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Author: Debashish Sen
Publisher: Cambridge Scholars Publishing
ISBN: 1527544559
Category : Psychology
Languages : en
Pages : 275
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Book Description
This book is a study of psychological realism in select works from nineteenth-century fiction, namely Fathers and Sons, Anna Karenina, The Mill on the Floss, and Jane Eyre. It shows how psychoanalytic theories may be applied to illuminate various aspects of the psyches of characters in these texts. The book provides evidence that theories like John Bowlby’s Attachment Theory and Karen Horney’s Personality Theory can go a long way in enhancing our understanding of literary characters, the meaning of the text, its relation to its creator, and the author’s psychology. As such, it brings forth a novel view of literary criticism, and will serve to convince the reader that a critical approach devoid and dismissive of the psychological aspect is incomplete and hurts literary criticism on the whole.
Author: Debashish Sen
Publisher: Cambridge Scholars Publishing
ISBN: 1527544559
Category : Psychology
Languages : en
Pages : 275
Get Book Here
Book Description
This book is a study of psychological realism in select works from nineteenth-century fiction, namely Fathers and Sons, Anna Karenina, The Mill on the Floss, and Jane Eyre. It shows how psychoanalytic theories may be applied to illuminate various aspects of the psyches of characters in these texts. The book provides evidence that theories like John Bowlby’s Attachment Theory and Karen Horney’s Personality Theory can go a long way in enhancing our understanding of literary characters, the meaning of the text, its relation to its creator, and the author’s psychology. As such, it brings forth a novel view of literary criticism, and will serve to convince the reader that a critical approach devoid and dismissive of the psychological aspect is incomplete and hurts literary criticism on the whole.
Author: Bernard J. Paris
Publisher: Routledge
ISBN: 1351534580
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
"Psychology helps us to talk about what the novelist knows, but fiction helps us to know what the psychologist is talking about." So writes the author of this brilliant study. The chief impulse of realistic fiction is mimetic; novels of psychological realism call by their very nature for psychological analysis. This study uses psychology to analyze important characters and to explore the consciousness of the author and the work as a whole. What is needed for the interpretation of realistic fiction is a psychological theory congruent with the experience portrayed. Emerging from Paris' approach are wholly new and illuminating interpretations of Becky Sharp, William Dobbin, Amelia Sedley, Julien Sorel, Madame de Renal, Mathilde de la Mole, Maggie Tulliver, the underground man, Charley Marlow, and Lord Jim. The psychological approach employed by Paris helps the reader not only to grasp the intricacies of mimetic characterization, but also to make sense of thematic inconsistencies which occur in some of the books under consideration. For students of human behavior as well as students of literature, the great figures of realistic fiction provide a rich source of empathic understanding and psychological insight.
Author: Henry James
Publisher: Prabhat Prakashan
ISBN:
Category : Fiction
Languages : en
Pages : 173
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Book Description
Explore the intricate interplay of reality and illusion in Henry James's captivating collection, "The Real Thing and Other Tales." This volume features the eponymous short story, "The Real Thing," which serves as a brilliant commentary on the complexities of representation and authenticity in art. In "The Real Thing," James crafts a narrative that blurs the lines between reality and illusion, revealing the challenges faced by an illustrator who finds that the true-to-life models are less useful than their idealized counterparts. This story, rich with thematic depth, reflects James's fascination with the deceptive nature of appearances and the struggle to capture genuine artistry in a world where reality and representation are intricately entangled. Ever wondered how authenticity can sometimes undermine the artistic process? James’s tale offers a profound look at how the quest for the "real thing" can lead to unexpected complications and ironic outcomes. What happens when the genuine article fails to live up to its intended purpose? Dive into this collection to experience James's masterful storytelling and explore how his later works grapple with the evolving dynamics of art and representation. Each tale offers a unique perspective on the themes that preoccupied James, providing readers with an engaging and thought-provoking experience. Ready to unravel the layers of reality and illusion in Henry James’s world? Grab your copy of "The Real Thing and Other Tales" today and immerse yourself in a narrative that challenges your perceptions of art and authenticity. Don’t miss out on this insightful collection. Purchase "The Real Thing and Other Tales" now and delve into Henry James’s exploration of the delicate balance between reality and representation.
Author: Peter Garrett
Publisher: Cornell University Press
ISBN: 1501724282
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
The Gothic has long been seen as offering a subversive challenge to the norms of realism. Locating both Gothic and mainstream Victorian fiction in a larger literary and cultural field, Peter K. Garrett argues that the oppositions usually posed between them are actually at work within both. He further shows how, by offering alternative versions of its stories, nineteenth-century Gothic fiction repeatedly reflects on narrative force, the power exerted by both writers and readers.Beginning with Poe's theory and practice of the Gothic tale as an exercise (or fantasy) of authorial power, Garrett then reads earlier eighteenth-century and Romantic Gothic fiction for comparable reflexive implications. Throughout, he stresses the ways authors doubled both characters and narrative perspectives to raise issues of power and authority in the tension between central deviant figures and social norms. Garrett then shows how the great nineteenth-century monster stories Frankenstein, Dr. Jekyll and Mr. Hyde, and Dracula self-consciously link the extremity and isolation of their deviant figures with the social groups they confront. These narratives, he argues, move from a Romantic concern with individual creation and responsibility to a Victorian affirmation of social solidarity that also reveals its dependence on the binding force of exclusionary violence. The final section of the book extends its investigation of Gothic reflections on narrative force into the more realistic social and psychological fiction of Dickens, Eliot, and James.
