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Author: Defne Ayas
Publisher: Witte de with Center for Contemporary Art
ISBN: 9789491435447
Category : Art
Languages : en
Pages : 0
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Book Description
This small book presents the large-scale maps made by Chinese artist Qiu Zhijie and departs from Blueprints, an exhibition at Witte de With Center for Contemporary Art in Rotterdam. To produce his maps and diagrams, the artist drew from major political and historical narratives, charting new paths, centres, nodes, and relationships, and scrutinizing the mutable boundaries that outline histories of world thought. The publication offers a reading on four works, and features essays from contemporary thinkers like Charles Esche, Chus Martínez, Eugene Y. Wang, and Bik Van der Pol. Inserted in the book is a foldout reproduction of Qiu Zhijie's intricate Map of the Third World.
Author: Defne Ayas
Publisher: Witte de with Center for Contemporary Art
ISBN: 9789491435447
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
This small book presents the large-scale maps made by Chinese artist Qiu Zhijie and departs from Blueprints, an exhibition at Witte de With Center for Contemporary Art in Rotterdam. To produce his maps and diagrams, the artist drew from major political and historical narratives, charting new paths, centres, nodes, and relationships, and scrutinizing the mutable boundaries that outline histories of world thought. The publication offers a reading on four works, and features essays from contemporary thinkers like Charles Esche, Chus Martínez, Eugene Y. Wang, and Bik Van der Pol. Inserted in the book is a foldout reproduction of Qiu Zhijie's intricate Map of the Third World.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588395049
Category : Art
Languages : en
Pages : 210
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Book Description
"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --
Author: Simon Groom
Publisher: Tate
ISBN: 9781854377135
Category : Art
Languages : en
Pages : 208
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Book Description
For many in the West, Chinese contemporary art is synonymous with the political realist painters of the 1980s and 90s, who recycled the styles of communist social realism with pop cynicism. This book examines the different modes of production, artist groups, market systems and infrastructure that shape artistic production in China.
Author: Thomas J. Berghuis
Publisher: Timezone 8 Limited
ISBN: 9789889926595
Category : Art
Languages : en
Pages : 328
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Book Description
Performance Art in China takes as its subject one of the most dynamic and controversial areas of experimental art practice in China. In his comprehensive study, Sydney-based theorist and art historian Thomas J. Berghuis introduces and investigates the idea of the "role of the mediated subject of the acting body in art," a notion grounded in the realization that the body is always present in art practice, as well as its subsequent, secondary representations. Through a series of in-depth case studies, Berghuis reveals how, during the past 25 years, Chinese performance artists have "acted out" their art, often in opposition to the principles governing correct behavior in the public domain. In addition to a 25-year chronology of events, a systematic index of places, names and key terms, as well as a bibliography and a glossary in English and Chinese, this study also offers the reader numerous previously unpublished photos and documents.
Author: Mary Wiseman
Publisher: BRILL
ISBN: 9004187952
Category : Philosophy
Languages : en
Pages : 477
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Book Description
How contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.
Author: Wu Hung
Publisher: The Museum of Modern Art
ISBN: 0870706470
Category : Art, Chinese
Languages : en
Pages : 474
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Book Description
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Author: Wu Hung
Publisher: Timezone 8 Limited
ISBN: 9789889961701
Category : Art
Languages : en
Pages : 296
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Book Description
This volume analyzes the cultural origins, precedents, influences and aspirations of the contemporary Chinese artists.
Author: Jason C. Kuo
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Text by Jason C. Kuo.
Author: Suzanne Pagé
Publisher: Editions Hazan, Paris
ISBN: 9780300222388
Category : Art, Chinese
Languages : en
Pages : 0
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Book Description
"This catalogue accompanies the exhibition 'Bentu, ' jointly presented by the Louis Vuitton Foundation, Paris, and the Ullens Center for Contemporary Art, Beijing. The exhibition opens at the Louis Vuitton Foundation on 27 January 2016."
Author: Chang Tan
Publisher: Cornell University Press
ISBN: 1501773208
Category : Art
Languages : en
Pages : 240
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Book Description
The Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era. Departing from the usual emphasis on art institutions, global markets, or artists' communities, Chang Tan proposes a new analytical framework in the theories of socially engaged art that stresses the critical agency of participants, the affective functions of objects, and the versatility of the artists in diverse sociopolitical spheres. Drawing from hitherto untapped archival materials and interviews with the artists, Tan challenges the views of Chinese artists as either dissidents or conformists to the regime and sees them as navigators and negotiators among diverse political discourses and interests. She questions the fetishization of marginalized communities among practitioners of progressive art and politics, arguing that the members of minjian are often more complex, defiant, and savvy than the elites would assume. The Minjian Avant-Garde critically assesses the rise of populism in both art and politics and show that minjian could constitute either a democratizing or a coercive force. This book was published with generous support from the George Dewey and Mary J. Krumrine Endowment.
