Quick Guide to Bassoon Reed Tuning PDF Download
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Author: Sarah Peniston
Publisher:
ISBN: 9780692948309
Category :
Languages : en
Pages : 16
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Book Description
Mark Eubanks has created a recipe for tuning and adjusting bassoon reeds. The Quick Guide to Bassoon Reed Tuning is packed with information to help the bassoonist go to a problem, test it and fix it. Built on his earlier publications, this publication presents a new, proven step-by-step method to check the tuning of every note on the bassoon. It also includes a synopsis of bassoon reed design elements that affect tuning, and additional tuning factors, including bocal and instrument adjustments and tone production issues. The publication is further supplemented with extensive information and Q&A found on the Arundo Research website (www.arundoresearch.com).
Author: Sarah Peniston
Publisher:
ISBN: 9780692948309
Category :
Languages : en
Pages : 16
Get Book Here
Book Description
Mark Eubanks has created a recipe for tuning and adjusting bassoon reeds. The Quick Guide to Bassoon Reed Tuning is packed with information to help the bassoonist go to a problem, test it and fix it. Built on his earlier publications, this publication presents a new, proven step-by-step method to check the tuning of every note on the bassoon. It also includes a synopsis of bassoon reed design elements that affect tuning, and additional tuning factors, including bocal and instrument adjustments and tone production issues. The publication is further supplemented with extensive information and Q&A found on the Arundo Research website (www.arundoresearch.com).
Author: Christin Schillinger
Publisher: Indiana University Press
ISBN: 0253018234
Category : Music
Languages : en
Pages : 172
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Book Description
Withheld by leading pedagogues in an effort to control competition, the art of reed making in the early 20th century has been shrouded in secrecy, producing a generation of performers without reed making fluency. While tenets of past decades remain in modern pedagogy, Christin Schillinger details the historical pedagogical trends of bassoon reed making to examine the impact different methods have had on the practice of reed making and performance today. Schillinger traces the pedagogy of reed making from the earliest known publication addressing bassoon pedagogy in 1687 through the publication of Julius Weissenborn's Praktische Fagott-Schule and concludes with an in-depth look at contemporary methodologies developed by Louis Skinner, Don Christlieb, Norman Herzberg, and Lewis Hugh Cooper. Aimed at practitioners and pedagogues of the bassoon, this book provides a deeper understanding of the history and technique surrounding reed-making craft and instruction.
Author: Eric Arbiter
Publisher:
ISBN: 0190919612
Category : Bassoon
Languages : en
Pages : 353
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Book Description
As the sound-producing mechanism for the bassoon, the reed is a vital component in the sound of the entire instrument. While pre-manufactured reeds are widely available for purchase at music stores, this one-size-fits-all option hardly does justice to the unique needs of the musician and the piece. Many bassoonists, including seasoned professional bassoonist Eric Arbiter, instead choose to craft their own reeds. A nuanced and difficult craft to master, reed-making involves specialized machinery and necessitates special attention to the thickness, and even topography, of the reed itself. When done correctly, however, this process results in a reed that not only produces a more beautiful sound, but also holds up to even the most demanding musical performances. In The Way of Cane, Arbiter demystifies this process for bassoonists of all levels of experience. Drawing from his decades-long experience as both musician and reed-maker, Arbiter provides a comprehensive yet accessible overview of the craft, from the differing sound qualities produced by changing the dimensions of the reed's blades to the changes in the reed's behaviors as it passes through cycles of wetting and drying during production. Small changes in each of these variables, Arbiter explains, contribute to the ultimate goal of producing a bassoonist's ideal sound. With step-by-step instructions, detailed photos that further illuminate the reed-making process, and a companion website featuring the author's own recordings. The Way of Cane emphasizes the importance of the reed to the bassoon's sound, as well as the harmony between reed and musician.
