Author: John Christopher Cunningham
Publisher: Routledge
ISBN: 131779432X
Category : Social Science
Languages : en
Pages : 132
Book Description
This study explores the intersection of race and gender identity in writings by contemporary American men of color, showing how ostensibly sexist or homophobic texts coexist with or are engendered by articulations of anti-racism. Conversely, certain articulations of gender concerns produce reactionary ideas about race. The author examines Asian American identity in the works of Frank Chin, John Okada, and Shawn Hsu Wong, contending that these writers exhibit a strong masculinist/sexist bias, limiting their value for Asian American women and homosexuals. The author then looks at the work of African American writer Charles Johnson. He examines the conflict between feminism and male supremacy in Johnson's novels, tracing the relationship between this vision of gender and the conservatism of Johnson's approach to race issues. The author also considers the discourse of perverse sexuality with particular attention to the possibility of a countertradition of the joto, or queer in the canon of Chicano novels from Jose Antonio Villareal to Arturo Islas. Through an examination of the readings of Richard Rodriguez and Oscar Zeta Acosta, Cunningham demonstrates the interplay of homosocial sexual politics with Rodriguez and Acosta's respective conservative and revolutionary approaches to race. Finally, the study considers how claims about the universality of postmodern experience implicit in Don DeLillo's novel, White Noise, actually bear the particularizing marks of whiteness and masculinity. Includes index and bibliography
Race-ing Masculinity
Author: John Christopher Cunningham
Publisher: Routledge
ISBN: 131779432X
Category : Social Science
Languages : en
Pages : 132
Book Description
This study explores the intersection of race and gender identity in writings by contemporary American men of color, showing how ostensibly sexist or homophobic texts coexist with or are engendered by articulations of anti-racism. Conversely, certain articulations of gender concerns produce reactionary ideas about race. The author examines Asian American identity in the works of Frank Chin, John Okada, and Shawn Hsu Wong, contending that these writers exhibit a strong masculinist/sexist bias, limiting their value for Asian American women and homosexuals. The author then looks at the work of African American writer Charles Johnson. He examines the conflict between feminism and male supremacy in Johnson's novels, tracing the relationship between this vision of gender and the conservatism of Johnson's approach to race issues. The author also considers the discourse of perverse sexuality with particular attention to the possibility of a countertradition of the joto, or queer in the canon of Chicano novels from Jose Antonio Villareal to Arturo Islas. Through an examination of the readings of Richard Rodriguez and Oscar Zeta Acosta, Cunningham demonstrates the interplay of homosocial sexual politics with Rodriguez and Acosta's respective conservative and revolutionary approaches to race. Finally, the study considers how claims about the universality of postmodern experience implicit in Don DeLillo's novel, White Noise, actually bear the particularizing marks of whiteness and masculinity. Includes index and bibliography
Publisher: Routledge
ISBN: 131779432X
Category : Social Science
Languages : en
Pages : 132
Book Description
This study explores the intersection of race and gender identity in writings by contemporary American men of color, showing how ostensibly sexist or homophobic texts coexist with or are engendered by articulations of anti-racism. Conversely, certain articulations of gender concerns produce reactionary ideas about race. The author examines Asian American identity in the works of Frank Chin, John Okada, and Shawn Hsu Wong, contending that these writers exhibit a strong masculinist/sexist bias, limiting their value for Asian American women and homosexuals. The author then looks at the work of African American writer Charles Johnson. He examines the conflict between feminism and male supremacy in Johnson's novels, tracing the relationship between this vision of gender and the conservatism of Johnson's approach to race issues. The author also considers the discourse of perverse sexuality with particular attention to the possibility of a countertradition of the joto, or queer in the canon of Chicano novels from Jose Antonio Villareal to Arturo Islas. Through an examination of the readings of Richard Rodriguez and Oscar Zeta Acosta, Cunningham demonstrates the interplay of homosocial sexual politics with Rodriguez and Acosta's respective conservative and revolutionary approaches to race. Finally, the study considers how claims about the universality of postmodern experience implicit in Don DeLillo's novel, White Noise, actually bear the particularizing marks of whiteness and masculinity. Includes index and bibliography
Men in Place
Author: Miriam J. Abelson
Publisher:
ISBN: 9781517903503
Category : Gender identity
Languages : en
Pages : 0
Book Description
Introduction: "i don't have one way to be"--Masculinities in space : thugs, rednecks, and faggy men -- One is not born a man : social recognition and situated gendered knowledges -- "Strong when i need to be, soft when i need to be" : situated emotional control and masculinities -- Geography of violence : spatial fears and the reproduction of inequality -- Institutional contexts of violence : heterosexism and cissexism in everyday spaces -- Conclusion: contemporary masculinities and transgender politics -- Acknowledgments -- Appendix A: Interviewee demographics -- Appendix B: A note on methodology -- Notes
Publisher:
ISBN: 9781517903503
Category : Gender identity
Languages : en
Pages : 0
Book Description
