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Author: Martin Zebracki
Publisher: Routledge
ISBN: 1317073835
Category : Social Science
Languages : en
Pages : 240
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Book Description
Public art is produced and ‘lived’ within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
Author: Martin Zebracki
Publisher: Routledge
ISBN: 1317073835
Category : Social Science
Languages : en
Pages : 240
Get Book Here
Book Description
Public art is produced and ‘lived’ within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
Author: Celeste-Marie Bernier
Publisher: Routledge
ISBN: 1317990218
Category : Art
Languages : en
Pages : 179
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Book Description
In this collection distinguished American and European scholars, curators and artists discuss major issues concerning the representation and commemoration of slavery, as brought into sharp focus by the 2007 bicentennial of the abolition of the slave trade. Writers consider nineteenth and twentieth century American and European images of African Americans, art installations, photography, literature, sculpture, exhibitions, performances, painting, film and material culture. This is essential reading for historians, cultural critics, art-historians, educationalists and museologists, in America as in Europe, and an important contribution to the understanding of the African diaspora, race, American and British history, heritage tourism, and transatlantic relations. Contributions include previously unpublished interview material with artists and practitioners, and a comprehensive review of the commemorative exhibitions of 2007. Illustrations include images from Louisiana, Maryland, and Virginia, many previously unpublished, in black and white, which challenge previous understandings of the aesthetics of slave representation. This book was published as a special issue of Slavery and Abolition.
Author: Malcolm Miles
Publisher: Routledge
ISBN: 1134771029
Category : Architecture
Languages : en
Pages : 169
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Book Description
This book examines public art outside the normal confines of art criticism and places it within broader contexts of public space and gender by exploring both the aesthetic and political aspects of the medium.
Author: George Thomas Noszlopy
Publisher:
ISBN: 0853238375
Category : Art
Languages : en
Pages : 301
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Book Description
In this sixth volume of Public Sculpture of Britain, the reader is presented with some dramatic contrasts in public sculpture. Public Sculpture of Warwickshire meticulously catalogues the vast array of work that exists in this region. Richly illustrated, the book reveals how Lady Godiva in Coventry and William Shakespeare in Stratford proved in different ways irresistible subjects for public sculpture, resulting in inspirational masterpieces by Reid Dick and Ronald Gower. Close scrutiny is also given to the modern sculpture. The post war reconstruction of Coventry symbolized the whole nation's recovery on both a social and economic front, and demonstrated through some of the most dynamic and innovative sculpture of modern times. The Public Sculpture of Britain series is profusely illustrated and catalogues in great detail sculpture in Britain available to the public. It is the published outcome of the National Recording Project of the Public Monuments and Sculpture Association, and it will eventually cover the whole of Britain. Earlier volumes in the series covered Liverpool, Birmingham, North-East England, and Leicestershire & Rutland.
Author: Jonathan Berg
Publisher:
ISBN: 9780952317999
Category :
Languages : en
Pages : 0
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Book Description
Author: Cameron Cartiere
Publisher: Routledge
ISBN: 113589468X
Category : Art
Languages : en
Pages : 276
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Book Description
This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
Author: George Thomas Noszlopy
Publisher: Liverpool University Press
ISBN: 0853239894
Category : Art
Languages : en
Pages : 371
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Book Description
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
Author: Lynn F. Pearson
Publisher: Shire Publications
ISBN: 9780747806424
Category : Art
Languages : en
Pages : 0
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Book Description
Postwar public art encompasses the wide range of intriguing, curious and colourful artworks, which can be seen in urban and rural locations throughout Britain. This illustrated book reveals the history of postwar public art and provides a detailed guide to nearly two hundred of the most interesting and accessible works in United Kingdom.
Author: Darsie Alexander
Publisher:
ISBN: 9780300250701
Category : Art
Languages : en
Pages : 280
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Book Description
A strikingly original exploration of the profound impact of World War II on how we understand the art that survived it By the end of World War II an estimated one million artworks and 2.5 million books had been seized from their owners by Nazi forces; many were destroyed. The artworks and cultural artifacts that survived have traumatic, layered histories. This book traces the biographies of these objects--including paintings, sculpture, and Judaica--their rescue in the aftermath of the war, and their afterlives in museums and private collections and in our cultural understanding. In examining how this history affects the way we view these works, scholars discuss the moral and aesthetic implications of maintaining the association between the works and their place within the brutality of the Holocaust--or, conversely, the implications of ignoring this history. Afterlives offers a thought-provoking investigation of the unique ability of art and artifacts to bear witness to historical events. With rarely seen archival photographs and with contributions by the contemporary artists Maria Eichhorn, Hadar Gad, Dor Guez, and Lisa Oppenheim, this catalogue illuminates the study of a difficult and still-urgent subject, with many parallels to today's crises of art in war.
Author: Joan Mitchell
Publisher: Kunsthaus Bregenz
ISBN: 9783863357948
Category : Abstract expressionism
Languages : en
Pages : 0
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Book Description
"Lots of painters are obsessed with inventing something," American painter Joan Mitchell (1925-92) said in 1986. "When I was young, it never occurred to me to invent. All I wanted to do was paint." Throughout her life Mitchell remained committed to totally autonomous abstract painting, always driven by this fundamental love for the craft and technique of painting. In a career spanning more than four decades, Mitchell's painting style married the dynamic gesture of the Abstract Expressionists, her generational peers, to a keen sensitivity to natural phenomena such as light and water. Characterized by an intense color palette and fresh gestural energy, often applied on a very large scale, Mitchell's paintings both sensually seduce and intellectually stimulate viewers. Published to accompany a large-scale survey of Mitchell's painting, Joan Mitchell: Retrospective draws from Mitchell's entire oeuvre, from her early work of the 1950s to her late, multipart works painted in her last years. Both catalogue and exhibition insist on the importance of biography to any retrospective account of Mitchell's work, and a large part of the exhibition is dedicated to the first extensive public presentation of archival materials from the Joan Mitchell Foundation. Photographs, correspondence and ephemera from the archives are reproduced here, along with an illustrated timeline that relates Mitchell's life to her work. Born in Chicago in 1925, Joan Mitchell studied at Smith College before training at The Art Institute of Chicago. After a fellowship in Paris, Mitchell lived in New York, where she became part of the community of Abstract Expressionist painters. She spent increasing amounts of time in France, eventually moving to Paris in 1959, and remaining there until her death in 1992.
