Puerto Rican Poetry PDF Download
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Author: Robert Márquez
Publisher: Univ of Massachusetts Press
ISBN:
Category : Fiction
Languages : en
Pages : 536
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Book Description
Offering a comprehensive collection of Puerto Rican poetry in English, this text includes the work of 64 poets, as well as selections from Puerto Rico's tradition of popular verse forms - coplas, decimas, bombas - produced by anonymous writers.
Author: Robert Márquez
Publisher: Univ of Massachusetts Press
ISBN:
Category : Fiction
Languages : en
Pages : 536
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Book Description
Offering a comprehensive collection of Puerto Rican poetry in English, this text includes the work of 64 poets, as well as selections from Puerto Rico's tradition of popular verse forms - coplas, decimas, bombas - produced by anonymous writers.
Author: Miguel Algarín
Publisher: William Morrow &Company
ISBN:
Category : Poetry
Languages : en
Pages : 200
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Book Description
"A collection of poems in a new street-born language, Nuyorican; a dynamic English-Spanish contrapunctal expression of the anger and aspirations of the Puerto Rican. English nouns function as verbs. Spanish verbs function as adjectives. Raw life needs raw verbs and nouns to express the action and to name the quality of the experience."--Jacket.
Author: Giannina Braschi
Publisher: Yale University Press
ISBN: 9780300057959
Category : Fiction
Languages : en
Pages : 260
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Book Description
A collection of stream-of-consciousness jottings by a Puerto Rican woman on life in New York City. A portrait of the city by a writer with an acute sense of observation. The author teaches Spanish at a university.
Author: Bobby González
Publisher: Galeria Cemi
ISBN: 0978510607
Category : Puerto Ricans
Languages : en
Pages : 98
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Book Description
Author: Pedro Pietri
Publisher: Monthly Review Press
ISBN: 9780853453307
Category : History
Languages : en
Pages : 0
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Book Description
Author: Vanessa Perez Rosario
Publisher: University of Illinois Press
ISBN: 9780252080609
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
While it is rare for a poet to become a cultural icon, Julia de Burgos has evoked feelings of bonding and identification in Puerto Ricans and Latinos in the United States for over half a century. In the first book-length study written in English, Vanessa Pérez-Rosario examines poet and political activist Julia de Burgos's development as a writer, her experience of migration, and her legacy in New York City, the poet's home after 1940. Pérez-Rosario situates Julia de Burgos as part of a transitional generation that helps to bridge the historical divide between Puerto Rican nationalist writers of the 1930s and the Nuyorican writers of the 1970s. Becoming Julia de Burgos departs from the prevailing emphasis on the poet and intellectual as a nationalist writer to focus on her contributions to New York Latino/a literary and visual culture. It moves beyond the standard tragedy-centered narratives of de Burgos's life to place her within a nuanced historical understanding of Puerto Rico's peoples and culture to consider more carefully the complex history of the island and the diaspora. Pérez-Rosario unravels the cultural and political dynamics at work when contemporary Latina/o writers and artists in New York revise, reinvent, and riff off of Julia de Burgos as they imagine new possibilities for themselves and their communities.
Author: Jack Agüeros
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 120
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Book Description
Poetry. Latin American Studies. Jack Agueros is a poet, playwright, and fiction writer born in East Harlem who has remained closely involved with New York's Puerto Rican community. Agueros' varied writing career has reached from TV's Sesame Street to experimental Off-Off Broadway drama. His translations have been performed at the New York Public Theater and his poems and stories have appeared in Nuestro, Revista Chicana-Riquena, Hanging Loose, The Portable Lower East Side, and many other publications. His first collection of poetry, CORRESPONDING BETWEEN THE STONEHAULERS, was published by Hanging Loose in 1991 followed by his first collection of short fiction, DOMINOES & OTHER STORIES FROM THE PUERTO RICAN published by Curbstone Press.
Author: Martín Espada
Publisher: W. W. Norton & Company
ISBN: 0393541045
Category : Poetry
Languages : en
Pages : 75
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Book Description
Winner of the 2021 National Book Award for Poetry From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief and love. Martín Espada is a poet who "stirs in us an undeniable social consciousness," says Richard Blanco. Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry. Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the "I’m 10-15" Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise. The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question. Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.
Author: Victor Hernandez Cruz
Publisher: Coffee House Press
ISBN: 1566895057
Category : Poetry
Languages : en
Pages : 226
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Book Description
Praise for Victor Hernández Cruz: "Bilingual since childhood, Mr. Cruz writes poems about his native Puerto Rico and elsewhere which often speak to us with a forked tongue, sometimes in a highly literate Spanglish. . . . He's a funny, hard-edged poet, declining always into mother wit and pathos." —The New York Times Book Review "A fluent sensualist and rhythmic stylist." —The Washington Post "Like a salsa band leader coaxing and challenging dancers to more and more complex steps, Cruz dares readers with dizzying polyrhythms, polymetric stanzas, backstepping word structures and a sense of improvisation." —Publishers Weekly Beneath the Spanish tracks the way that languages intersect and inform each other, and how language and music shapes experience. Moving across landscapes from Puerto Rico to Manhattan to Morocco, these poems are one man's history and a song that begs to be performed. From "Ay Bendito, Que Vaina": Cuneiform tablet inside, The maracas pencil orality of remembered places, the night stars, the hammock, yucayeques like beehives, a river crab came to my feet to talk with its mouth legs, trembling like castanets. Victor Hernández Cruz is the author of several collections of poetry including, most recently, The Mountain in the Sea and In the Shadow of Al-Andalus. Featured in Bill Moyers's Language of Life series, Cruz's collection, Maraca, was a finalist for the Lenore Marshall and Griffin Poetry Prizes. He divides his time between Morocco and his native Puerto Rico.
Author: Karen Jaime
Publisher: NYU Press
ISBN: 147980827X
Category : Performing Arts
Languages : en
Pages : 139
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Book Description
Finalist for The Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research. Silver Medal Winner of The Victor Villaseñor Best Latino Focused Non-Fiction Book Award, given by the International Latino Book Awards. Honorable Mention for the Best LGBTQ+ Themed Book, given by the International Latino Book Awards. A queer genealogy of the famous performance space and the nuyorican aesthetic One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City’s Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto Rican ethnic and cultural associations of the epithet “Nuyorican,” as the Cafe developed into a central hub for an artistic movement encompassing queer, trans, and diasporic performance. The Queer Nuyorican is the first queer genealogy and critical study of the historical, political, and cultural conditions under which the term “Nuyorican” shifted from a raced/ethnic identity marker to “nuyorican,” an aesthetic practice. The nuyorican aesthetic recognizes and includes queer poets and performers of color whose writing and performance build upon the politics inherent in the Cafe’s founding. Initially situated within the Cafe’s physical space and countercultural discursive history, the nuyorican aesthetic extends beyond these gendered and ethnic boundaries, broadening the ethnic marker Nuyorican to include queer, trans, and diasporic performance modalities. Hip-hop studies, alongside critical race, queer, literary, and performance theories, are used to document the interventions made by queer and trans artists of color—Miguel Piñero, Regie Cabico, Glam Slam participants, and Ellison Glenn/Black Cracker—whose works demonstrate how the Nuyorican Poets Cafe has operated as a queer space since its founding. In focusing on artists who began their careers as spoken word artists and slam poets at the Cafe, The Queer Nuyorican examines queer modes of circulation that are tethered to the increasing visibility, commodification, and normalization of spoken word, slam poetry, and hip-hop theater in the United States and abroad.
