Author: Ian McKay
Publisher: McGill-Queen's Press - MQUP
ISBN: 077357543X
Category : History
Languages : en
Pages : 394
Book Description
Ian McKay shows how the tourism industry & cultural producers have manipulated the cultural identity of Nova Scotia to project traditional folk values. He offers analysis of the infusion of folk ideology into the art & literature of the region, & the use of the idea of the 'simple life' in tourism promotion.
Quest of the Folk
Author: Ian McKay
Publisher: McGill-Queen's Press - MQUP
ISBN: 077357543X
Category : History
Languages : en
Pages : 394
Book Description
Ian McKay shows how the tourism industry & cultural producers have manipulated the cultural identity of Nova Scotia to project traditional folk values. He offers analysis of the infusion of folk ideology into the art & literature of the region, & the use of the idea of the 'simple life' in tourism promotion.
Publisher: McGill-Queen's Press - MQUP
ISBN: 077357543X
Category : History
Languages : en
Pages : 394
Book Description
Ian McKay shows how the tourism industry & cultural producers have manipulated the cultural identity of Nova Scotia to project traditional folk values. He offers analysis of the infusion of folk ideology into the art & literature of the region, & the use of the idea of the 'simple life' in tourism promotion.
Rainbow Quest
Author: Ronald D. Cohen
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
This study reconstructs the history of the folk-music revival in the States, tracing its origins to the early decades of the 20th century. Drawing on scores of interviews and numerous manuscript collections, as well as his own extensive files, Cohen shows how a broad range of traditions - from hillbilly, gospel, blues and sea shanties to cowboy, ethnic and political-protest music - all contributed to the genre known as folk.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
This study reconstructs the history of the folk-music revival in the States, tracing its origins to the early decades of the 20th century. Drawing on scores of interviews and numerous manuscript collections, as well as his own extensive files, Cohen shows how a broad range of traditions - from hillbilly, gospel, blues and sea shanties to cowboy, ethnic and political-protest music - all contributed to the genre known as folk.
Quest for the Spark
Author: Tom Sniegoski
Publisher: Scholastic Inc.
ISBN: 054514101X
Category : Juvenile Fiction
Languages : en
Pages : 226
Book Description
As the evil Nacht spreads his darkness across the valley, Tom and his friends, the Bone family, desperately try to find the Spark that will heal the Dreaming and save the world.
Publisher: Scholastic Inc.
ISBN: 054514101X
Category : Juvenile Fiction
Languages : en
Pages : 226
Book Description
As the evil Nacht spreads his darkness across the valley, Tom and his friends, the Bone family, desperately try to find the Spark that will heal the Dreaming and save the world.
Roots of the Revival
Author: Ronald D Cohen
Publisher: University of Illinois Press
ISBN: 0252096428
Category : Music
Languages : en
Pages : 217
Book Description
In Roots of the Revival: American and British Folk Music in the 1950s, Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's midcentury resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain. After setting the stage with the work of music collectors in the nineteenth century, the authors explore the so-called recovery of folk music practices and performers by Alan Lomax and others, including journeys to and within the British Isles that allowed artists and folk music advocates to absorb native forms and facilitate the music's transatlantic exchange. Cohen and Donaldson place the musical and cultural connections of the twin revivals within the decade's social and musical milieu and grapple with the performers' leftist political agendas and artistic challenges, including the fierce debates over "authenticity" in practice and repertoire that erupted when artists like Harry Belafonte and the Kingston Trio carried folk into the popular music mainstream. From work songs to skiffle, from the Weavers in Greenwich Village to Burl Ives on the BBC, Roots of the Revival offers a frank and wide-ranging consideration of a time, a movement, and a transformative period in American and British pop culture.
Publisher: University of Illinois Press
ISBN: 0252096428
Category : Music
Languages : en
Pages : 217
Book Description
In Roots of the Revival: American and British Folk Music in the 1950s, Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's midcentury resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain. After setting the stage with the work of music collectors in the nineteenth century, the authors explore the so-called recovery of folk music practices and performers by Alan Lomax and others, including journeys to and within the British Isles that allowed artists and folk music advocates to absorb native forms and facilitate the music's transatlantic exchange. Cohen and Donaldson place the musical and cultural connections of the twin revivals within the decade's social and musical milieu and grapple with the performers' leftist political agendas and artistic challenges, including the fierce debates over "authenticity" in practice and repertoire that erupted when artists like Harry Belafonte and the Kingston Trio carried folk into the popular music mainstream. From work songs to skiffle, from the Weavers in Greenwich Village to Burl Ives on the BBC, Roots of the Revival offers a frank and wide-ranging consideration of a time, a movement, and a transformative period in American and British pop culture.
The Ballad Collectors of North America
Author: Scott B. Spencer
Publisher: Scarecrow Press
ISBN: 0810881551
Category : Antiques & Collectibles
Languages : en
Pages : 247
Book Description
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.
Publisher: Scarecrow Press
ISBN: 0810881551
Category : Antiques & Collectibles
Languages : en
Pages : 247
Book Description
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.
The Midnight Folk
Author: John Masefield
Publisher:
ISBN:
Category : England
Languages : en
Pages : 284
Book Description
This autographed edition ... is limited to two hundred and fifty copies, of which this is numbered 66.