Introduction: "i don't have one way to be"--Masculinities in space : thugs, rednecks, and faggy men -- One is not born a man : social recognition and situated gendered knowledges -- "Strong when i need to be, soft when i need to be" : situated emotional control and masculinities -- Geography of violence : spatial fears and the reproduction of inequality -- Institutional contexts of violence : heterosexism and cissexism in everyday spaces -- Conclusion: contemporary masculinities and transgender politics -- Acknowledgments -- Appendix A: Interviewee demographics -- Appendix B: A note on methodology -- Notes
Race-ing Representation
Author: Kostas Myrsiades
Publisher: Rowman & Littlefield
ISBN: 9780847688579
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
This collection takes on the problem of representing race in the context of a master language and culture. These essays discuss this problem in terms of the ongoing struggle to redefine the self as speaker, that is, to re-construe our understanding of history, sexuality, and speech itself in a continuing battle for self-definition. As a totality, these essays explode the notion of race as a natural boundary between groups and pose a variety of possible constructions that force us to accept race not as a category, but as a practice. Kostas and Linda Myrsiades have brought together scholars whose varied essays explore the issues of voice, history, and sexuality in such diverse venues as detective fiction, the Clarence Thomas hearings, the witches of Salem, the Harlem Renaissance, and the work of Toni Morrison, demonstrating that resistance to race-ing is both meaningfully engaged as a cultural possibility and rewritten as a linguistic practice.
Publisher: Rowman & Littlefield
ISBN: 9780847688579
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
This collection takes on the problem of representing race in the context of a master language and culture. These essays discuss this problem in terms of the ongoing struggle to redefine the self as speaker, that is, to re-construe our understanding of history, sexuality, and speech itself in a continuing battle for self-definition. As a totality, these essays explode the notion of race as a natural boundary between groups and pose a variety of possible constructions that force us to accept race not as a category, but as a practice. Kostas and Linda Myrsiades have brought together scholars whose varied essays explore the issues of voice, history, and sexuality in such diverse venues as detective fiction, the Clarence Thomas hearings, the witches of Salem, the Harlem Renaissance, and the work of Toni Morrison, demonstrating that resistance to race-ing is both meaningfully engaged as a cultural possibility and rewritten as a linguistic practice.
The Wombs of Women
Author: Françoise Vergès
Publisher: Duke University Press
ISBN: 1478008865
Category : Social Science
Languages : en
Pages : 108
Book Description
In the 1960s thousands of poor women of color on the (post)colonial French island of Reunion had their pregnancies forcefully terminated by white doctors; the doctors operated under the pretext of performing benign surgeries, for which they sought government compensation. When the scandal broke in 1970, the doctors claimed to have been encouraged to perform these abortions by French politicians who sought to curtail reproduction on the island, even though abortion was illegal in France. In The Wombs of Women—first published in French and appearing here in English for the first time—Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color. Ultimately, Vergès demonstrates how the forced abortions on Reunion were manifestations of the legacies of the racialized violence of slavery and colonialism.
Publisher: Duke University Press
ISBN: 1478008865
Category : Social Science
Languages : en
Pages : 108
Book Description
In the 1960s thousands of poor women of color on the (post)colonial French island of Reunion had their pregnancies forcefully terminated by white doctors; the doctors operated under the pretext of performing benign surgeries, for which they sought government compensation. When the scandal broke in 1970, the doctors claimed to have been encouraged to perform these abortions by French politicians who sought to curtail reproduction on the island, even though abortion was illegal in France. In The Wombs of Women—first published in French and appearing here in English for the first time—Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color. Ultimately, Vergès demonstrates how the forced abortions on Reunion were manifestations of the legacies of the racialized violence of slavery and colonialism.
Race-ing Art History
Author: Kymberly N. Pinder
Publisher: Routledge
ISBN: 1136056661
Category : Art
Languages : en
Pages : 446
Book Description
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
Publisher: Routledge
ISBN: 1136056661
Category : Art
Languages : en
Pages : 446
Book Description
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
Global Masculinities and Manhood
Author: Ronald L Jackson
Publisher: University of Illinois Press
ISBN: 0252093550
Category : Social Science
Languages : en
Pages : 235
Book Description
Bringing together an array of interdisciplinary voices, Global Masculinities and Manhood examines the concept of masculinity from the perspectives of cultures around the world. In the era of globalization, masculinity continues to be studied in a Western-centric context. Contributors to this volume, however, deconstruct the history and politics of masculinities within the contexts of the cultures from which they have been developed, examining what makes a man who he is within his own culture. Highlighting manifestations of masculinity in countries including Jamaica, Turkey, Peru, Kenya, Australia, and China, scholars from a variety of disciplines grapple with the complex politics of identity and the question of how gender is interpreted and practiced through discourse. Topics include how masculinity is affected by war and conflict, defined in relation to race, ethnicity, and sexuality, and expressed in cultural activities such as sports or the cinema. Contributors are Bryant Keith Alexander, Molefi K. Asante, Murali Balaji, Maurice Hall, Ronald L. Jackson II, Shino Konishi, Nil Mutluer, Mich Nyawalo, Kathleen Glenister Roberts, Margarita Saona, and Kath Woodward.
