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Author: Bill Marshall
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773521162
Category : Performing Arts
Languages : en
Pages : 396
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Book Description
In Quebec National Cinema Bill Marshall tackles the question of the role cinema plays in Quebec's view of itself as a nation. Surveying mostly fictional feature films, Marshall demonstrates how Quebec cinema has evolved from the innovative direct cinema of the early 1960s into the diverse canvas of popular comedies, glossy co-productions, and reworked auteur cinema of the postmodern 1990s. He explores the faultlines of Quebec identity - its problematic and contradictory relationship with France, the question of Native peoples, the influence of the cosmopolitan and pluralist city of Montreal, and the encounters between sexuality, gender, and nation traced and critiqued in women's and queer cinemas. In the first comprehensive, theoretically informed work in English on Quebec cinema, Marshall views his subject as neither the assertion of some unproblematic national wholeness nor a random collection of disparate voices that drown out or invalidate the question of nation. Instead, he shows that while the allegory of nation marks Quebec film production it also leads to a tension between textual and contextual forces, between homogeneity and heterogeneity, and between major and minor modes of being and identity. Drawing on a broad framework of theory and particularly indebted to the work of Gilles Deleuze and Félix Guattari, Quebec National Cinema makes a valuable contribution to debates in film studies on national cinemas and to the burgeoning interest in French studies in the culture and politics of la francophonie. Bill Marshall is professor of Modern French Studies at the University of Glasgow. He has written several books and numerous articles on film and Francophone culture.
Author: Bill Marshall
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773521162
Category : Performing Arts
Languages : en
Pages : 396
Get Book Here
Book Description
In Quebec National Cinema Bill Marshall tackles the question of the role cinema plays in Quebec's view of itself as a nation. Surveying mostly fictional feature films, Marshall demonstrates how Quebec cinema has evolved from the innovative direct cinema of the early 1960s into the diverse canvas of popular comedies, glossy co-productions, and reworked auteur cinema of the postmodern 1990s. He explores the faultlines of Quebec identity - its problematic and contradictory relationship with France, the question of Native peoples, the influence of the cosmopolitan and pluralist city of Montreal, and the encounters between sexuality, gender, and nation traced and critiqued in women's and queer cinemas. In the first comprehensive, theoretically informed work in English on Quebec cinema, Marshall views his subject as neither the assertion of some unproblematic national wholeness nor a random collection of disparate voices that drown out or invalidate the question of nation. Instead, he shows that while the allegory of nation marks Quebec film production it also leads to a tension between textual and contextual forces, between homogeneity and heterogeneity, and between major and minor modes of being and identity. Drawing on a broad framework of theory and particularly indebted to the work of Gilles Deleuze and Félix Guattari, Quebec National Cinema makes a valuable contribution to debates in film studies on national cinemas and to the burgeoning interest in French studies in the culture and politics of la francophonie. Bill Marshall is professor of Modern French Studies at the University of Glasgow. He has written several books and numerous articles on film and Francophone culture.
Author: Bill Marshall
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773521038
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
Instead, he shows that while the allegory of nation marks Quebec film production, it also leads to a tension between textual and contextual forces, between homogeneity and heterogeneity, and between major and minor modes of being and identity.".
Author: Chris Gittings
Publisher: Routledge
ISBN: 1134764855
Category : Social Science
Languages : en
Pages : 354
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Book Description
Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE Confessional Mon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.
Author: Michael Gott
Publisher: Liverpool University Press
ISBN: 1835533043
Category : Art
Languages : en
Pages : 213
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Book Description
This collection of ten chapters and three original interviews with Québécois filmmakers focuses on the past two decades of Quebec cinema and takes an in-depth look at a (primarily) Montreal-based filmmaking industry whose increasingly diverse productions continue to resist the hegemony of Hollywood and to exist as a visible and successful hub of French-language – and ever more multilingual – cinema in North America. This volume picks up where Bill Marshall’s 2001 Quebec National Cinema ends to investigate the inherently global nature of Quebec’s film industry and cinematic output since the beginning of the new millennium. Through their analyses of contemporary films (Une colonie, Avant les rues, Bon cop, bad cop, Les Affamés, Tom à la ferme, Uvanga, among others), directors (including Xavier Dolan, Denis Côté, Sophie Desrape, Chloé Robichaud, Jean-Marc Vallée, and Monia Chokri) and genres (such as the buddy comedy and the zombie film), our authors examine the growing tension between Quebec cinema as a “national cinema” and as an art form that reflects the transnationalism of today’s world, a new form of fluidity of individual experiences, and an increasing on-screen presence of Indigenous subjects, both within and outside the borders of the province. The book concludes with specially conducted interviews with filmmakers Denis Chouinard, Bachir Bensadekk, and Marie-Hélène Cousineau, who provide their views and insights on contemporary Quebec filmmaking.
Author: Jerry White
Publisher: Wallflower Press
ISBN: 9781904764601
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Containing 24 essays, each on a different film, this work provides a fascinating historical account of the development of film and documentary traditions across the diverse national and regional communities in Canada.
Author: George Melnyk
Publisher: University of Toronto Press
ISBN: 9780802084446
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Author: William Beard
Publisher: University of Alberta
ISBN: 9780888643902
Category : Drama
Languages : en
Pages : 516
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Book Description
This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.
Author: Jim Leach
Publisher: Don Mills, Ont. : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
"Film in Canada offers a comprehensive examination of Canadian cinema in its political and cultural contexts. While highlighting the films and filmmakers that have defined the national industry since the 1960s, this book also looks at many of the factors that have influenced Canadian filmmaking, including Canada's ethnic and linguistic diversity, the country's national identity, and the emergence of a global media marketplace. Each chapter explores both historical trends and contemporary examples of a specific topic, allowing the chapters to be used in sequence or independently. With careful annotations, a detailed filmography and bibliography, and a ten-page insert of film stills, this book is ideal for students of Canadian film or of Canadian arts and culture generally."--BOOK JACKET.
Author: Mathieu Bédard
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
This thesis combines the concept of autoethnography with recent research that has linked orality and the development of Quebec cinema. It focuses on the historical desire for self-representation that preoccupied Quebec filmmakers before the institutionalization of Quebec cinema as a culture industry in the 1970s, and underlines a corresponding genealogy of films centered on the filmmaker's presence and first-person discourse. In a handful of foundational films starting with those of Albert Tessier, and moving to the work of Claude Jutra, Gilles Groulx and Anne-Claire Poirier, the thesis argues that the filmmaker's subjectivity embodies the Quebecois community which is made "other" within the space of Canadian and global cinema. The mediation of autobiographical traces conceives film as a "living experience" of culture and identity, embodied in the filmmaker's own body and/or voice. I argue that autoethnographic expression is closely tied to the building of Quebec's national cinema, as a discursive practice emphasizing agency, perspective, and the right to self-representation. Yet, the genealogical approach of the thesis also observes how this mediation of individual identity complicates collective identity in the process. The nation is rendered a site of competing experiences and perspectives, in dialogue or in conflict with each other across time. Overall, the thesis invites the reader to consider first-person cinema as a paradigmatic form of political inscription in Quebec, and to question notions of "authenticity" and homogeneity in the study of Quebec cinema. Identity entails a process of negotiation that is open-ended and can always be reframed and appropriated by the "other" within.
Author: David Lawrence Pike
Publisher: University of Toronto Press
ISBN: 1442612401
Category : Performing Arts
Languages : en
Pages : 393
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Book Description
Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts.