Author: Earline McCroskey
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
When I was asked to write the foreword to Francisco Formiga's book, Bassoon Reed Design and Reedmaking Life Hacks, I knew that, in addition to reedmaking, I needed to talk about our long-time friendship. Francisco and I became friends over thirty years ago when we were both based in Belo Hori‐ zonte, Brazil. At the time, I was a new professor of bassoon at the Federal University of Minas Gerais, and he was a very advanced bassoonist at the university who was also already playing pro‐ fessionally in the state orchestra. We spent countless hours making reeds, exchanging ideas, adopting each other's suggestions, and learning from each other. Our friendship grew during these long hours of reed crafting and music making, and we have remained great friends to this day. After he graduated, Francisco moved to São Paulo, where he continued to ourish in his musical career. He currently plays in the São Paulo State Symphony Orchestra one of the best orchestras in Latin America
Author: Pearl Rivenburgh
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
When I was asked to write the foreword to Francisco Formiga's book, Bassoon Reed Design and Reedmaking Life Hacks, I knew that, in addition to reedmaking, I needed to talk about our long-time friendship. Francisco and I became friends over thirty years ago when we were both based in Belo Hori‐ zonte, Brazil. At the time, I was a new professor of bassoon at the Federal University of Minas Gerais, and he was a very advanced bassoonist at the university who was also already playing pro‐ fessionally in the state orchestra. We spent countless hours making reeds, exchanging ideas, adopting each other's suggestions, and learning from each other. Our friendship grew during these long hours of reed crafting and music making, and we have remained great friends to this day. After he graduated, Francisco moved to São Paulo, where he continued to ourish in his musical career. He currently plays in the São Paulo State Symphony Orchestra one of the best orchestras in Latin America
Author: Richard J. Colwell
Publisher: Taylor & Francis
ISBN: 1040153534
Category : Education
Languages : en
Pages : 880
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Book Description
The Teaching of Instrumental Music, Sixth Edition, introduces music education majors to basic instrumental pedagogy for the instruments and ensembles commonly found in the elementary and secondary curricula. It focuses on the core competencies required for teacher certification in instrumental music, with the pervasive philosophy to assist teachers as they develop an instrumental music program based on understanding and respecting all types of music. Parts I and II focus on essential issues for a successful instrumental program, presenting first the history and foundations, followed by effective strategies in administrative tasks and classroom teaching. Parts III, IV, and V are devoted to the skills and techniques of woodwind, brass and percussion, and string instruments. In all, The Teaching of Instrumental Music is the complete reference for the beginning instrumental teacher, commonly retained in a student’s professional library for its unique and comprehensive coverage. This Sixth Edition includes: Streamlined language and improved layout throughout, making this edition more concise and accessible to students. Updated content throughout, including insights from current research for curriculum development, coverage of current law and policy changes that impact the classroom, contemporary motivational strategies, and more information on the history of African-American and all-female music ensembles. Updated references, photos, lists of artists, and online resources.
Author: Jacqueline Leclair
Publisher: Scarecrow Press
ISBN: 0810886219
Category : Music
Languages : en
Pages : 167
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Book Description
Modeled on the brilliant approach first formulated by distinguished professor of music and master clarinetist Michele Gingras in Clarinet Secrets and More Clarinet Secrets (both available from Scarecrow Press), Music Secrets for the Advanced Musician: A Scarecrow Press Music Series is designed for instrumentalists, singers, conductors, composers, and other instructors and professionals seeking a quick set of pointers to improve their work as performers and producers of music. Easy to use and intended for the advanced musician, contributions to the Music Secrets series fill a niche for those who have moved beyond what beginners and intermediate practitioners need. In Oboe Secrets: 75 Performance Strategies for the Advanced Oboist and English Horn Player, Jacqueline Leclair tackles the oboe’s reputation as an especially difficult instrument and illustrates how oboists and English horn players can overcome common challenges. Leclair draws on her experience as a performer and instructor, offering practical tips and sometimes revolutionary ideas for rethinking oboe pedagogy. Leclair also looks at performance strategies in the areas of equipment maintenance and management, physical health, and performance technique. Her secrets focus on such matters as how to optimize practice sessions, build endurance, improve use of the body when playing, work with reeds, and apply extended techniques. Oboe Secrets provides oboists and English horn players a quick and efficient path to significant improvement—both technically and musically—in their playing.It is the perfect resource for advanced high school oboists, professional performers, music instructors, and avid amateur musicians.