Publisher: University of Illinois Press
ISBN: 0252093550
Category : Social Science
Languages : en
Pages : 235
Book Description
Bringing together an array of interdisciplinary voices, Global Masculinities and Manhood examines the concept of masculinity from the perspectives of cultures around the world. In the era of globalization, masculinity continues to be studied in a Western-centric context. Contributors to this volume, however, deconstruct the history and politics of masculinities within the contexts of the cultures from which they have been developed, examining what makes a man who he is within his own culture. Highlighting manifestations of masculinity in countries including Jamaica, Turkey, Peru, Kenya, Australia, and China, scholars from a variety of disciplines grapple with the complex politics of identity and the question of how gender is interpreted and practiced through discourse. Topics include how masculinity is affected by war and conflict, defined in relation to race, ethnicity, and sexuality, and expressed in cultural activities such as sports or the cinema. Contributors are Bryant Keith Alexander, Molefi K. Asante, Murali Balaji, Maurice Hall, Ronald L. Jackson II, Shino Konishi, Nil Mutluer, Mich Nyawalo, Kathleen Glenister Roberts, Margarita Saona, and Kath Woodward.
I Am a Man!
Author: Steve Estes
Publisher: Univ of North Carolina Press
ISBN: 080787633X
Category : Political Science
Languages : en
Pages : 252
Book Description
The civil rights movement was first and foremost a struggle for racial equality, but questions of gender lay deeply embedded within this struggle. Steve Estes explores key groups, leaders, and events in the movement to understand how activists used race and manhood to articulate their visions of what American society should be. Estes demonstrates that, at crucial turning points in the movement, both segregationists and civil rights activists harnessed masculinist rhetoric, tapping into implicit assumptions about race, gender, and sexuality. Estes begins with an analysis of the role of black men in World War II and then examines the segregationists, who demonized black male sexuality and galvanized white men behind the ideal of southern honor. He then explores the militant new models of manhood espoused by civil rights activists such as Malcolm X and Martin Luther King Jr., and groups such as the Nation of Islam, the Student Nonviolent Coordinating Committee, and the Black Panther Party. Reliance on masculinist organizing strategies had both positive and negative consequences, Estes concludes. Tracing these strategies from the integration of the U.S. military in the 1940s through the Million Man March in the 1990s, he shows that masculinism rallied men to action but left unchallenged many of the patriarchal assumptions that underlay American society.
Publisher: Univ of North Carolina Press
ISBN: 080787633X
Category : Political Science
Languages : en
Pages : 252
Book Description
The civil rights movement was first and foremost a struggle for racial equality, but questions of gender lay deeply embedded within this struggle. Steve Estes explores key groups, leaders, and events in the movement to understand how activists used race and manhood to articulate their visions of what American society should be. Estes demonstrates that, at crucial turning points in the movement, both segregationists and civil rights activists harnessed masculinist rhetoric, tapping into implicit assumptions about race, gender, and sexuality. Estes begins with an analysis of the role of black men in World War II and then examines the segregationists, who demonized black male sexuality and galvanized white men behind the ideal of southern honor. He then explores the militant new models of manhood espoused by civil rights activists such as Malcolm X and Martin Luther King Jr., and groups such as the Nation of Islam, the Student Nonviolent Coordinating Committee, and the Black Panther Party. Reliance on masculinist organizing strategies had both positive and negative consequences, Estes concludes. Tracing these strategies from the integration of the U.S. military in the 1940s through the Million Man March in the 1990s, he shows that masculinism rallied men to action but left unchallenged many of the patriarchal assumptions that underlay American society.
Cool Pose
Author: Richard Majors
Publisher: Simon and Schuster
ISBN: 0671865722
Category : Psychology
Languages : en
Pages : 168
Book Description
Traces the history of black men in America using a tough-guy image to obscure their anger and disappointment over their roles in society back to their origins in Africa and the slave era.
Publisher: Simon and Schuster
ISBN: 0671865722
Category : Psychology
Languages : en
Pages : 168
Book Description
Traces the history of black men in America using a tough-guy image to obscure their anger and disappointment over their roles in society back to their origins in Africa and the slave era.