Author: Elaine Auyoung
Publisher: Oxford University Press
ISBN: 0190845481
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Why do readers claim that fictional worlds feel real? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What makes the experience of reading a novel uniquely pleasurable and what do readers lose when this experience comes to an end? Since their first publication, nineteenth-century realist novels like Pride and Prejudice and Anna Karenina have inspired readers to describe literary experience as gaining access to vibrant fictional worlds and becoming friends with fictional characters. While this effect continues to be central to the experience of reading realist fiction and later works in this tradition, the capacity for novels to evoke persons and places in a reader's mind has often been taken for granted and even dismissed as a naive phenomenon unworthy of critical attention. When Fiction Feels Real provides literary studies with new tools for thinking about the phenomenology of reading by bringing narrative techniques into conversation with psychological research on reading and cognition. Through close readings of classic novels by Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, and the elegies of Thomas Hardy, Elaine Auyoung reveals what nineteenth-century writers know about how reading works. Building on well-established research on the mind, Auyoung exposes the underpinnings of the seemingly impossible achievement of realist fiction, introducing new perspectives on narrative theory, mimesis, and fictionality. When Fiction Feels Real changes the way we think about literary language, realist aesthetics, and the reading process, opening up a new field of inquiry centered on the relationship between fictional representation and comprehension.
Author: Elaine Freedgood
Publisher: Princeton University Press
ISBN: 0691227810
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
A short, provocative book that challenges basic assumptions about Victorian fiction Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction. Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature. By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.
Author: Bernard J. Paris
Publisher: NYU Press
ISBN: 0814766560
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
One of literature's greatest gifts is its portrayal of realistically drawn characters--human beings in whom we can recognize motivations and emotions. In Imagined Human Beings, Bernard J. Paris explores the inner conflicts of some of literature's most famous characters, using Karen Horney's psychoanalytic theories to understand the behavior of these characters as we would the behavior of real people. When realistically drawn characters are understood in psychological terms, they tend to escape their roles in the plot and thus subvert the view of them advanced by the author. A Horneyan approach both alerts us to conflicts between plot and characterization, rhetoric and mimesis, and helps us understand the forces in the author's personalty that generate them. The Horneyan model can make sense of thematic inconsistencies by seeing them as the product of the author's inner divisions. Paris uses this approach to explore a wide range of texts, including Antigone, "The Clerk's Tale," The Merchant of Venice, A Doll's House, Hedda Gabler, Great Expectations, Jane Eyre, The Mayor of Casterbridge, Wuthering Heights, Madame Bovary, The Awakening, and The End of the Road.
Author: Dennis Walder
Publisher: Routledge
ISBN: 1134779135
Category : Literary Criticism
Languages : en
Pages : 544
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Book Description
This book guides the student through the fundamentals of this enduring literary form. By using carefully selected novels and discussing a wide range of authors including Emily Dickinson and John Kincaid, the authors provide a lively examination of the particular themes and modes of realist novels of the period. This is the only book currently available to provide such a wide range of primary and secondary material and is the prefect resource for a literature degree.
Author: Anna Kornbluh
Publisher: Fordham Univ Press
ISBN: 0823254984
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
During a tumultuous period when financial speculation began rapidly to outpace industrial production and consumption, Victorian financial journalists commonly explained the instability of finance by criticizing its inherent artifice—drawing persistent attention to what they called “fictitious capital.” In a shift that naturalized this artifice, this critique of fictitious capital virtually disappeared by the 1860s, replaced by notions of fickle investor psychology and mental equilibrium encapsulated in the fascinating metaphor of “psychic economy.” In close rhetorical readings of financial journalism, political economy, and the works of Dickens, Eliot, and Trollope, Kornbluh examines the psychological framing of economics, one of the nineteenth century’s most enduring legacies, reminding us that the current dominant paradigm for understanding financial crisis has a history of its own. She shows how novels illuminate this displacement and ironize ideological metaphors linking psychology and economics, thus demonstrating literature’s unique facility for evaluating ideas in process. Inheritors of this novelistic project, Marx and Freud each advance a critique of psychic economy that refuses to naturalize capitalism.
Author: Steven R. Serafin
Publisher: A&C Black
ISBN: 9780826417770
Category : Literary Criticism
Languages : en
Pages : 1340
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Book Description
More than ten years in the making, this comprehensive single-volume literary survey is for the student, scholar, and general reader. The Continuum Encyclopedia of American Literature represents a collaborative effort, involving 300 contributors from across the US and Canada. Composed of more than 1,100 signed biographical-critical entries, this Encyclopedia serves as both guide and companion to the study and appreciation of American literature. A special feature is the topical article, of which there are 70.
