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Author: Mick Short
Publisher: Routledge
ISBN: 1317887808
Category : Language Arts & Disciplines
Languages : en
Pages : 339
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Book Description
Exploring the Language of Poems, Plays and Prose examines how readers interact with literary works, how they understand and are moved by them. Mick Short considers how meanings and effects are generated in the three major literary genres, carying out stylistic analysis of poetry, drama and prose fiction in turn. He analyses a wide range of extracts from English literature, adopting an accessible approach to the analysis of literary texts which can be applied easily to other texts in English and in other languages.
Author: Mick Short
Publisher: Routledge
ISBN: 1317887808
Category : Language Arts & Disciplines
Languages : en
Pages : 339
Get Book Here
Book Description
Exploring the Language of Poems, Plays and Prose examines how readers interact with literary works, how they understand and are moved by them. Mick Short considers how meanings and effects are generated in the three major literary genres, carying out stylistic analysis of poetry, drama and prose fiction in turn. He analyses a wide range of extracts from English literature, adopting an accessible approach to the analysis of literary texts which can be applied easily to other texts in English and in other languages.
Author: Henrik Ibsen
Publisher: New York : Farrar, Straus & Giroux
ISBN: 9780374174149
Category : Literary Criticism
Languages : en
Pages : 1143
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Book Description
Ibsen's twelve outstanding plays, from Pillars of Society to When We Dead Awaken, are accompanied by brief introductions illuminating the distinctive features of each
Author: John M. Synge
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: David Pugh
Publisher: Camden House
ISBN: 9781571131539
Category : Drama
Languages : en
Pages : 272
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Book Description
Given this situation, Professor Pugh's study of the plays' fortunes at the hands of the various schools of German literary scholarship from Schiller's day down to the present is useful both to literary scholars seeking orientation in the field and also to readers with a wider interest in German intellectual traditions."--BOOK JACKET.
Author: Donald Rayfield
Publisher: Univ of Wisconsin Press
ISBN: 9780299163143
Category : Drama
Languages : en
Pages : 324
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Book Description
Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet because his work is subtle and understated, we need help to understand him. Chekhov can be (as his friends complained) the most elusive of writers, and one who appears capable of having two opposite views and opposite intentions simultaneously. Donald Rayfield, one of the world's foremost Chekhov scholars, reveals the layers of meaning on which the stories and plays are built. All Chekhov's important works are studied: we see how closely the two genres are connected and gain insight into Chekhov's rapid development over his brief twenty years of creative life, from medical student supplementing his income by writing comic stories, to father of twentieth-century drama and narrative prose.
Author: Martin Puchner
Publisher: OUP USA
ISBN: 0199730326
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start.Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings.The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.
Author: Nellie Burget Miller
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 466
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Book Description
This study will endeavor to present, in simple and concise form, a survey of this continuous dramatic movement from its earliest recorded expression to contemporary moments under a single cover. Since to know thoroughly the dramatic output of any one period might command the industry of a lifetime, the task is a colossal one and precludes any pretense at completeness; the treatment is suggestive rather than informative, and should be supplemented by a study of the plays indicated under each section. After all, the important thing is not the painful piling of fact upon fact but gaining an intelligent working knowledge of the whole and knowing exactly where to turn for detail when it is needed. The information has been gathered from many works upon the various phases, to which the writer is deeply indebted, all of which are indicated in the bibliographies. We purpose, then, to take a sort of ''Cook's Tour'' over the whole domain of the drama, touching the main points of interest, and leaving the reader to return and explore at leisure.
Author: Heiner Müller
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 280
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Book Description
Heiner Muller lived through Germany's tumultuous history from Hitler's rise through Soviet occupation to the building and eventual demolition of the Berlin Wall. One of his earliest memories was of his father being beaten by Brownshirts and taken away to a concentration camp; later, Muller chose to stay in the Soviet Zone even when his father defected to the West. His work presents a phantasmagoric vision of culture and history. Though a committed Marxist, Muller loathed the East German government, and his works were often censured for their caustic portrait of a Germany whose history was an unending act of division and violence.
Author: Oscar W. Firkins
Publisher: U of Minnesota Press
ISBN: 081666062X
Category : Social Science
Languages : en
Pages : 310
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Book Description
Selected Essays was first published in 1933. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Professor Firkins' reputation as a writer whose work combines the qualities of thought and style, of penetrating criticism and epigrammatic wit, is amply upheld by these seventeen essays. The volume opens with "Man: A Character Sketch," which Christopher Morley has described as a "brilliant essay in spiritual anthropology." Emerson and Howells, on both of whom Mr. Firkins was a recognized authority, are each the subject of an essay. Glimpses of the author's boyhood and of his remarkable mother are given in "Undepicted America," which is the development of an original theory concerning American letters. In "The Irresponsible Power of Realism" the author flays some modern tendencies in literature and in "The Sermon on the Mount" he sets forth the basic principles of his humanistic religious views. A few of these essays are here published for the first time. Most of them, however, have been selected as representative of Mr. Firkins' best published work in the field of the critical essay.
Author: James Armstrong
Publisher: Springer Nature
ISBN: 3031137108
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
This book reinterprets British dramas of the early-nineteenth century through the lens of the star actors for whom they were written. Unlike most playwrights of previous generations, the writers of British Romantic dramas generally did not work in the theatre themselves. However, they closely followed the careers of star performers. Even when they did not directly know actors, they had what media theorists have dubbed "para-social interactions" with those stars, interacting with them through the mediation of mass communication, whether as audience members, newspaper and memoir readers, or consumers of prints, porcelain miniatures, and other manifestations of "fan" culture. This study takes an in-depth look at four pairs of performers and playwrights: Sarah Siddons and Joanna Baillie, Julia Glover and Samuel Taylor Coleridge, Edmund Kean and Lord Byron, and Eliza O'Neill and Percy Bysshe Shelley. These charismatic performers, knowingly or not, helped to guide the development of a character-based theatre—from the emotion-dominated plays made popular by Baillie to the pinnacle of Romantic drama under Shelley. They shepherded in a new style of writing that had verbal sophistication and engaged meaningfully with the moral issues of the day. They helped to create not just new modes of acting, but new ways of writing that could make use of their extraordinary talents.
