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Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 304
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 304
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Book Description
Author: Modern Language Association of America
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 368
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Book Description
Provides information on stylistic aspects of research papers, theses, and dissertations, including sections on writing fundamentals, MLA documentation style, and copyright law.
Author: Margaret Graham Tebo
Publisher: American Bar Association
ISBN: 9781604428360
Category : Law
Languages : en
Pages : 172
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Book Description
Shakespeare for Lawyers contains more than 100 funny, sharp, witty, sad, and instructional quotes pulled from Shakespeare's plays and sonnets by a lawyer, for lawyers, and includes instructions on how they might be used in a courtroom, mediation, or elsewhere. And of course, the book features an extra section exploring what the Bard had to say about the law and those who practice it.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Book Description
Author: Julie Maxwell
Publisher: Cambridge University Press
ISBN: 1107134242
Category : Drama
Languages : en
Pages : 325
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Book Description
Shakespeare is both the world's most quoted author and a frequent quoter himself. This volume unites these creative practices.
Author: William Shakespeare
Publisher: W. W. Norton
ISBN: 9780393931457
Category :
Languages : en
Pages : 0
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Book Description
Upon publication in 1997, The Norton Shakespeare set a new standard for teaching editions of Shakespeare's complete works.
Author: Douglas Bruster
Publisher: U of Nebraska Press
ISBN: 9780803213036
Category : Drama
Languages : en
Pages : 286
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Book Description
William Shakespeare is perhaps the most frequently quoted author of the English-speaking world. His plays, in turn, "quote" a wide variety of sources, from books and ballads to persons and events. In this dynamic study of Shakespeare's plays, Douglas Bruster demonstrates that such borrowing can illuminate the world in which Shakespeare and his contemporary playwrights lived and worked, while also shedding light on later cultures that quote his plays. In contrast to the New Historicism's sometimes arbitrary linkage of literary works with elements drawn from the surrounding culture, Quoting Shakespeare focuses on the resources that writers used in making their works. Bruster shows how this borrowing can give us valuable insight into the cultural, historical, and political positions of writers and their works. Because Shakespeare's plays have often been quoted by other writers, this study also examines what subsequent uses of Shakespeare's plays reveal about the writers and cultures that use them. In this way, Quoting Shakespeare insists that literary production and reception are both integral to a historical approach to literature.
Author: Naseeb Shaheen
Publisher: University of Delaware Press
ISBN: 9780874136777
Category : Drama
Languages : en
Pages : 896
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Book Description
Analyzes the biblical references that Shakespeare makes in his plays, surveying the different English Bibles available to Shakespeare, and pointing out which of these he referred to most often (the King James version only appeared near the end of his career). Also examines biblical references found in literary source material used by Shakespeare to determine whether he used or adapted these or added others from his own memory; and what these allusions would have meant to audiences of the time.--From publisher description.
Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author: William Shakespeare
Publisher: Franklin Classics Trade Press
ISBN: 9780353395947
Category : Drama
Languages : en
Pages : 184
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
