An Encyclopedia of the Violin PDF Download
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Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
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Book Description
Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
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Book Description
Author: Kurt Honolka
Publisher: Haus Publishing
ISBN: 9781904341529
Category : Biography & Autobiography
Languages : en
Pages : 186
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Book Description
Accessible and affordable illustrated biography
Author: Melvin Berger
Publisher: Courier Corporation
ISBN: 0486316726
Category : Music
Languages : en
Pages : 502
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Book Description
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Author: Louis Spohr
Publisher: Alfred Music
ISBN: 9781457470998
Category : Music
Languages : en
Pages : 32
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Book Description
One of the leading composers of instrumental music of the early Romantic period, Louis Spohr was a violinist, composer, and conductor. In addition to symphonic works, string quartets, and other solo and chamber music, he composed operas, operettas, and songs. There has been a trend, starting in the late 20th century, to revive his instrumental works and songs.
Author: Bennett Zon
Publisher: Routledge
ISBN: 1351556304
Category : Music
Languages : en
Pages : 396
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Book Description
This selection of essays represents a wide cross-section of the papers given at the Tenth International Conference on Nineteenth-Century Music held at the University of Bristol in 1998. Sections include thematic groupings of work on musical meaning, Wagner, Liszt, musical culture in France, music and nation, and women and music.
Author: Jan Smaczny
Publisher: Cambridge University Press
ISBN: 9780521669030
Category : Music
Languages : en
Pages : 134
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Book Description
Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
Author: Scott Messing
Publisher: Boydell & Brewer
ISBN: 1580469655
Category : Music
Languages : en
Pages : 335
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Book Description
Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
Author: Antonín Dvořák
Publisher: Alfred Music
ISBN: 9781457487620
Category : Music
Languages : en
Pages : 64
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Book Description
A string quartet for two violins, viola, cello and bass composed by Antonin Dvorák.
Author: Sibley Music Library
Publisher:
ISBN:
Category : Audiotapes
Languages : en
Pages : 630
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Book Description
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199886946
Category : Music
Languages : en
Pages : 445
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Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
