Author: William Indick
Publisher: Michael Wiese Productions
ISBN: 9781615933471
Category : Performing Arts
Languages : en
Pages : 312
Book Description
People's lives are made up of good and baddecisions, histories filled with triumph and pain, behaviors formed from alifetime of experiences -- your characters should be no different. But writingpsychologically complex characters requires an understanding of human behavior.Fortunately, you don't need a PhD in psychology to add complexity to yourscreenwriting. William Indick will help you add psychological depth to yourscript with insights from brilliant psychological theorists like Freud, Jung,and Adler. Get ready to create characters and conflict that will have youraudience begging for only one thing -- more.
Psychology for Screenwriters
Author: William Indick
Publisher: Michael Wiese Productions
ISBN: 9781615933471
Category : Performing Arts
Languages : en
Pages : 312
Book Description
People's lives are made up of good and baddecisions, histories filled with triumph and pain, behaviors formed from alifetime of experiences -- your characters should be no different. But writingpsychologically complex characters requires an understanding of human behavior.Fortunately, you don't need a PhD in psychology to add complexity to yourscreenwriting. William Indick will help you add psychological depth to yourscript with insights from brilliant psychological theorists like Freud, Jung,and Adler. Get ready to create characters and conflict that will have youraudience begging for only one thing -- more.
Publisher: Michael Wiese Productions
ISBN: 9781615933471
Category : Performing Arts
Languages : en
Pages : 312
Book Description
People's lives are made up of good and baddecisions, histories filled with triumph and pain, behaviors formed from alifetime of experiences -- your characters should be no different. But writingpsychologically complex characters requires an understanding of human behavior.Fortunately, you don't need a PhD in psychology to add complexity to yourscreenwriting. William Indick will help you add psychological depth to yourscript with insights from brilliant psychological theorists like Freud, Jung,and Adler. Get ready to create characters and conflict that will have youraudience begging for only one thing -- more.
Psychology for Screenwriters
Author: William Indick
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 308
Book Description
"To make their stories come alive, screenwriters must understand human behavior. Using this book, writers can make Sigmund Freud, Carl Jung, Alfred Adler, Erick Erikson, and Joseph Campbell their writing partners. Psychology for Screenwriters helps scribes craft psychologically resonant characters and conflict. You'll learn to create convincing motivation, believable identity development, and archetypes that produce authentic screen moments."-- Cover
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 308
Book Description
"To make their stories come alive, screenwriters must understand human behavior. Using this book, writers can make Sigmund Freud, Carl Jung, Alfred Adler, Erick Erikson, and Joseph Campbell their writing partners. Psychology for Screenwriters helps scribes craft psychologically resonant characters and conflict. You'll learn to create convincing motivation, believable identity development, and archetypes that produce authentic screen moments."-- Cover
The Psychology of Screenwriting
Author: Jason Lee
Publisher: Bloomsbury Publishing USA
ISBN: 1623564735
Category : Performing Arts
Languages : en
Pages : 189
Book Description
The Psychology of Screenwriting is more than an interesting book on the theory and practice of screenwriting. It is also a philosophical analysis of predetermination and freewill in the context of writing and human life in our mediated world of technology. Drawing on humanism, existentialism, Buddhism, postmodernism and transhumanism, and diverse thinkers from Meister Eckhart to Friedrich Nietzsche, Theodor Adorno, Jacques Derrida, Jean Baudrillard and Gilles Deleuze, The Psychology of Screenwriting will be of use to screenwriters, film students, philosophers and all those interested in contemporary theory. This book combines in-depth critical and cultural analysis with an elaboration on practice in an innovative fashion. It explores how people, such as those in the Dogme 95 movement, have tried to overcome traditional screenwriting, looking in detail at the psychology of writing and the practicalities of how to write well for the screen. This is the first book to include high-theory with screenwriting practice whilst incorporating the Enneagram for character development. Numerous filmmakers and writers, including David Lynch, Jim Jarmusch, David Cronenberg, Pedro Almodóvar, Darren Aronofsky, Sally Potter and Charlie Kaufman are explored. The Psychology of Screenwriting is invaluable for those who want to delve deeper into writing for the screen.
Publisher: Bloomsbury Publishing USA
ISBN: 1623564735
Category : Performing Arts
Languages : en
Pages : 189
Book Description
The Psychology of Screenwriting is more than an interesting book on the theory and practice of screenwriting. It is also a philosophical analysis of predetermination and freewill in the context of writing and human life in our mediated world of technology. Drawing on humanism, existentialism, Buddhism, postmodernism and transhumanism, and diverse thinkers from Meister Eckhart to Friedrich Nietzsche, Theodor Adorno, Jacques Derrida, Jean Baudrillard and Gilles Deleuze, The Psychology of Screenwriting will be of use to screenwriters, film students, philosophers and all those interested in contemporary theory. This book combines in-depth critical and cultural analysis with an elaboration on practice in an innovative fashion. It explores how people, such as those in the Dogme 95 movement, have tried to overcome traditional screenwriting, looking in detail at the psychology of writing and the practicalities of how to write well for the screen. This is the first book to include high-theory with screenwriting practice whilst incorporating the Enneagram for character development. Numerous filmmakers and writers, including David Lynch, Jim Jarmusch, David Cronenberg, Pedro Almodóvar, Darren Aronofsky, Sally Potter and Charlie Kaufman are explored. The Psychology of Screenwriting is invaluable for those who want to delve deeper into writing for the screen.
