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Author: R. Schoch
Publisher: Springer
ISBN: 023028891X
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
A fresh and intimate portrait of Queen Victoria 'at the play'. Through Victoria's diary, artwork and correspondence we see her as enraptured spectator, bountiful patron and tyrannical director of private theatricals. At times she appears formidable. More frequently she is impudent, high-spirited and unruly; a woman who delights in gory melodramas and circus acts. Queen Victoria and the Theatre of Her Age gives readers a deeply personal account of her lifelong devotion to the stage. It will appeal to anyone interested in monarchy's place in popular culture.
Author: R. Schoch
Publisher: Springer
ISBN: 023028891X
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
A fresh and intimate portrait of Queen Victoria 'at the play'. Through Victoria's diary, artwork and correspondence we see her as enraptured spectator, bountiful patron and tyrannical director of private theatricals. At times she appears formidable. More frequently she is impudent, high-spirited and unruly; a woman who delights in gory melodramas and circus acts. Queen Victoria and the Theatre of Her Age gives readers a deeply personal account of her lifelong devotion to the stage. It will appeal to anyone interested in monarchy's place in popular culture.
Author: Tiffany Watt-Smith
Publisher: Oxford University Press, USA
ISBN: 0198700938
Category : Biography & Autobiography
Languages : en
Pages : 273
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Book Description
On Flinching explores the cultural history of flinches, winces, cringes and starts in the late nineteenth and early twentieth centuries. Taking the flinches of scientific observers as its starting point, it likens scientific experiments to the emotional interactions between audiences and actors in the theatre of this period.
Author: Adrian Poole
Publisher: Bloomsbury Publishing
ISBN: 1472578554
Category : Literary Criticism
Languages : en
Pages : 1051
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Book Description
The second set of volumes in the eighteen-volume series Great Shakespeareans, covering the work of nineteen key figures who influenced the global understanding of Shakespeare
Author: Karen E. Laird
Publisher: Routledge
ISBN: 1317044495
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
Author: Peter Holland
Publisher: Bloomsbury Publishing
ISBN: 1441124039
Category : Literary Criticism
Languages : en
Pages : 1078
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Book Description
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. Great Shakespeareans will be an essential resource for students and scholars in Shakespeare studies.
Author: Richard Schoch
Publisher: A&C Black
ISBN: 1441181369
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
A comprehensive critical analysis of the most important Shakespearean critics, editors, actors and directors. This volume focuses on Shakespeare's reception by figures in Victorian theatre.
Author: Alan R. Young
Publisher: Peter Lang
ISBN: 9783039110780
Category : Art
Languages : en
Pages : 352
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Book Description
The English humour magazine Punch, or the London Charivari, which first appeared in 1841, quickly became something of a national institution with a large and multi-layered readership. Though comic in tone, Punch was deeply serious about upholding high literary and artistic standards, about dealing with serious subject-matter, and about attempting to nurture its readers' appreciation of the national drama and of Shakespeare's plays in particular. The author's detailed examination of Punch's constant advocacy of Shakespeare reveals telling new evidence concerning the ubiquitous presence of Shakespeare within Victorian culture. New research in the Punch archives and elsewhere also reveals the identities of many of the Punch authors and artists. The author shows how those who worked for Punch often subsumed their collective identities within the single persona of Mr. Punch, a fictional creation who repeatedly presents himself in both texts and graphics as a close friend and admirer of Shakespeare, a man able to remind Victorian readers constantly of the supreme literary and moral values represented by Shakespeare's works.
Author: Sally Barnden
Publisher: Oxford University Press
ISBN: 0198895038
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.
Author: Jeffrey Masten
Publisher: Northwestern University Press
ISBN: 0810123088
Category : Drama
Languages : en
Pages : 218
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Book Description
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This issue of Renaissance Drama, devoted to the topic of "Media, Technology, and Performance" is co-edited by W.B. Worthen, Wendy Wall, and Jeffrey Masten. The various articles displayed here address the interface between drama and its various modes of production over the past four centuries. This volume explores the relationship of drama to other forms of early modern spectacle (pageantry, masques), to the specificities of typography and the economics of the book industry, to the intersection of drama with film and DVD production, and to the way that stage technologies and theatrical economies of the 16th, 17th and 20th centuries define plays and playing. Rather than thinking of the early modern text as something simply reconstituted in its different incarnations, these essays make clear that different media force a rethinking of the terms that we use to envision, conceptualize, and even to see the work of drama.
Author: Carolyn Williams
Publisher: Cambridge University Press
ISBN: 1108606113
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
This newly commissioned series of essays by leading scholars is the first volume to offer both an overview of the field and also current emerging critical views on the history, form, and influence of English melodrama. Authoritative voices provide an introduction to melodrama's early formal features such as tableaux and music, and trace the development of the genre in the nineteenth century through the texts and performances of its various sub-genres, the theatres within which the plays were performed, and the audiences who watched them. The historical contexts of melodrama are considered through essays on topics including contemporary politics, class, gender, race, and empire. And the extensive influences of melodrama are demonstrated through a wide-ranging assessment of its ongoing and sometimes unexpected expressions - in psychoanalysis, in other art forms (the novel, film, television, musical theatre), and in popular culture generally - from the nineteenth to the twenty-first century.
