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Author: Ilaria Pezone
Publisher: Edizioni Falsopiano
ISBN: 8893042517
Category : Photography
Languages : en
Pages : 232
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Book Description
“Defining proximity cinema, a concept in which only apparently distant experiences are associated, such as private and underground cinema. This is the goal of the book: to challenge and redefine the boundaries of stale and automatic critical categories. Tracing a transversal path that combines family cinema and experimental cinema, in the name of innovation, freedom from industrial and market conventions. Mapping writings for images emancipated from the usual narrative, from the general canon. Familiar or avant-garde works, which beg to be looked at through eyes free from superstructures, devoid of both pre-packaged intellectual meanings and the contemporary perverse desire for fun at all costs. Proximity cinema goes to the beating heart of things. It is amateur cinema in the etymological, amorous sense: it asks to be experienced without prejudice, it makes a clean sweep of interpretative vices, it reveals itself openly, offering portions of life, it often reaches the abstract consistency of painting through an obstinate observation of reality. Under the aegis of Roger Odin and deployed, like Stan Brakhage, in defense of the amateur, proximity cinema looks at the production of images with the aim of restoring dignity — artistic, historical, and sociological — to simple yet extraordinarily complex, intimate, and revolutionary cinematographic gestures, which are constantly and dully underestimated if not derided." Ilaria Pezone is a teacher at Brera Academy. Since 2009, she has been dedicated to the study and practice of private cinema. She’s made short, medium, and feature-length films, including France, quasi un autoritratto (2017); Indagine su sei brani di vita rumorosa dispersi in un’estate afosa - raccolti e scomposti in cinque atti (2016); Concerto Metafisico (2015); Vedere Tra - Luigi Erba improvviso e dialogato (2014); 1510 - sogno su carta impressa con video (2013); Masse nella geometria rivelata dello spazio-tempo (2012); Andare tornando a rilievi domestici (2011); GREISTTMO (2010); Polittico Preludio Adagio Altalenante (2009); Leggerezze e gravità (2008).
Author: Ilaria Pezone
Publisher: Edizioni Falsopiano
ISBN: 8893042517
Category : Photography
Languages : en
Pages : 232
Get Book Here
Book Description
“Defining proximity cinema, a concept in which only apparently distant experiences are associated, such as private and underground cinema. This is the goal of the book: to challenge and redefine the boundaries of stale and automatic critical categories. Tracing a transversal path that combines family cinema and experimental cinema, in the name of innovation, freedom from industrial and market conventions. Mapping writings for images emancipated from the usual narrative, from the general canon. Familiar or avant-garde works, which beg to be looked at through eyes free from superstructures, devoid of both pre-packaged intellectual meanings and the contemporary perverse desire for fun at all costs. Proximity cinema goes to the beating heart of things. It is amateur cinema in the etymological, amorous sense: it asks to be experienced without prejudice, it makes a clean sweep of interpretative vices, it reveals itself openly, offering portions of life, it often reaches the abstract consistency of painting through an obstinate observation of reality. Under the aegis of Roger Odin and deployed, like Stan Brakhage, in defense of the amateur, proximity cinema looks at the production of images with the aim of restoring dignity — artistic, historical, and sociological — to simple yet extraordinarily complex, intimate, and revolutionary cinematographic gestures, which are constantly and dully underestimated if not derided." Ilaria Pezone is a teacher at Brera Academy. Since 2009, she has been dedicated to the study and practice of private cinema. She’s made short, medium, and feature-length films, including France, quasi un autoritratto (2017); Indagine su sei brani di vita rumorosa dispersi in un’estate afosa - raccolti e scomposti in cinque atti (2016); Concerto Metafisico (2015); Vedere Tra - Luigi Erba improvviso e dialogato (2014); 1510 - sogno su carta impressa con video (2013); Masse nella geometria rivelata dello spazio-tempo (2012); Andare tornando a rilievi domestici (2011); GREISTTMO (2010); Polittico Preludio Adagio Altalenante (2009); Leggerezze e gravità (2008).