Author: Michael J. Pagliaro
Publisher: Scarecrow Press
ISBN: 081088271X
Category : Music
Languages : en
Pages : 201
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Book Description
In The Musical Instrument Desk Reference, Michael Pagliaro, musical instrument authority extraordinaire, provides the one-stop shop for those in need of a quick, visually-rich reference guide to band and orchestral instruments. Descriptions and illustrations of everything from the physics of sound to detailed discussions of each orchestra and band instrument make this work the ideal desktop reference tool for the working musician. Through its Quick Start and In Depth features, readers can quickly decide how deeply they want to delve into the instrument at hand. Following a contemporary format designed to facilitate what any musician or music instructor needs to know, The Musical Instrument Desk Reference eliminates the need to leaf through multiple method books or trawl through websites to find information. The Musical Instrument Desk Reference includes general information on fingering, the anatomy of musical instruments, sound production, amplification, and control, as well as the science of sound. Readers will find individual chapters on woodwinds, brass instruments, non-fretted string instruments, and percussion instruments. In each category, Pagliaro delves deeper, describing for woodwinds such things as tuning, key systems, fingerings, sound production, tone holes, assembly, materials, embouchures, and reed use; for brass instruments such matters as valve systems, fingering patterns, French horn types, mouthpiece selection, and intonation; for non-fretted string instruments such issues as tuning and fingering, playing position, bowing technique, instrument parts, and materials; and for percussion instruments such elements as instrument types and their classifications, tuning procedures, and accessories. The Musical Instrument Desk Reference is the perfect guide for anyone interested in or responsible for working with varieties of instruments and their players. Teachers, students, teachers in training, music instructors, instrument technicians, and musicians can quickly locate any specific detail related to any band or orchestral instrument.
Author: Michele Gingras
Publisher: Rowman & Littlefield
ISBN: 1442276568
Category : Music
Languages : en
Pages : 223
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Book Description
This second edition of Clarinet Secrets is a compilation of Distinguished Professor Michele Gingras’s acclaimed books that spearheaded Rowman & Littlefield’s Music Secrets series: Clarinet Secrets and More Clarinet Secrets. It is the result of Gingras’s thirty years of hands-on experience spent in the clarinet studio working with students. Learn practical and technical secrets about rapid tonguing and double-tonguing; circular breathing; sight-reading and transposition; reed fixing and repair equipment; improving tone, intonation, technique, and musicianship; contemporary techniques; classical and non-classical performance; performance anxiety; auditioning; career planning and marketability; and more. The concepts are discussed in a straightforward way, explained clearly, and illustrated with photos, diagrams, and musical examples. Easy to use and intended for the intermediate and advanced musician, this second edition of Clarinet Secrets is perfect for students in a class or private situation, professionals, or instructors engaged in pedagogical research.
Author: James R. McKay
Publisher: Indiana University Press
ISBN: 9780253213129
Category : Music
Languages : en
Pages : 164
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Book Description
Drawings and photographs complement step-by-step explanations of reedmaking techniques, making every procedure clear. Rather than present an onerous shopping list, the chapter on tools gives a thorough tour of Skinner's workbench, explaining the uses of various items and what can be used as substitutes. Throughout, instructions are given in clear language, not just outlining steps to follow but explaining he principles behind the practice. In addition to basic reed types, a number of variations are treated in detail, as is the making of contrabassoon reeds. Finally, every effort has been made to make this book practical for use at the workbench--in a secure binding that will allow the pages to stay open (without the use of clothespins) and in print large enough to permit easy consultation when the reader's hands are occupied with cane and knives and glue and wire.
