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Author: Toine van den Hoogen
Publisher: Cambridge Scholars Publishing
ISBN: 1036402843
Category : History
Languages : en
Pages : 175
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Book Description
This book asserts the importance of conducting research on visual culture phenomena in public theology. As we increasingly communicate and express our social and cultural identities through images in today’s culture and economy, visual culture has become a burgeoning area of study and research in many academic institutions. In light of this, public theology must engage with this complex field. The concept of iconicity is raising fresh inquiries within the realm of public theology, which is already rife with hermeneutic concerns. These questions must be revisited, as images compel us to reassess our ongoing approach to the interpretation of religion. The potency of images is an uncharted and potent force, propelling public theology towards a future that is yet to be discovered.
Author: Toine van den Hoogen
Publisher: Cambridge Scholars Publishing
ISBN: 1036402843
Category : History
Languages : en
Pages : 175
Get Book Here
Book Description
This book asserts the importance of conducting research on visual culture phenomena in public theology. As we increasingly communicate and express our social and cultural identities through images in today’s culture and economy, visual culture has become a burgeoning area of study and research in many academic institutions. In light of this, public theology must engage with this complex field. The concept of iconicity is raising fresh inquiries within the realm of public theology, which is already rife with hermeneutic concerns. These questions must be revisited, as images compel us to reassess our ongoing approach to the interpretation of religion. The potency of images is an uncharted and potent force, propelling public theology towards a future that is yet to be discovered.
Author: Toine van den
Publisher:
ISBN: 9781036402839
Category :
Languages : en
Pages : 0
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Book Description
This book asserts the importance of conducting research on visual culture phenomena in public theology. As we increasingly communicate and express our social and cultural identities through images in today's culture and economy, visual culture has become a burgeoning area of study and research in many academic institutions. In light of this, public theology must engage with this complex field. The concept of iconicity is raising fresh inquiries within the realm of public theology, which is already rife with hermeneutic concerns. These questions must be revisited, as images compel us to reassess our ongoing approach to the interpretation of religion. The potency of images is an uncharted and potent force, propelling public theology towards a future that is yet to be discovered.
Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520938305
Category : Religion
Languages : en
Pages : 336
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Book Description
"Sacred gaze" denotes any way of seeing that invests its object—an image, a person, a time, a place—with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, The Sacred Gaze discusses the religious functions of images and the tools viewers use to interpret them. Morgan questions how fear and disgust of images relate to one another and explains how scholars study the long and evolving histories of images as they pass from culture to culture. An intriguing strand of the narrative details how images have helped to shape popular conceptions of gender and masculinity. The opening chapter considers definitions of "visual culture" and how these relate to the traditional practice of art history. Amply illustrated with more than seventy images from diverse religious traditions, this masterful interdisciplinary study provides a comprehensive and accessible resource for everyone interested in how religious images and visual practice order space and time, communicate with the transcendent, and embody forms of communion with the divine. The Sacred Gaze is a vital introduction to the study of the visual culture of religions.
Author: Margaret R. Miles
Publisher: Wipf and Stock Publishers
ISBN: 1725217538
Category : Religion
Languages : en
Pages : 234
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Book Description
Miles's pathbreaking work shows how art and architecture have shaped religious understanding throughout the history of Christianity.
Author: Sheona Beaumont
Publisher: Routledge
ISBN: 1000386074
Category : Religion
Languages : en
Pages : 375
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Book Description
This volume explores how the visual arts are presenting and responding to Christian theology and demonstrates how modern and contemporary artists and artworks have actively engaged in conversation with Christianity. Modern intellectual enquiry has often been reluctant to engage theology as an enriching or useful form of visual analysis, but critics are increasingly revisiting religious narratives and Christian thought in pursuit of understanding our present-day visual culture. In this book an international group of contributors demonstrate how theology is often implicit within artworks and how, regardless of a viewer’s personal faith, it can become implicit in a viewer’s visual encounter. Their observations include deliberate juxtaposition of Christian symbols, imaginative play with theologies, the validation of non-confessional or secular public engagement, and inversions of biblical interpretation. Case studies such as an interactive Easter, glow-sticks as sacrament, and visualisation of the Bible’s polyphonic voices enrich this discussion. Together, they call for a greater interpretative generosity and more nuance around theology’s cultural contexts in the modern era. By engaging with theology, culture, and the visual art, this collection offers a fresh lens through which to see the interaction of religion and art. As such, it will be of great use to those working in Religion and the Arts, Visual Art, Material Religion, Theology, Aesthetics, and Cultural Studies.
Author: S. Brent Plate
Publisher: Palgrave Macmillan
ISBN: 9780312240035
Category : Art
Languages : en
Pages : 256
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Book Description
Religion, Art, and Visual Culture gathers together the most current scholarship on art, religion, visual culture, and cultural studies. The book approaches the study of world religions through the human, meaning-making activity of seeing. The essays move between specific visual subjects (painting, landscape gardens, calligraphy, architecture, mass media) and the broader theoretical discourses relevant to religion and the wider humanities today. Topics covered include art and perception; the iconicity of Jesus Christ; the relation of word and image in Islam and divine images in India.
Author: William A. Dyrness
Publisher: Baker Academic
ISBN: 0801022975
Category : Art
Languages : en
Pages : 196
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Book Description
An intriguing, substantive look into the relationship between the church and the world of art.
Author: Sarah Dunlop
Publisher: Bloomsbury Publishing
ISBN: 0567713385
Category : Religion
Languages : en
Pages : 202
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Book Description
This book is the first of its kind to fully explain how to use photographs for research within Practical Theology. An essential tool for anyone exploring how visual material can shed light on their research questions, the book functions as a guide to using the methods well. It includes a rationale for using photographs within the emerging field of empirical work within theology, which is useful for students or others within the academy who need to justify using a visual approach for their research projects and dissertations. Drawing on the author's own experience of using visual approaches, the book covers a variety of visual methods, including photojournalism, different types of photo elicitation, photo voice and studies of visual social media. Each chapter illustrates the method under discussion via a case study and photographs and contains a practical guide to using the method well and avoiding pitfalls. Additionally, the book explores how photographs can be used to resource theological reflection and spirituality, thus linking research and faithful practice within the rational for using visual material. Designed for the classroom use, each chapter contains: - Chapter summary (learning points) - Background information - 'how to' with examples of research projects - Advantages and limitations of the method - Conclusion
Author: William A. Dyrness
Publisher: Baker Academic
ISBN: 1585585467
Category : Religion
Languages : en
Pages : 190
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Book Description
How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art. Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God's perfect order; likewise, early Christians used art to teach and inspire. However, the Protestant church abandoned visual arts and imagery during the Reformation in favor of the written word and has only recently begun to reexamine art's role in Christianity and worship. Dyrness affirms this renewal and argues that art, if reflecting the order and wholeness of the world God created, can and should play an important role in modern Christianity.
Author: John Harvey
Publisher: Sheffield Phoenix Press Limited
ISBN: 9781909697089
Category : Religion
Languages : en
Pages : 213
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Book Description
This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines. The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts. The book applies theoretical and methodological approaches-native to fine art, art history, and visual cultural studies but new to biblical studies-to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part. The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.