The Psychology of Creative Writing
Author: Scott Barry Kaufman
Publisher: Cambridge University Press
ISBN: 0521881641
Category : Education
Languages : en
Pages : 409
Book Description
The Psychology of Creative Writing takes a scholarly, psychological look at multiple aspects of creative writing, including the creative writer as a person, the text itself, the creative process, the writer's development, the link between creative writing and mental illness, the personality traits of comedy and screen writers, and how to teach creative writing. This book will appeal to psychologists interested in creativity, writers who want to understand more about the magic behind their talents, and educated laypeople who enjoy reading, writing, or both. From scholars to bloggers to artists, The Psychology of Creative Writing has something for everyone.
Publisher: Cambridge University Press
ISBN: 0521881641
Category : Education
Languages : en
Pages : 409
Book Description
The Psychology of Creative Writing takes a scholarly, psychological look at multiple aspects of creative writing, including the creative writer as a person, the text itself, the creative process, the writer's development, the link between creative writing and mental illness, the personality traits of comedy and screen writers, and how to teach creative writing. This book will appeal to psychologists interested in creativity, writers who want to understand more about the magic behind their talents, and educated laypeople who enjoy reading, writing, or both. From scholars to bloggers to artists, The Psychology of Creative Writing has something for everyone.
The Science of Screenwriting
Author: Paul Joseph Gulino
Publisher: Bloomsbury Publishing USA
ISBN: 1501327216
Category : Performing Arts
Languages : en
Pages : 199
Book Description
In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had.
Publisher: Bloomsbury Publishing USA
ISBN: 1501327216
Category : Performing Arts
Languages : en
Pages : 199
Book Description
In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had.
The Science of Writing Characters
Author: Kira-Anne Pelican
Publisher: Bloomsbury Publishing USA
ISBN: 1501357239
Category : Performing Arts
Languages : en
Pages : 201
Book Description
The Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the 'Big Five' dimensions of personality and then are shown how these personality traits shape action, relationships and dialogue. Throughout The Science of Writing Characters, psychological theories and research are translated into handy practical tips, which are illustrated through examples of characters in action in well-known films, television series and novels, ranging from Three Billboards Outside Ebbing Missouri and Game of Thrones to The Bonfire of the Vanities and The Goldfinch. This very practical approach makes the book an engaging and accessible companion guide for all writers who want to better understand how they can make memorable characters with the potential for global appeal.
Publisher: Bloomsbury Publishing USA
ISBN: 1501357239
Category : Performing Arts
Languages : en
Pages : 201
Book Description
The Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the 'Big Five' dimensions of personality and then are shown how these personality traits shape action, relationships and dialogue. Throughout The Science of Writing Characters, psychological theories and research are translated into handy practical tips, which are illustrated through examples of characters in action in well-known films, television series and novels, ranging from Three Billboards Outside Ebbing Missouri and Game of Thrones to The Bonfire of the Vanities and The Goldfinch. This very practical approach makes the book an engaging and accessible companion guide for all writers who want to better understand how they can make memorable characters with the potential for global appeal.
The Psychology of the Western
Author: William Indick
Publisher: McFarland
ISBN: 0786434600
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Western films are often considered sprawling reflections of the American spirit. This book analyzes the archetypes, themes, and figures within the mythology of the western frontier. Western themes are interpreted as expressions of cultural needs that perform specific psychological functions for the audience. Chapters are devoted to the frontier hero character, the roles of women and Native Americans, and the work of the genre's most prolific directors, Anthony Mann and John Ford. The book includes a filmography and movie stills. Instructors considering this book for use in a course may request an examination copy here.
Publisher: McFarland
ISBN: 0786434600
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Western films are often considered sprawling reflections of the American spirit. This book analyzes the archetypes, themes, and figures within the mythology of the western frontier. Western themes are interpreted as expressions of cultural needs that perform specific psychological functions for the audience. Chapters are devoted to the frontier hero character, the roles of women and Native Americans, and the work of the genre's most prolific directors, Anthony Mann and John Ford. The book includes a filmography and movie stills. Instructors considering this book for use in a course may request an examination copy here.
