Author: Carl E. Guthe
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 131
Book Description
"Pueblo pottery making: a study at the village of San Ildefonso" by Carl E. Guthe. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Pueblo pottery making: a study at the village of San Ildefonso
Pueblo Pottery Making
Author: Carl Eugen Guthe
Publisher:
ISBN:
Category : History
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 182
Book Description
Pueblo Pottery Making
Author: Carl Eugen Guthe
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Archaeology of the Southern San Joaquin Valley, California
Author: Edward Winslow Gifford
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 682
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 682
Book Description
Ceramic Abstracts
Author: American Ceramic Society
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 800
Book Description
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 800
Book Description
A Strange Mixture
Author: Sascha T. Scott
Publisher: University of Oklahoma Press
ISBN: 080615151X
Category : Art
Languages : en
Pages : 281
Book Description
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.
Publisher: University of Oklahoma Press
ISBN: 080615151X
Category : Art
Languages : en
Pages : 281
Book Description
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.
The Pueblo
Author: Charlotte Yue
Publisher: Houghton Mifflin Harcourt
ISBN: 9780395549612
Category : Juvenile Nonfiction
Languages : en
Pages : 132
Book Description
Describes the history, daily activities, construction of dwellings, and special relationship to the land of the Pueblo Indians.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780395549612
Category : Juvenile Nonfiction
Languages : en
Pages : 132
Book Description
Describes the history, daily activities, construction of dwellings, and special relationship to the land of the Pueblo Indians.
The Bulletin of the American Ceramic Society
Author: American Ceramic Society
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 1304
Book Description
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 1304
Book Description
The Davis Ranch Site
Author: Rex E. Gerald
Publisher: University of Arizona Press
ISBN: 0816538549
Category : Social Science
Languages : en
Pages : 825
Book Description
In this new volume, the results of Rex E. Gerald’s 1957 excavations at the Davis Ranch Site in southeastern Arizona’s San Pedro River Valley are reported in their entirety for the first time. Annotations to Gerald’s original manuscript in the archives of the Amerind Museum and newly written material place Gerald’s work in the context of what is currently known regarding the late thirteenth-century Kayenta diaspora and the relationship between Kayenta immigrants and the Salado phenomenon. Data presented by Gerald and other contributors identify the site as having been inhabited by people from the Kayenta region of northeastern Arizona and southeastern Utah. The results of Gerald’s excavations and Archaeology Southwest’s San Pedro Preservation Project (1990–2001) indicate that the people of the Davis Ranch Site were part of a network of dispersed immigrant enclaves responsible for the origin and spread of Roosevelt Red Ware pottery, the key material marker of the Salado phenomenon. A companion volume to Charles Di Peso’s 1958 publication on the nearby Reeve Ruin, archaeologists working in the U.S. Southwest and other researchers interested in ancient population movements and their consequences will consider this work an essential case study.
Publisher: University of Arizona Press
ISBN: 0816538549
Category : Social Science
Languages : en
Pages : 825
Book Description
In this new volume, the results of Rex E. Gerald’s 1957 excavations at the Davis Ranch Site in southeastern Arizona’s San Pedro River Valley are reported in their entirety for the first time. Annotations to Gerald’s original manuscript in the archives of the Amerind Museum and newly written material place Gerald’s work in the context of what is currently known regarding the late thirteenth-century Kayenta diaspora and the relationship between Kayenta immigrants and the Salado phenomenon. Data presented by Gerald and other contributors identify the site as having been inhabited by people from the Kayenta region of northeastern Arizona and southeastern Utah. The results of Gerald’s excavations and Archaeology Southwest’s San Pedro Preservation Project (1990–2001) indicate that the people of the Davis Ranch Site were part of a network of dispersed immigrant enclaves responsible for the origin and spread of Roosevelt Red Ware pottery, the key material marker of the Salado phenomenon. A companion volume to Charles Di Peso’s 1958 publication on the nearby Reeve Ruin, archaeologists working in the U.S. Southwest and other researchers interested in ancient population movements and their consequences will consider this work an essential case study.
New Jersey Ceramist
Author:
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 472
Book Description