Author: Merritt Wilson
Publisher: Xlibris Corporation
ISBN: 1796047953
Category : Music
Languages : en
Pages : 113
Book Description
Opera was and still is one of the oldest forms of entertainment. It’s been around longer than any other art form known to mankind, longer than radio, the internet, video games, television and even movies. It’s an art form in which singers and musicians perform a dramatic work combining a script called a libretto and musical score, usually in a theatrical setting. Opera incorporates music, singing, scenery, costumes and sometimes dancing. Some operas have spoken dialogue called a Singspiel in which the singers talk between songs aka arias. Other operas have a singing style called a Recitative in which the singers imitate spoken dialogue by singing their lines instead of talking.
Puccini's Operas
Author: Merritt Wilson
Publisher: Xlibris Corporation
ISBN: 1796047953
Category : Music
Languages : en
Pages : 113
Book Description
Opera was and still is one of the oldest forms of entertainment. It’s been around longer than any other art form known to mankind, longer than radio, the internet, video games, television and even movies. It’s an art form in which singers and musicians perform a dramatic work combining a script called a libretto and musical score, usually in a theatrical setting. Opera incorporates music, singing, scenery, costumes and sometimes dancing. Some operas have spoken dialogue called a Singspiel in which the singers talk between songs aka arias. Other operas have a singing style called a Recitative in which the singers imitate spoken dialogue by singing their lines instead of talking.
Publisher: Xlibris Corporation
ISBN: 1796047953
Category : Music
Languages : en
Pages : 113
Book Description
Opera was and still is one of the oldest forms of entertainment. It’s been around longer than any other art form known to mankind, longer than radio, the internet, video games, television and even movies. It’s an art form in which singers and musicians perform a dramatic work combining a script called a libretto and musical score, usually in a theatrical setting. Opera incorporates music, singing, scenery, costumes and sometimes dancing. Some operas have spoken dialogue called a Singspiel in which the singers talk between songs aka arias. Other operas have a singing style called a Recitative in which the singers imitate spoken dialogue by singing their lines instead of talking.
Recondite Harmony
Author: Deborah Burton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 356
Book Description
Who is Puccini? Most debates about the composer are focused on his cultural and musical identity: is his music traditional or progressive? The thesis of this volume is that the diametrically opposed forces of the traditional and the progressive live together in Puccini's music, embedded deeply within his harmonic constructs and in many musical parameters. Recondite Harmony is a study of all of Puccini's operas examined through a primarily analytic lens. It offers essays on salient aspects of each of the operas while tracing in them both progressive and traditional elements. The volume is divided into two parts: in the first, approaches that inform the entire corpus of Puccini's operas are examined. The second half of the book is devoted to brief essays discussing interesting aspects of each of his operas. Techniques in each opus that merit analytic attention are highlighted and discussed in relation to the drama at hand, individuating more fully musical aspects special to each score. Included are also previously unpublished source material and autograph sketches.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 356
Book Description
Who is Puccini? Most debates about the composer are focused on his cultural and musical identity: is his music traditional or progressive? The thesis of this volume is that the diametrically opposed forces of the traditional and the progressive live together in Puccini's music, embedded deeply within his harmonic constructs and in many musical parameters. Recondite Harmony is a study of all of Puccini's operas examined through a primarily analytic lens. It offers essays on salient aspects of each of the operas while tracing in them both progressive and traditional elements. The volume is divided into two parts: in the first, approaches that inform the entire corpus of Puccini's operas are examined. The second half of the book is devoted to brief essays discussing interesting aspects of each of his operas. Techniques in each opus that merit analytic attention are highlighted and discussed in relation to the drama at hand, individuating more fully musical aspects special to each score. Included are also previously unpublished source material and autograph sketches.
Puccini's Soundscapes
Author: Arman Schwartz
Publisher: Ad Ilissum
ISBN: 9788822264473
Category : Music
Languages : en
Pages : 0
Book Description
Puccini's operas rely to an unprecedented degree on unmediated sounds of the everyday world (birdcalls, musical boxes and so on). By exploring the origins and limits of the composer's realist acoustics Puccini's Soundscapes aims to rethink the shape of Puccini's career and reinterpret many of his major works.
Publisher: Ad Ilissum
ISBN: 9788822264473
Category : Music
Languages : en
Pages : 0
Book Description
Puccini's operas rely to an unprecedented degree on unmediated sounds of the everyday world (birdcalls, musical boxes and so on). By exploring the origins and limits of the composer's realist acoustics Puccini's Soundscapes aims to rethink the shape of Puccini's career and reinterpret many of his major works.
Giacomo Puccini and His World
Author: Arman Schwartz
Publisher: Princeton University Press
ISBN: 0691172862
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
Giacomo Puccini (1858–1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini’s operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection’s essays explore Puccini’s engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer’s place in a variety of cosmopolitan formations, and reevaluate Puccini’s orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini’s interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca’s notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.