Publisher:
ISBN:
Category : England
Languages : en
Pages : 284
Book Description
This autographed edition ... is limited to two hundred and fifty copies, of which this is numbered 66.
For Folk’s Sake
Author: Erin Morton
Publisher: McGill-Queen's Press - MQUP
ISBN: 077359986X
Category : Art
Languages : en
Pages : 424
Book Description
Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.
Publisher: McGill-Queen's Press - MQUP
ISBN: 077359986X
Category : Art
Languages : en
Pages : 424
Book Description
Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.
Distant Stage
Author: Eric Fillion
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015138
Category : History
Languages : en
Pages : 301
Book Description
It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries’ rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and paintings achieve that traditional diplomacy could not? Distant Stage examines the neglected histories of Canada-Brazil relations and the role played by culture in Canada’s pursuit of an international identity. The efforts of French-Canadian artists, intellectuals, and diplomats are at the heart of both. Eric Fillion demonstrates how music and the visual arts gave state and non-state actors new connections to the idea of nation, which in turn informed their sense of place in the world. Tracing the origins of Canadian cultural diplomacy to South America, the book underscores the significance of race and religion in the country’s international history, showing how Brazil served as a distant stage where Canadian identity politics and aspirations could play out. Both a timely invitation to think about cultural diplomacy as a critical practice and a reflection on the interplay between internationalism and nationalism, Distant Stage draws attention to the ambiguous yet essential roles played by artists in international and intercultural relations.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015138
Category : History
Languages : en
Pages : 301
Book Description
It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries’ rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and paintings achieve that traditional diplomacy could not? Distant Stage examines the neglected histories of Canada-Brazil relations and the role played by culture in Canada’s pursuit of an international identity. The efforts of French-Canadian artists, intellectuals, and diplomats are at the heart of both. Eric Fillion demonstrates how music and the visual arts gave state and non-state actors new connections to the idea of nation, which in turn informed their sense of place in the world. Tracing the origins of Canadian cultural diplomacy to South America, the book underscores the significance of race and religion in the country’s international history, showing how Brazil served as a distant stage where Canadian identity politics and aspirations could play out. Both a timely invitation to think about cultural diplomacy as a critical practice and a reflection on the interplay between internationalism and nationalism, Distant Stage draws attention to the ambiguous yet essential roles played by artists in international and intercultural relations.
Before Official Multiculturalism
Author: Franca Iacovetta
Publisher: University of Toronto Press
ISBN: 1487545657
Category : History
Languages : en
Pages : 389
Book Description
For almost two decades before Canada officially adopted multiculturalism in 1971, a large network of women and their allies in Toronto were promoting pluralism as a city- and nation-building project. Before Official Multiculturalism assesses women as liberal pluralist advocates and activists, critically examining the key roles they played as community organizers, frontline social workers, and promoters of ethnic festivals. The book explores women’s community-based activism in support of a liberal pluralist vision of multiculturalism through an analysis of the International Institute of Metropolitan Toronto, a postwar agency that sought to integrate newcomers into the mainstream and promote cultural diversity. Drawing on the rich records of the Institute, as well as the massive International Institutes collection in Minnesota, the book situates Toronto within its Canadian and North American contexts and addresses the flawed mandate to integrate immigrants and refugees into an increasingly diverse city. Before Official Multiculturalism engages with national and international debates to provide a critical analysis of women’s pluralism in Canada.
Publisher: University of Toronto Press
ISBN: 1487545657
Category : History
Languages : en
Pages : 389
Book Description
For almost two decades before Canada officially adopted multiculturalism in 1971, a large network of women and their allies in Toronto were promoting pluralism as a city- and nation-building project. Before Official Multiculturalism assesses women as liberal pluralist advocates and activists, critically examining the key roles they played as community organizers, frontline social workers, and promoters of ethnic festivals. The book explores women’s community-based activism in support of a liberal pluralist vision of multiculturalism through an analysis of the International Institute of Metropolitan Toronto, a postwar agency that sought to integrate newcomers into the mainstream and promote cultural diversity. Drawing on the rich records of the Institute, as well as the massive International Institutes collection in Minnesota, the book situates Toronto within its Canadian and North American contexts and addresses the flawed mandate to integrate immigrants and refugees into an increasingly diverse city. Before Official Multiculturalism engages with national and international debates to provide a critical analysis of women’s pluralism in Canada.
The Brothers Grimm and Folktale
Author: James M. McGlathery
Publisher: University of Illinois Press
ISBN: 9780252061912
Category : Fairy tales
Languages : en
Pages : 282
Book Description
"Some of the best folklore and Grimm scholars from Europe and the U.S. combined to give an excellent overview of the scholarly research and current critical thought regarding Jakob and Wilhelm Grimm and their hugely popular Grimm's Fairy Tales. . . . The book is directed to the general educated public and is very readable." -- Choice
Publisher: University of Illinois Press
ISBN: 9780252061912
Category : Fairy tales
Languages : en
Pages : 282
Book Description
"Some of the best folklore and Grimm scholars from Europe and the U.S. combined to give an excellent overview of the scholarly research and current critical thought regarding Jakob and Wilhelm Grimm and their hugely popular Grimm's Fairy Tales. . . . The book is directed to the general educated public and is very readable." -- Choice