Tales from the Script
Author: Peter Hanson
Publisher: Harper Collins
ISBN: 0061988006
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Discover the secrets of Hollywood storytelling in this fascinating collection, in which fifty screenwriters share the inside scoop about how they surmounted incredible odds to break into the business, how they transformed their ideas into box-office blockbusters, how their words helped launch the careers of major stars, and how they earned accolades and Academy Awards. Entertaining, informative, and sometimes startling, Tales from the Script features exclusive interviews with film's top wordsmiths, including John Carpenter (Halloween), Nora Ephron (Julie & Julia), John August (Charlie and the Chocolate Factory), and David hayter (Watchmen). Read along as: Frank Darabont explains why he sacrificed his salary to preserve the integrity of his hard-hitting adapta-tion of Stephen King's novella The Mist. William Goldman reveals why he's never had any interest in directing movies, despite having won Oscars for writing All the President's Men and Butch Cassidy and the Sundance Kid. Ron Shelton explains why he nearly cut the spectacular speech that helped cement Kevin Costner's stardom in Bull Durham. Josh Friedman describes the bizarre experience of getting hired by Steven Spielberg to adapt H. G. Wells's classic novel War of the Worlds—even though Spielberg hated Friedman's take on the material. Paul Schrader (Taxi Driver) analyzes his legendary relationship with Martin Scorsese. Shane Black (Lethal Weapon) reveals why the unrelenting hype around his multimillion-dollar script sales caused him to retreat from public life for several years. Tales from the Script is a must for movie buffs who savor behind-the-scenes stories—and a master class for all those who dream of writing the Great American Screenplay, taught by those who made that dream come true.
Publisher: Harper Collins
ISBN: 0061988006
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Discover the secrets of Hollywood storytelling in this fascinating collection, in which fifty screenwriters share the inside scoop about how they surmounted incredible odds to break into the business, how they transformed their ideas into box-office blockbusters, how their words helped launch the careers of major stars, and how they earned accolades and Academy Awards. Entertaining, informative, and sometimes startling, Tales from the Script features exclusive interviews with film's top wordsmiths, including John Carpenter (Halloween), Nora Ephron (Julie & Julia), John August (Charlie and the Chocolate Factory), and David hayter (Watchmen). Read along as: Frank Darabont explains why he sacrificed his salary to preserve the integrity of his hard-hitting adapta-tion of Stephen King's novella The Mist. William Goldman reveals why he's never had any interest in directing movies, despite having won Oscars for writing All the President's Men and Butch Cassidy and the Sundance Kid. Ron Shelton explains why he nearly cut the spectacular speech that helped cement Kevin Costner's stardom in Bull Durham. Josh Friedman describes the bizarre experience of getting hired by Steven Spielberg to adapt H. G. Wells's classic novel War of the Worlds—even though Spielberg hated Friedman's take on the material. Paul Schrader (Taxi Driver) analyzes his legendary relationship with Martin Scorsese. Shane Black (Lethal Weapon) reveals why the unrelenting hype around his multimillion-dollar script sales caused him to retreat from public life for several years. Tales from the Script is a must for movie buffs who savor behind-the-scenes stories—and a master class for all those who dream of writing the Great American Screenplay, taught by those who made that dream come true.
Writing Great Characters
Author: Michael Halperin
Publisher: Lone Eagle Publishing Company, LLC
ISBN: 9780943728797
Category : Characters and characteristics in motion pictures
Languages : en
Pages : 0
Book Description
This valuable book identifies and solves a major problem for writers -- creating characters who are so real they literally jump of the page. Halperin has developed an easy-to-understand, logical system which gives all screenwriters a foolproof and fail-proof method of developing great characters. Writing Great Characters is a book for all writers, from the expert who is looking to polish his techniques to the novice who wants to learn the craft from an expert.
Publisher: Lone Eagle Publishing Company, LLC
ISBN: 9780943728797
Category : Characters and characteristics in motion pictures
Languages : en
Pages : 0
Book Description
This valuable book identifies and solves a major problem for writers -- creating characters who are so real they literally jump of the page. Halperin has developed an easy-to-understand, logical system which gives all screenwriters a foolproof and fail-proof method of developing great characters. Writing Great Characters is a book for all writers, from the expert who is looking to polish his techniques to the novice who wants to learn the craft from an expert.
Shakespeare for Screenwriters
Author: J. M. Evenson
Publisher:
ISBN: 9781615931415
Category : Motion picture authorship
Languages : en
Pages : 0
Book Description
Every writer aspire to create a character like Hamlet or a Love story like Romeo and Juliet. But how did Shakespeare create characters of such compelling psychological depth? What makes his stories so romantic, funny, heartbreaking, and gripping? Why have his creations stood the test of time? Shakespeare for Screenwriters is the first book to use Shakespeare's works to examine the fundamentals of screenwriting, breaking down beloved characters, stories, and scenes to uncover timeless storytelling secrets. Book jacket.
Publisher:
ISBN: 9781615931415
Category : Motion picture authorship
Languages : en
Pages : 0
Book Description
Every writer aspire to create a character like Hamlet or a Love story like Romeo and Juliet. But how did Shakespeare create characters of such compelling psychological depth? What makes his stories so romantic, funny, heartbreaking, and gripping? Why have his creations stood the test of time? Shakespeare for Screenwriters is the first book to use Shakespeare's works to examine the fundamentals of screenwriting, breaking down beloved characters, stories, and scenes to uncover timeless storytelling secrets. Book jacket.