Race, Gender, and Film Censorship in Virginia, 1922–1965 PDF Download
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Author: Melissa Ooten
Publisher: Lexington Books
ISBN: 073919030X
Category : History
Languages : en
Pages : 221
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Book Description
This book chronicles the history of movie censorship in Virginia from the 1920s to 1960s. At its most basic level, it analyzes the project of state film censorship in Virginia. It uses the contestations surrounding film censorship as a framework for more fully understanding the dominant political, economic, and cultural hierarchies that structured Virginia and much of the New South in the mid-twentieth century and ways in which citizens contested these prevailing structures. This study highlights the centrality of gendered and racialized discourses in the debates over the movies and the broader regulatory power of the state. It particularly emphasizes ways in which issues of race, class, gender, and sexuality framed debates over popular culture in the South. It ties the regulation of racial and sexual boundaries in other areas such as public facilities, schools, public transportation, the voting booth, and residential housing to ways in which censors regulated those same boundaries in popular culture. This book shows how the same racialized and gendered social norms and legal codes that placed audience members in different theater spaces also informed ways in which what they viewed on-screen had been mediated by state officials. Ultimately, this study shows how Virginia’s officials attempted to use the project of film censorship as the cultural arm of regulation to further buttress the state’s political and economic hierarchies of the time period and the ways in various citizens and community groups supported and challenged these hierarchies across the censorship board’s forty-three-year history.
Author: Melissa Ooten
Publisher: Lexington Books
ISBN: 073919030X
Category : History
Languages : en
Pages : 221
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Book Description
This book chronicles the history of movie censorship in Virginia from the 1920s to 1960s. At its most basic level, it analyzes the project of state film censorship in Virginia. It uses the contestations surrounding film censorship as a framework for more fully understanding the dominant political, economic, and cultural hierarchies that structured Virginia and much of the New South in the mid-twentieth century and ways in which citizens contested these prevailing structures. This study highlights the centrality of gendered and racialized discourses in the debates over the movies and the broader regulatory power of the state. It particularly emphasizes ways in which issues of race, class, gender, and sexuality framed debates over popular culture in the South. It ties the regulation of racial and sexual boundaries in other areas such as public facilities, schools, public transportation, the voting booth, and residential housing to ways in which censors regulated those same boundaries in popular culture. This book shows how the same racialized and gendered social norms and legal codes that placed audience members in different theater spaces also informed ways in which what they viewed on-screen had been mediated by state officials. Ultimately, this study shows how Virginia’s officials attempted to use the project of film censorship as the cultural arm of regulation to further buttress the state’s political and economic hierarchies of the time period and the ways in various citizens and community groups supported and challenged these hierarchies across the censorship board’s forty-three-year history.
Author: Melissa Ooten
Publisher: New Studies in Southern History
ISBN: 9780739190296
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
This book chronicles the history of movie censorship in Virginia from the 1920s to 1960s. Ooten uses the contestations surrounding film censorship as a framework for more fully understanding the dominant political, economic, and cultural hierarchies that structured Virginia in...
Author: Jeremy Geltzer
Publisher: McFarland
ISBN: 147666952X
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
Since the first films played in nickelodeons, controversial movies have been cut or banned across the United States. Far from Hollywood, regional productions such as Oscar Micheaux's provocative race films and Nell Shipman's wildlife adventures were censored by men like Major M.L.C. Funkhouser, the terror of Chicago's cinemas, and Myrtelle Snell, the Alabama administrator who made the slogan "Banned in Birmingham" famous. Censorship continues today, with Utah's case against Deadpool (2016) pending in federal court and Robert Rodriguez's Machete Kills (2013) versus the Texas Film Commission. This authoritative state-by-state account covers the history of film censorship and the battle for free speech in America.
Author: Robert Jackson
Publisher: Oxford University Press
ISBN: 0190660201
Category : Art
Languages : en
Pages : 345
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Book Description
How did the US South contribute to the development of film? And how did film shape the modern South? In Fade In, Crossroads, Robert Jackson tells the story of the relationships between southerners and motion pictures from the silent era through the golden age of Hollywood. Jackson reveals the profound consequences of the coincidence of the rise and fall of the American film industry with the rise and fall of the South's most important modern product and export: Jim Crow segregation. He considers southern historical legacies on film, from popular Civil War films and comparably popular lynching films emerging in a time of prolific lynching in the South, to the resilient race film industry whose African American filmmakers forged an independent cinematic movement in defiance of the racial restrictions of both the South and Hollywood. He also traces the influence of film on future participants in the Civil Rights Movement, from prominent leaders such as Martin Luther King and Thurgood Marshall to film-industry veterans like Lena Horne and Paul Robeson to the millions of ordinary people, black and white, who found themselves caught up in the struggle for racial equality in the modern United States.
