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Author: Susan Horner
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 352
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Book Description
Author: Susan Horner
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 352
Get Book Here
Book Description
Author: Susan Horner
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 356
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Book Description
Author: Joanna B. Horner Ann Susan Horner
Publisher: Wentworth Press
ISBN: 9780469735149
Category : History
Languages : en
Pages : 340
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Susan Horner
Publisher: Rarebooksclub.com
ISBN: 9781230083728
Category :
Languages : en
Pages : 86
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1877 edition. Excerpt: ...Tribune of the Uffizi Gallery, is said to have been painted for this Abbot of Vallombrosa." Beyond the room containing these pictures is a small collection of drawings, or cartoons, by eminent painters. The Apostles Peter and Paul, by Fra Bartolommeo, are the original designs for paintings now in the Quirinal, at Rome. N o. 8. Christ appearing to the Marys, by Baroccio. No. 18, a Holy Family, and No. 22, St. Dominick, by Fra Bartolommeo. No. 5. A Virgin and Child, attributed, with great probability, to Raifaelle. No. 21, a still more lovely drawing of the subject, likewise attributed to him, but doubtful. No. 2 is a copy of Raffaelle's Madonna della Gatta. No. 6. A colossal female head, said to be intended for the Virgin, is by Correggio. There are also drawings by Lorenzo Credi, Pocetti, Bronzino, Baroccio, and Cigoli. A custode, from the Accademia, will accompany the visitor who may desire to see the celebrated works of Andrea del Sarto, at the Scalzo, in the Via Cavour. This building was at one time part of the dwelling of Ottaviano de' Medici, situated near the gardens of San Marco; and in a room above, the Scalzi, or "Barefooted" Friars held their meetings. These friars were called Scalzi because, when they bore the crucifix in public processions, they always walked barefoot. The house had a cortile, or court, with cloisters resting on columns; and when Andrea del Sarto was beginning life as an artist, and living with his friend, Franciabigio, near the Mercato del Grano, they were both employed by this confraternity to adorn the walls with frescos in chiaroscuro. The subject chosen was the Life of St. John the Baptist, to which saint the confraternity was dedicated. The only joint work of the artists was...
Author: Susan Horner
Publisher:
ISBN:
Category :
Languages : en
Pages : 321
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Book Description
Author: Source Wikipedia
Publisher: University-Press.org
ISBN: 9781230556178
Category :
Languages : en
Pages : 22
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Book Description
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 21. Chapters: Art museums and galleries in Florence, Uffizi, Palazzo Pitti, Palazzo Vecchio, Medici Chapel, Bargello, Brancacci Chapel, Accademia di Belle Arti Firenze, San Marco, Florence, Museo di Storia Naturale di Firenze, La Specola, Museo Galileo, Tribuna of the Uffizi. Excerpt: The Palazzo Pitti (Italian pronunciation: ), in English sometimes called the Pitti Palace, is a vast mainly Renaissance palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon, and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919, and its doors were opened to the public as one of Florence's largest art galleries. Today, it houses several minor collections in addition to those of the Medici family, and is fully open to the public. Luca Pitti (1398-1472) began work on the palazzo in 1458. Eleonora di Toledo, Duchess of Florence, bought the palazzo from the Pitti in 1549 for the Medici. Portrait after Bronzino.The construction of this severe and forbidding building was commissioned in 1458 by the Florentine banker Luca Pitti, a principal supporter and friend of Cosimo de' Medici. The early history of the Palazzo Pitti is a mixture of fact and myth. Pitti is alleged to have instructed that the...
Author: Alexandra Bonfante-Warren
Publisher: Hugh Lauter Levin Associates
ISBN: 9780883635124
Category : Art
Languages : en
Pages : 0
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Book Description
Florence’s Uffizi Gallery, on which construction began in 1560, houses such masterpieces as Botticelli's The Birth of Venus, as well as works by Bronzino, Caravaggio, Titian, and Rubens. Connected to the Pitti Palace by a corridor designed by Vasari that crosses the Arno River, the Uffizi Gallery is a one-of-a-kind museum. This gorgeous oversize book showcases the extraordinary collection, and Alexandra Bonfante-Warren provides fascinating context by relating the story of the museum’s construction and complex history.
Author: Herbert Millingchamp Vaughan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 488
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Book Description
Author: Maria Siponta De Salvia
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 0
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Book Description
This book is dedicated to all art lovers and tourists who like to be informed before visiting museums or who like to relive the experience later, on the written page. Original in style, the guide describes works of art in simple, enthusiastic and interesting way. Not only is the leader lead around each of the museums, he is also given a taste of the artistic and historical background to Florence, gradually giving him an insight into the great works of art. The text is accompanied by many illustrations which are often the only lasting visual records available where rooms maybe temporarily closed to the public.
Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395
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Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
