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Author: Timothy Haglund
Publisher: Rowman & Littlefield
ISBN: 1498575463
Category : Political Science
Languages : en
Pages : 179
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Book Description
Francois Rabelais wrote Gargantua and Pantagruel at the height of the Renaissance, when top-caliber thinkers aimed to unite the best of freshly rediscovered ancient Greco-Roman theory and practice and transform politics. Through his work, Rabelais offers his unique understanding of ancient philosophy and political thought. This book considers the role of fortune as the key to understanding Rabelais, much in the manner of contemporaries such as Machiavelli. The two could not be more different, however. Throughout his writings, Rabelais attempts to restore respect for the goddess Fortuna through a cheerful restatement of the case for the sober classical attitude toward future things. As Rabelais’s headstrong character Panurge seeks counsel regarding his marriage prospects, various authorities repeatedly warn him that cuckoldry and spousal abuse await. Panurge looks foolhardy during these admonitions. Far from affirming Machiavelli’s instruction, given in chapter 25 of The Prince, to beat fortune like a woman, Rabelais dramatizes Panurge learning that his future femme may beat him. Through this dramatization, Panurge begins to hear the merits of viewing fortune as an intractable part of life that must be shouldered with the proper inner disposition rather than as an object susceptible of human conquest.
Author: Timothy Haglund
Publisher: Rowman & Littlefield
ISBN: 1498575463
Category : Political Science
Languages : en
Pages : 179
Get Book Here
Book Description
Francois Rabelais wrote Gargantua and Pantagruel at the height of the Renaissance, when top-caliber thinkers aimed to unite the best of freshly rediscovered ancient Greco-Roman theory and practice and transform politics. Through his work, Rabelais offers his unique understanding of ancient philosophy and political thought. This book considers the role of fortune as the key to understanding Rabelais, much in the manner of contemporaries such as Machiavelli. The two could not be more different, however. Throughout his writings, Rabelais attempts to restore respect for the goddess Fortuna through a cheerful restatement of the case for the sober classical attitude toward future things. As Rabelais’s headstrong character Panurge seeks counsel regarding his marriage prospects, various authorities repeatedly warn him that cuckoldry and spousal abuse await. Panurge looks foolhardy during these admonitions. Far from affirming Machiavelli’s instruction, given in chapter 25 of The Prince, to beat fortune like a woman, Rabelais dramatizes Panurge learning that his future femme may beat him. Through this dramatization, Panurge begins to hear the merits of viewing fortune as an intractable part of life that must be shouldered with the proper inner disposition rather than as an object susceptible of human conquest.
Author: L. B. T. Houghton
Publisher: Brepols Publishers
ISBN: 9782503581903
Category : European literature
Languages : en
Pages : 227
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Book Description
Brings together studies by scholars from a range of academic disciplines to assess the central position of Virgil in the intellectual, artistic, and political lives of the Renaissance. This collection of essays presents a variety of case studies of Virgils impact on different branches of Renaissance culture, covering the crucial areas of education and court culture, the visual arts, music history, philosophy, and Neo-Latin and vernacular literature. It brings together established scholars and younger researchers from a range of different academic disciplines. The studies included here will be of particular interest to students of Renaissance social, intellectual, and literary history, to art historians, and to those working on the reception of classical literature; some offer new perspectives on well-known material, while others investigate examples of Renaissance engagement with the Virgilian corpus which have received little or no previous attention. Building on recent scholarship on the Virgilian tradition, the collection opens up new avenues for research on the reception of both Virgil and other classical authors, and addresses questions of fundamental importance to historians of this period not least the perennial debate over the nature and definition of the Renaissance itself.
Author: Timothy Haglund
Publisher: Politics, Literature, & Film
ISBN: 9781498575478
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
Although he writes in a different genre than most other political thinkers, Francois Rabelais's contribution to political philosophy carries weight because of his famous humor and unique style, which provide sharp insight into the limits of human agency and throw doubt on the more "serious" projects of his peers.
