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Author: Quintus Horatius Flaccus
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
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Author: Quintus Horatius Flaccus
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
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Author: Horace
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
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Author: Michèle Lowrie
Publisher: Oxford University Press
ISBN: 9780198150534
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaricmode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formallevel, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he canever truly become a poet of praise.
Author: Quintus Horatius Flaccus
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Author: Horace
Publisher: JHU Press
ISBN: 0801889952
Category : History
Languages : en
Pages : 206
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Book Description
2009 Outstanding Academic Title, Choice This groundbreaking new translation of Horace’s most widely read collection of poetry is rendered in modern, metrical English verse rather than the more common free verse found in many other translations. Jeffrey H. Kaimowitz adapts the Roman poet's rich and metrically varied poetry to English formal verse, reproducing the works in a way that maintains fidelity to the tone, timbre, and style of the originals while conforming to the rules of English prosody. Each poem is true to the sense and aesthetic pleasure of the Latin and carries with it the dignity, concision, and movement characteristic of Horace’s writing. Kaimowitz presents each translation with annotations, providing the context necessary for understanding and enjoying Horace's work. He also comments on textual instability and explains how he constructed his verse renditions to mirror Horatian Latin. Horace and The Odes are introduced in lively fashion by noted classicist Ronnie Ancona.
Author: Timothy S. Johnson
Publisher: BRILL
ISBN: 9004216030
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
By examining the relationship of the iambic tradition with ritual, this book studies how Horace’s Epodes are more than partisan (consolidating Octavian’s victory by projecting hostilities onto powerless others) but a meta-partisan project (forming fractured entities into a diversified unity).
Author: Timothy Johnson
Publisher: Univ of Wisconsin Press
ISBN: 0299207439
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
Ten years after publishing his first collection of lyric poetry, Odes I-III, Horace (65 B.C.-8 B.C.) returned to lyric and published another book of fifteen odes, Odes IV. These later lyrics, which praise Augustus, the imperial family, and other political insiders, have often been treated more as propaganda than art. But in A Symposion of Praise, Timothy Johnson examines the richly textured ambiguities of Odes IV that engage the audience in the communal or "sympotic" formulation of Horace's praise. Surpassing propaganda, Odes IV reflects the finely nuanced and imaginative poetry of Callimachus rather than the traditions of Aristotelian and Ciceronian rhetoric, which advise that praise should present commonly admitted virtues and vices. In this way, Johnson demonstrates that Horace's application of competing perspectives establishes him as Pindar's rival. Johnson shows the Horatian panegyrist is more than a dependent poet representing only the desires of his patrons. The poet forges the panegyric agenda, setting out the character of the praise (its mode, lyric, and content both positive and negative), and calls together a community to join in the creation and adaptation of Roman identities and civic ideologies. With this insightful reading, A Symposion of Praise will be of interest to historians of the Augustan period and its literature, and to scholars interested in the dynamics between personal expression and political power.
Author: Andy Law
Publisher: Cambridge Scholars Publishing
ISBN: 103640028X
Category : Literary Criticism
Languages : en
Pages : 541
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Horace’s book of seventeen iambi (by convention called ‘Epodes’) contains some of the most complex and controversial poetry of his entire career. This new interpretation exposes a poet in the throes of the torment of writing. Horace crafts an artwork which reveals the agony of expressing agony. He struggles to find the words as he gives voice to the anticipation of grief. The poet’s inner demons conspire against him. Anything that could go wrong, does go wrong. At the end we realise that Horace might have never wanted to write this book in the first place. But the fate of this writer is to be forever persecuted by his own writing. Horace’s iambi are methodically stitched together. Meter, intertextuality, wordplay, and theme combine strategically to provide an utterly compelling and vivid watercolor in words. It is a work of art which is able to hold its place amongst any top tier poetry, in any language, in any era.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Authors, Classical
Languages : en
Pages : 264
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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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