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Author: Abhijit Sen
Publisher: Routledge
ISBN: 1000433315
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
This book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
Author: Abhijit Sen
Publisher: Routledge
ISBN: 1000433315
Category : Performing Arts
Languages : en
Pages : 291
Get Book Here
Book Description
This book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
Author: Mala Renganathan
Publisher: Anthem Press
ISBN: 1785273957
Category : Drama
Languages : en
Pages : 198
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Book Description
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
Author: Abhijit Sen
Publisher: Routledge
ISBN: 9781003110279
Category : Drama
Languages : en
Pages : 326
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Book Description
"This book analyses Rabindranath Tagore's contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath's experiments with drama/ theatre in the context of the theatre available in nineteenth century Bengal, and explores the innovative strategies he adopted to promote his 'brand' of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre"--
Author: Ananda Lal
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 592
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Book Description
This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
Author: Rabindranath Tagore
Publisher:
ISBN:
Category : Bengali drama
Languages : en
Pages : 200
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Book Description
Author: Arnab Bhattacharya
Publisher: Routledge
ISBN: 1317619404
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
Author: RABINDRANATH TAGORE
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
Author: Ananda Lal
Publisher: Jadavpur University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
The three plays collected in the volume are ‘The Persecuted’ by Krishna Mohan Banerjee, ‘Rizia’ by Michael Madhusudan Dutt, and ‘Kaminee’ (anon.) From the beginning, Indian dramatists who chose to write in English made sociopolitical statements that resonate even today. The unavailability of their plays has resulted in little or no analysis other than secondary references, often inaccurate. For the first time, three of these texts have been unearthed and reprinted in this volume, enhanced by a general introduction, separate introductions to each play, and explanatory notes. Krishna Mohana Banerjea based ‘The Persecuted, or Dramatic Scenes Illustrative of the Present State of Hindoo Society in Calcutta’ (1831), the first Indian drama in English, on his own experience of ostracism after his “Young Bengal” friends flouted the conservative codes at his home. Michael Madhusudan Dutt composed in Madras his first play, ‘Rizia: Empress of Inde’ (1855), a tragedy about the 13th-century Sultana of Delhi who loved her Abyssinian slave. It has been reconstructed with the aid of a recently-discovered manuscript in Dutt’s hand. The anonymously-published ‘Kaminee: The Virgin Widow’ (1874) relates the fate of an accomplished teenage widow in Calcutta when the Hindu Widows’ Remarriage Act has become law yet most people pay no heed to it.
Author: Arnab Bhattacharya
Publisher: Routledge
ISBN: 1317619412
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
Author: Rabindranath Tagore
Publisher: CreateSpace
ISBN: 9781505754599
Category :
Languages : en
Pages : 26
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Book Description
Rabindranath Tagore, also written Rabindranatha Thakura, (7 May 1861 - 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry remain largely unknown outside Bengal. Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit. He was highly influential in introducing the best of Indian culture to the West and vice versa, and he is generally regarded as the outstanding creative artist of the modern Indian subcontinent, being highly commemorated in India and Bangladesh, as well as in Sri Lanka, Nepal and Pakistan.