Author: François Rabelais
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
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Book Description
Author: François Rabelais
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
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Book Description
Author: Katie Kadue
Publisher: University of Chicago Press
ISBN: 022679749X
Category : Language Arts & Disciplines
Languages : en
Pages : 234
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Book Description
Introduction : the private labors of public men -- Rabelais in a pickle : fixing flux in Le quart livre -- Spenser's secret recipes : life support in The faerie queene -- Correcting Montaigne : agitation and care in the Essais -- Marvell in the meantime : preserving patriarchy in Upon Appleton House -- Milton's storehouses : tempering futures in Areopagitica, Paradise lost, and Paradise regain'd -- Conclusion : a woman's work is never done.
Author: Mikhail Mikhaĭlovich Bakhtin
Publisher: Indiana University Press
ISBN: 9780253203410
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
Author: Christopher A. Colmo
Publisher: Rowman & Littlefield
ISBN: 1666921963
Category : Political Science
Languages : en
Pages : 279
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Book Description
Reasons Inquisition: On Doubtful Ground is an exploration in the literature of political philosophy before and after Alfarabi and ranging from Thucydides to Leo Strauss and Eric Voegelin. These studies, most of them previously unpublished, open inquiries into theory and practice, reason and revelation, and the relation between thinkers ancient and modern. Readers may be surprised to see the Platonist Alfarabi presented as a critic of Plato’s theory in the name of practice, while Alfarabi and Hobbes are shown to have a common interest in a theory commensurate with action. Strauss, Voegelin and Lucien Febvre all explore the problem of reason and revelation in relation to the limits of human knowledge. An ambitious study of Shakespeare’s Macbeth explores the ambiguity of both nature and knowledge in relation to male and female, good and evil, present and future. The contrast between ancients and moderns is explicit in questions of the modern aspects of Marlowe’s Doctor Faustus and of Rousseau’s reversal of Plato. Kierkegaard and Heidegger bring radical modernity into focus against a Platonic background in the closing essay. These diverse essays attempt to follow the thinkers and themes explored in turning a critical gaze upon reason itself.
Author: Jerome C. Foss
Publisher: Rowman & Littlefield
ISBN: 1498532608
Category : Political Science
Languages : en
Pages : 201
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Book Description
Flannery O’Connor’s fiction continues to haunt American readers, in part because of its uncanny ability to remind us who we are and what we need. Foss’s book reveals the extent to which O’Connor was a serious reader of the history of political philosophy. She understood the ideas upon which the American regime rests, and she evaluated those ideas from the standpoint of both faith and reason. Foss’s book explains why O’Connor feared that the modern habit to govern by tenderness would lead to terror. After a thorough account of her familiarity with the history of political philosophy, Foss shows how the works of Plato, Aristotle, Saint Augustine, Saint Thomas Aquinas, Machiavelli, Locke, Rousseau, and Nietzsche inform O’Connor’s stories. This does not mean that O’Connor was writing about politics in the narrow sense. Her vision was deeply theological, and she carefully avoided topical stories that promote social agendas. Her concern was with the health of the American regime more broadly, insofar as the manners of a regime affect citizens’ attitudes toward religion. O’Connor does not present a political theory of her own, but as Foss argues, she was a political philosopher in the original sense of the word. Her stories give clear accounts of her political wisdom. Foss further shows the continued relevance of her wisdom in age dominated by abstract modern theories, such as that of John Rawls.
Author: Andrew Griffin
Publisher: University of Toronto Press
ISBN: 1487503482
Category : Drama
Languages : en
Pages : 208
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Book Description
In the decades before history was institutionalized as a scholarly discipline, historical writing was practiced variously by poets, record keepers, lawyers, sermonizers, mythologizers, and philosophers. In this welter of competing forms of historical thought, early modern drama often operated as a site in which claims about the nature of historical change could be treated in a frequently conflicting manner. To explore this arena of competing forms of historical explanation, Untimely Deaths in Renaissance Drama focuses on the problem of narrative abruption in a selection of historically minded early modern plays as they rely on various strategies to make sense of biography and fatality. Arguing that narrative forms fail in the face of untimely death, Andrew Griffin shows that the disruption appears as a matter of trauma, making the untimely death both a point of narrative conflict and a social problem. Exploring the formula that early modern dramatists used to make sense of life and death, this book draws on the wider context of this period's culture of historical writing.