Author: Richard Abel
Publisher: Taylor & Francis
ISBN: 0415234409
Category : Performing Arts
Languages : en
Pages : 824
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Book Description
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
Author: John A. Bruce
Publisher: Taylor & Francis
ISBN: 1000614638
Category : Design
Languages : en
Pages : 101
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Book Description
Participatory Design and Social Transformation introduces theories and methodologies for using image-oriented narratives as modes of inquiry and proposition toward greater justice and equity for society and the environment. Participatory artistic- and design-based research encounters – being, making, and learning with people, things, and situations – are explored through practices that utilize image-oriented and cinematic narratives. Collaborative alliances are invited to consider aesthetics, visuality, attunement, reflection, reciprocity, and care as a means for transdisciplinary approaches that foster generative and ethically responsible conditions toward collective liberation. The design of spectacles is proposed as a way for collective movements to affectively contribute to positive systemic changes from the ground up. In this way, Participatory Design and Social Transformation bridges contemporary advances in design theory and practice with media and art theory, the human and social sciences, and a pedagogy of interdependence. Participatory Design and Social Transformation will be of great interest to both professional and academic communities, providing resources for researchers, artists, designers, activists, students, educators, and leaders engaged with initiatives for transformation.
Author: Sebastian Manley
Publisher: Bloomsbury Publishing USA
ISBN: 1623568803
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
One of the most significant contributors to the American independent cinema that developed over the late 1980s and 1990s, Hal Hartley has throughout his career created films that defy convention and capture the stranger realities of modern American life. The Cinema of Hal Hartley looks at all of Hartley's film releases - from cult classics such as The Unbelievable Truth and Trust to oddball genre experiments such as No Such Thing and Fay Grim to short films such as Opera No. 1 and Accomplice - and makes a case for seeing Hartley as an important and successful American auteur, despite the director's decline in status in the later stages of his career. Employing both industrial and close textual analysis, the book considers aspects of Hartley's work such as genre, gender and form, as well as dimensions far less frequently discussed in studies of indie directors, such as place and cultural identity, offering a broad and innovative study of a productive filmmaker who continues to show a singular disregard for the expectations of both the mainstream and the indie cinema industries.
Author: Hideaki Fujiki
Publisher: Bloomsbury Publishing
ISBN: 1844576817
Category : Performing Arts
Languages : en
Pages : 625
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Book Description
The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions
Author: Christian Keathley
Publisher: Indiana University Press
ISBN: 9780253111470
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing. Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters -- a viewing practice marked by a drift in visual attention away from the primary visual elements on display -- in fact has clear links to the origins of film as defined by André Bazin, Roland Barthes, and others. Keathley explores the implications of this ontology and proposes the "cinephiliac anecdote" as a new type of criticism, a method of historical writing that both imitates and extends the experience of these fugitive moments.
Author: Jennifer Wild
Publisher: Univ of California Press
ISBN: 0520340809
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves.
Author: Laura McMahon
Publisher: Routledge
ISBN: 1351571877
Category : Foreign Language Study
Languages : en
Pages : 189
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Book Description
Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis. Countering the domi-nant critical account of touch elaborated by recent models of embodied spectatorship, this book argues that cinema offers a privileged space for understanding touch in terms of spacing and withdrawal rather than immediacy and continuity. Such a deconstructive configuration of touch is shown here to have far-reaching implications, inviting an innovative rethinking of politics, aesthetics and theology via the textures of cinema. The first study to bring the thought of Nancy into sustained dialogue with a series of detailed analyses of films, Cinema and Contact also forges new interpretative perspectives on Bresson, Duras and Denis, tracing a compelling two-way exchange between cinema and philosophy.
Author: Raz Yosef
Publisher: Taylor & Francis
ISBN: 1000826694
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
Through analysis of the complex discourse surrounding trauma and loss, this book provides a necessary examination of temporality and ethics in Israeli film and television since the turn of the millennium. The author examines posttraumatic idioms of fragmentation and incoherence, highlighting the rising resistance towards generic categories, and the turn to unconventional and paradoxical structures with unique aesthetics. Maintaining that contemporary Israeli cinema has undergone an ethical shift, the author examines the revealing traumas and denied identities that also seek alternative ways to confront ethical question of accountability. It discusses the relationships between trauma, nationalism, and cinema through the intertwined perspectives of feminism, queer theory, and critical race and postcolonial studies, showing how national traumas are constructed by notions of gendered, sexual, and racial identity. This innovative text highlights the complexities of discourse surrounding trauma and loss, informed by multiple categories of difference. Across each chapter various elements of Israeli film are explored, spanning from strategies used to critically examine victim-perpetrator dynamics, co-existence in temporal space, women’s cinema in Israel, displacement, and queer communities and identity. Beyond its direct contribution to cinema studies and Israel studies, the book will be of interest to trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.
Author: Edward Branigan
Publisher: Routledge
ISBN: 1136472630
Category : Performing Arts
Languages : en
Pages : 567
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Book Description
The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.
