Psalms Carefully Suited to the Christian Worship in the United States of America

Psalms Carefully Suited to the Christian Worship in the United States of America PDF Author: Isaac Watts
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 266

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Psalms Carefully Suited to the Christian Worship in the United States of America

Psalms Carefully Suited to the Christian Worship in the United States of America PDF Author: Isaac Watts
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 266

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Book Description


Psalms Carefully Suited to the Christian Worship in the United States of America, Etc. (Hymns and Spiritual Songs. By I. Watts.).

Psalms Carefully Suited to the Christian Worship in the United States of America, Etc. (Hymns and Spiritual Songs. By I. Watts.). PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 332

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Psalms, carefully suited to the Christian worship in the United States of America. Being Dr. Watts' Imitation of the Psalms of David, as improved by Mr. Barlow

Psalms, carefully suited to the Christian worship in the United States of America. Being Dr. Watts' Imitation of the Psalms of David, as improved by Mr. Barlow PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 318

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Psalms Carefully Suited to the Christian Worship in the United States of America

Psalms Carefully Suited to the Christian Worship in the United States of America PDF Author: Isaac Watts
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 294

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Centennial Volume of the First Presbyterian Church of Pittsburgh, PA., 1784-1884

Centennial Volume of the First Presbyterian Church of Pittsburgh, PA., 1784-1884 PDF Author: Pittsburgh (Pa.). First Presbyterian Church
Publisher:
ISBN:
Category : Allegheny County (Pa.)
Languages : en
Pages : 282

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"2 half-tones from portrait photographs, 1 engraving, and 1 wood engraving. One of the first Crosscup and West productions using Ives's patent." -- Hanson Collection catalog, p. 77.

Catalogue of the Library of the Late Bishop John Fletcher Hurst

Catalogue of the Library of the Late Bishop John Fletcher Hurst PDF Author: John Fletcher Hurst
Publisher:
ISBN:
Category : America
Languages : en
Pages : 622

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Catalogue of the American Library of the Late Mr. George Brinley of Hartford, Conn

Catalogue of the American Library of the Late Mr. George Brinley of Hartford, Conn PDF Author: George Brinley
Publisher:
ISBN:
Category : America
Languages : en
Pages : 300

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Catalogue of the American library of ... George Brinley [by J.H. Trumbull]. (Special ed.).

Catalogue of the American library of ... George Brinley [by J.H. Trumbull]. (Special ed.). PDF Author: James Hammond Trumbull
Publisher:
ISBN:
Category :
Languages : en
Pages : 466

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Catalogue of the American Library of the Late Mr. George Brinley

Catalogue of the American Library of the Late Mr. George Brinley PDF Author: George Brinley
Publisher:
ISBN:
Category : America
Languages : en
Pages : 538

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Song of Exile

Song of Exile PDF Author: David W. Stowe
Publisher: Oxford University Press
ISBN: 0190466847
Category : Religion
Languages : en
Pages : 233

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Oft-referenced and frequently set to music, Psalm 137 - which begins "By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion" - has become something of a cultural touchstone for music and Christianity across the Atlantic world. It has been a top single more than once in the 20th century, from Don McLean's haunting Anglo-American folk cover to Boney M's West Indian disco mix. In Song of Exile, David Stowe uses a wide-ranging, interdisciplinary approach that combines personal interviews, historical overview, and textual analysis to demonstrate the psalm's enduring place in popular culture. The line that begins Psalm 137 - one of the most lyrical of the Hebrew Bible - has been used since its genesis to evoke the grief and protest of exiled, displaced, or marginalized communities. Despite the psalm's popularity, little has been written about its reception during the more than 2,500 years since the Babylonian exile. Stowe locates its use in the American Revolution and the Civil Rights movement, and internationally by anti-colonial Jamaican Rastafari and immigrants from Ireland, Korea, and Cuba. He studies musical references ranging from the Melodians' Rivers of Babylon to the score in Kazakh film Tulpan. Stowe concludes by exploring the presence and absence in modern culture of the often-ignored final words: "Happy shall he be, that taketh and dasheth thy little ones against the stones." Usually excised from liturgy and forgotten by scholars, Stowe finds these words echoed in modern occurrences of genocide and ethnic cleansing, and more generally in the culture of vengeance that has existed in North America from the earliest conflicts with Native Americans. Based on numerous interviews with musicians, theologians, and writers, Stowe reconstructs the rich and varied reception history of this widely used, yet mysterious, text.