Quintet in G Minor, K.516 (Violin 1). PDF Download
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Author: Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
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Book Description
Author: Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
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Book Description
Author: Haydn
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Haydn
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Scott G. Burnham
Publisher: Princeton University Press
ISBN: 0691009104
Category : Music
Languages : en
Pages : 205
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Book Description
Concentrating on music's effects, this book focuses on the most important elements of Mozart's music. Moving beyond conventional analysis and using the figurative powers of language with skill and imagination, this book engages musical issues such as sonority, texture, line, harmony, dissonance, and timing, and aspects of large-scale form such as thematic returns, retransitions, and endings.
Author: Hedi Siegel
Publisher: Cambridge University Press
ISBN: 9780521360388
Category : Music
Languages : en
Pages : 234
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Book Description
The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1139826646
Category : Music
Languages : en
Pages : 324
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Book Description
The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.
Author: Mark Rowe
Publisher: Routledge
ISBN: 1351563912
Category : Music
Languages : en
Pages : 354
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Book Description
From 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Path?que, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi
Author: Lewis Lockwood
Publisher: University of Illinois Press
ISBN: 9780252029325
Category : Music
Languages : en
Pages : 186
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Book Description
"Lewis Lockwood and Mark Kroll's volume The Beethoven Violin Sonatas is the first scholarly book in English devoted exclusively to the Beethoven sonatas and deals with them in unprecedented depth. Serving readers, listeners, and performers as a companion to the sonatas, it presents seven critical and historical essays by some of the most important American and European Beethoven specialists of our time.
Author: Robert Lang
Publisher: Univ of California Press
ISBN: 0520323254
Category :
Languages : en
Pages : 205
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 9780486236032
Category : Music
Languages : en
Pages : 200
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Book Description
This single volume study score contains all of Mozart's standard instrumentation string quintets, from the Quintet in B-flat Major, K.174 to the imposing Quintet in C Major, K. 515. Also included are the String Quintet in C Minor, K.406; Quintet with Horn or Second Cello, K.407; and Clarinet Quintet, K.581.