African Americans on Television
Author: David J. Leonard
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 406
Book Description
A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation. Previous treatments of the history of African Americans in television have largely lacked theoretical analysis of the relationship between representations and social contexts. African Americans on Television: Race-ing for Ratings fills the existing void by supplying fundamental history with critical analyses of the racial politics of television, documenting the considerable effect that television has had on popular notions of black identity in America since the inception of television. Covering a spectrum of genres—comedy, drama, talk shows, television movies, variety shows, and reality television, including shows such as Good Times, The Oprah Winfrey Show, and Chappelle's Show—this insightful work traces a cultural genealogy of African Americans in television. Its chronological analysis provides an engaging historical account of how African Americans entered the genre of television and have continued to play a central role in the development of both the medium and the industry. The book also tracks the shift in the significance of African Americans in the television market and industry, and the changing, but enduring, face of stereotypes and racism in American television culture.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 406
Book Description
A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation. Previous treatments of the history of African Americans in television have largely lacked theoretical analysis of the relationship between representations and social contexts. African Americans on Television: Race-ing for Ratings fills the existing void by supplying fundamental history with critical analyses of the racial politics of television, documenting the considerable effect that television has had on popular notions of black identity in America since the inception of television. Covering a spectrum of genres—comedy, drama, talk shows, television movies, variety shows, and reality television, including shows such as Good Times, The Oprah Winfrey Show, and Chappelle's Show—this insightful work traces a cultural genealogy of African Americans in television. Its chronological analysis provides an engaging historical account of how African Americans entered the genre of television and have continued to play a central role in the development of both the medium and the industry. The book also tracks the shift in the significance of African Americans in the television market and industry, and the changing, but enduring, face of stereotypes and racism in American television culture.
Black Masculinity and the U. S. South
Author: Riche Richardson
Publisher: University of Georgia Press
ISBN: 082033667X
Category : Social Science
Languages : en
Pages : 311
Book Description
This pathbreaking study of region, race, and gender reveals how we underestimate the South's influence on the formation of black masculinity at the national level. Many negative stereotypes of black men--often contradictory ones--have emerged from the ongoing historical traumas initiated by slavery. Are black men emasculated and submissive or hypersexed and violent? Nostalgic representations of black men have arisen as well: think of the philosophical, hardworking sharecropper or the abiding, upright preacher. To complicate matters, says Riché Richardson, blacks themselves appropriate these images for purposes never intended by their (mostly) white progenitors. Starting with such well-known caricatures as the Uncle Tom and the black rapist, Richardson investigates a range of pathologies of black masculinity that derive ideological force from their associations with the South. Military policy, black-liberation discourse, and contemporary rap, she argues, are just some of the instruments by which egregious pathologies of black masculinity in southern history have been sustained. Richardson's sources are eclectic and provocative, including Ralph Ellison's fiction, Charles Fuller's plays, Spike Lee's films, Huey Newton's and Malcolm X's political rhetoric, the O. J. Simpson discourse, and the music production of Master P, the Cash Money Millionaires, and other Dirty South rappers. Filled with new insights into the region's role in producing hierarchies of race and gender in and beyond their African American contexts, this new study points the way toward more epistemological frameworks for southern literature, southern studies, and gender studies.
Publisher: University of Georgia Press
ISBN: 082033667X
Category : Social Science
Languages : en
Pages : 311
Book Description
This pathbreaking study of region, race, and gender reveals how we underestimate the South's influence on the formation of black masculinity at the national level. Many negative stereotypes of black men--often contradictory ones--have emerged from the ongoing historical traumas initiated by slavery. Are black men emasculated and submissive or hypersexed and violent? Nostalgic representations of black men have arisen as well: think of the philosophical, hardworking sharecropper or the abiding, upright preacher. To complicate matters, says Riché Richardson, blacks themselves appropriate these images for purposes never intended by their (mostly) white progenitors. Starting with such well-known caricatures as the Uncle Tom and the black rapist, Richardson investigates a range of pathologies of black masculinity that derive ideological force from their associations with the South. Military policy, black-liberation discourse, and contemporary rap, she argues, are just some of the instruments by which egregious pathologies of black masculinity in southern history have been sustained. Richardson's sources are eclectic and provocative, including Ralph Ellison's fiction, Charles Fuller's plays, Spike Lee's films, Huey Newton's and Malcolm X's political rhetoric, the O. J. Simpson discourse, and the music production of Master P, the Cash Money Millionaires, and other Dirty South rappers. Filled with new insights into the region's role in producing hierarchies of race and gender in and beyond their African American contexts, this new study points the way toward more epistemological frameworks for southern literature, southern studies, and gender studies.