Publisher: Princeton University Press
ISBN: 0691172862
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
Giacomo Puccini (1858–1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini’s operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection’s essays explore Puccini’s engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer’s place in a variety of cosmopolitan formations, and reevaluate Puccini’s orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini’s interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca’s notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.
Puccini's Turandot
Author: William Ashbrook
Publisher: Princeton University Press
ISBN: 1400866677
Category : Music
Languages : en
Pages : 204
Book Description
Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.
Publisher: Princeton University Press
ISBN: 1400866677
Category : Music
Languages : en
Pages : 204
Book Description
Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.
Puccini
Author: Michele Girardi
Publisher: University of Chicago Press
ISBN: 9780226297576
Category : Biography & Autobiography
Languages : en
Pages : 558
Book Description
Puccini's operas are among the most popular and widely performed in the world, yet few books have examined his body of work from an analytical perspective. This volume remedies that lack in lively prose accessible to scholars and opera enthusiasts alike.
Publisher: University of Chicago Press
ISBN: 9780226297576
Category : Biography & Autobiography
Languages : en
Pages : 558
Book Description
Puccini's operas are among the most popular and widely performed in the world, yet few books have examined his body of work from an analytical perspective. This volume remedies that lack in lively prose accessible to scholars and opera enthusiasts alike.
Il Trittico, Turandot, and Puccini's Late Style
Author: Andrew Davis
Publisher: Indiana University Press
ISBN: 0253004721
Category : Music
Languages : en
Pages : 328
Book Description
Giacomo Puccini is one of the most frequently performed and best loved of all operatic composers. In Il Trittico, Turandot, and Puccini's Late Style, Andrew Davis takes on the subject of Puccini's last two works to better understand how the composer creates meaning through the juxtaposition of the conventional and the unfamiliar -- situating Puccini in past operatic traditions and modern European musical theater. Davis asserts that hearing Puccini's late works within the context of la solita forma allows listeners to interpret the composer's expressive strategies. He examines Puccini's compositional language, with insightful analyses of melody, orchestration, harmony, voice-leading, and rhythm and meter.
Publisher: Indiana University Press
ISBN: 0253004721
Category : Music
Languages : en
Pages : 328
Book Description
Giacomo Puccini is one of the most frequently performed and best loved of all operatic composers. In Il Trittico, Turandot, and Puccini's Late Style, Andrew Davis takes on the subject of Puccini's last two works to better understand how the composer creates meaning through the juxtaposition of the conventional and the unfamiliar -- situating Puccini in past operatic traditions and modern European musical theater. Davis asserts that hearing Puccini's late works within the context of la solita forma allows listeners to interpret the composer's expressive strategies. He examines Puccini's compositional language, with insightful analyses of melody, orchestration, harmony, voice-leading, and rhythm and meter.
Puccini
Author: Mary Jane Phillips-Matz
Publisher: UPNE
ISBN: 9781555535308
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
This masterful biography provides the most authentic and revealing portrait to date of this major operatic composer
Publisher: UPNE
ISBN: 9781555535308
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
This masterful biography provides the most authentic and revealing portrait to date of this major operatic composer
The Operas of Puccini
Author: William Ashbrook
Publisher: Cornell University Press
ISBN: 9780801493096
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
The performance history of each of Puccini's operas are reviewed and related to events in his life.
Publisher: Cornell University Press
ISBN: 9780801493096
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
The performance history of each of Puccini's operas are reviewed and related to events in his life.
Puccini
Author: Julian Budden
Publisher:
ISBN: 0195179749
Category : Biography & Autobiography
Languages : en
Pages : 538
Book Description
Julian Budden, one of the world's foremost scholars of Italian opera, here offers music lovers a major biography of Giacomo Puccini--a volume in the esteemed Master Musicians series. Blending astute musical analysis with a colorful account of Puccini's life, Budden providess an illuminating look at some of the most popular operas in the repertoire, including Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. Budden also paints an intriguing portrait of Puccini the man--talented but modest, a man who had friends from every walk of life: shopkeepers, priests, wealthy landowners, fellow artists.
Publisher:
ISBN: 0195179749
Category : Biography & Autobiography
Languages : en
Pages : 538
Book Description
Julian Budden, one of the world's foremost scholars of Italian opera, here offers music lovers a major biography of Giacomo Puccini--a volume in the esteemed Master Musicians series. Blending astute musical analysis with a colorful account of Puccini's life, Budden providess an illuminating look at some of the most popular operas in the repertoire, including Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. Budden also paints an intriguing portrait of Puccini the man--talented but modest, a man who had friends from every walk of life: shopkeepers, priests, wealthy landowners, fellow artists.