9780838641408
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on jazz was informed largely by a broad range of anxieties endemic to the turbulent decades of the mid-twentieth century. As the United States faced a new crisis in either foreign or domestic policy, writers and intellectuals often used jazz as a forum to change both the public's understanding of the musical tradition as well as the nation's understanding of itself. In many ways, the rise of jazz from low to high art was a product of this discourse. The study relies on a close reading of several notable authors including F. Scott Fitzgerald, Langston Hughes, Eudora Welty, Ralph Ellison, and Jack Kerouac but also responds to a broad range of popular writers from the decade whose contribution to the discourse on jazz has been largely forgotten. This book provides an insightful glimpse into how the United States negotiates and ultimately understands its own cultural artifacts. Paul McCann is an English Professor at Del Mar College.
Author: Hisham Aidi
Publisher: Vintage
ISBN: 0307279979
Category : Social Science
Languages : en
Pages : 434
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Book Description
In this pioneering study, Hisham Aidi—an expert on globalization and social movements—takes us into the musical subcultures that have emerged among Muslim youth worldwide over the last decade. He shows how music—primarily hip-hop, but also rock, reggae, Gnawa and Andalusian—has come to express a shared Muslim consciousness in face of War on Terror policies. This remarkable phenomenon extends from the banlieues of Paris to the favelas of Rio de Janeiro, from the park jams of the South Bronx to the Sufi rock bands of Pakistan. The United States and other Western governments have even tapped into these trends, using hip hop and Sufi music to de-radicalize Muslim youth abroad. Aidi situates these developments in a broader historical context, tracing longstanding connections between Islam and African-American music. Thoroughly researched, beautifully written, Rebel Music takes the pulse of a revolutionary soundtrack that spans the globe.
Author: Mark Herder
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522982234
Category :
Languages : en
Pages : 300
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Book Description
A factory town. Smoke. The smell of the river. Of rust. To a steady pulse, the city dances to music, to drugs, to desire. And to murder. It's the pulse of a hot-jazz race opera played in 5/4 rhythm to the tune of a .45 automatic. If he were just another dead black man, who would care? But he's not. He's Eddie Devine. The sexiest man on God's green earth. He marches for equality. He screws women. He sings. That most of all. He could have been at the top. Instead, a maid finds him on the bottom, on the floor of a hot-sheet motel. A bullet in his heart. It's 1963: a president just had his head blown off, people are taking to the streets to protest. To die. In a city of too many murders, this is one too many. As long as Devine's killer remains on the loose, rumor and suspicion feed a growing fire. The police scramble. The people simmer. Any second now, the entire city will explode. Until then, the city continues its dance to the Downbeat of Death.
Author: Amy Absher
Publisher: University of Michigan Press
ISBN: 0472119176
Category : History
Languages : en
Pages : 215
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Book Description
An exploration of the history of African American musicians in Chicago during the mid-20th century
Author: Hari Kunzru
Publisher: Vintage
ISBN: 1101973218
Category : Fiction
Languages : en
Pages : 290
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Book Description
A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.
Author: Nina Sun Eidsheim
Publisher: Duke University Press
ISBN: 0822372649
Category : Music
Languages : en
Pages : 288
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Book Description
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