Author: William Fitzhugh Brundage
Publisher: Univ of North Carolina Press
ISBN: 0807834629
Category : Social Science
Languages : en
Pages : 385
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Book Description
Beyond Blackface
Author: Melissa Dawn Ooten
Publisher: Univ of California Press
ISBN: 0520344162
Category : History
Languages : en
Pages : 272
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Book Description
An expansive guide for resistance and solidarity across this storied region. Richmond and Central Virginia are a historic epicenter of America’s racialized history. This alternative guidebook foregrounds diverse communities in the region who are mobilizing to dismantle oppressive systems and fundamentally transforming the space to live and thrive. Featuring personal reflections from activists, artists, and community leaders, this book eschews colonial monuments and confederate memorials to instead highlight movements, neighborhoods, landmarks, and gathering spaces that shape social justice struggles across the history of this rapidly growing area. The sites, stories, and events featured here reveal how community resistance and resilience remain firmly embedded in the region’s landscape. A People’s Guide to Richmond and Central Virginia counters the narrative that elites make history worth knowing, and sites worth visiting, by demonstrating how ordinary people come together to create more equitable futures.
Author: Charles A. Bodie
Publisher: Rowman & Littlefield
ISBN: 1666927368
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
This biography examines the antebellum career of James McDowell, a Democratic officeholder from western Virginia who often opposed the status quo. The author examines how, through skillful oratory and rational discourse, he sought and achieved progressive change.
Author: Julia Sattler
Publisher: Rowman & Littlefield
ISBN: 179362707X
Category : History
Languages : en
Pages : 237
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Book Description
This interdisciplinary investigation argues that since the 1990s, discourses about mixed-race heritage in the United States have taken the shape of a veritable literary genre, here termed “memoir of the search.” The study uses four different texts to explore this non-fictional genre, including Edward Ball's Slaves in the Family and Shirlee Taylor Haizlip's The Sweeter the Juice. All feature a protagonist using methods from archival investigation to DNA-testing to explore an intergenerational family secret; photographs and family trees; and the trip to the American South, which is identified as the site of the secret’s origin and of the family’s past. As a genre, these texts negotiate the memory of slavery and segregation in the present. In taking up central narratives of Americanness, such as the American Dream and the Immigrant story, as well as discourses generating the American family, the texts help inscribe themselves and the mixed-race heritage they address into the American mainstream. In its outlook, this book highlights the importance of the memoirs’ negotiations of the past when finding ways to remember after the last witnesses have passed away. and contributes to the discussion over political justice and reparations for slavery.
Author: Callum G. Brown
Publisher: Cambridge University Press
ISBN: 1108421229
Category : Health & Fitness
Languages : en
Pages : 339
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Book Description
Exposes the mechanisms by which conservative Christianity dominated British culture during 1945-65 and their subsequent collapse.
Author: Christopher H. Bouton
Publisher: Rowman & Littlefield
ISBN: 1498579469
Category : History
Languages : en
Pages : 207
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Book Description
Using slave trials from antebellum Virginia, Christopher H. Bouton offers the first in-depth examination of physical confrontations between slaves and whites. These extraordinary acts of violence brought the ordinary concerns of enslaved Virginians into focus. Enslaved men violently asserted their masculinity, sought to protect themselves and their loved ones from punishment, and carved out their own place within southern honor culture. Enslaved women resisted sexual exploitation and their mistresses. By attacking southern efforts to control their sexuality and labor, bondswomen sought better lives for themselves and undermined white supremacy. Physical confrontations revealed the anxieties that lay at the heart of white antebellum Virginians and threatened the very foundations of the slave regime itself. While physical confrontations could not overthrow the institution of slavery, they helped the enslaved set limits on their owners’ exploitation. They also afforded the enslaved the space necessary to create lives as free from their owners’ influence as possible. When masters and mistresses continually intruded into the lives of their slaves, they risked provoking a violent backlash. Setting Slavery’s Limits explores how slaves of all ages and backgrounds resisted their oppressors and risked everything to fight back.
