Author: Donald Cowan
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 248
Book Description
Unbinding Prometheus
Author: Donald Cowan
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 248
Book Description
Prometheus: Up & Running
Author: Brian Brazil
Publisher: "O'Reilly Media, Inc."
ISBN: 1492034096
Category : Computers
Languages : en
Pages : 374
Book Description
Get up to speed with Prometheus, the metrics-based monitoring system used by tens of thousands of organizations in production. This practical guide provides application developers, sysadmins, and DevOps practitioners with a hands-on introduction to the most important aspects of Prometheus, including dashboarding and alerting, direct code instrumentation, and metric collection from third-party systems with exporters. This open source system has gained popularity over the past few years for good reason. With its simple yet powerful data model and query language, Prometheus does one thing, and it does it well. Author and Prometheus developer Brian Brazil guides you through Prometheus setup, the Node exporter, and the Alertmanager, then demonstrates how to use them for application and infrastructure monitoring. Know where and how much to apply instrumentation to your application code Identify metrics with labels using unique key-value pairs Get an introduction to Grafana, a popular tool for building dashboards Learn how to use the Node Exporter to monitor your infrastructure Use service discovery to provide different views of your machines and services Use Prometheus with Kubernetes and examine exporters you can use with containers Convert data from other monitoring systems into the Prometheus format
Publisher: "O'Reilly Media, Inc."
ISBN: 1492034096
Category : Computers
Languages : en
Pages : 374
Book Description
Get up to speed with Prometheus, the metrics-based monitoring system used by tens of thousands of organizations in production. This practical guide provides application developers, sysadmins, and DevOps practitioners with a hands-on introduction to the most important aspects of Prometheus, including dashboarding and alerting, direct code instrumentation, and metric collection from third-party systems with exporters. This open source system has gained popularity over the past few years for good reason. With its simple yet powerful data model and query language, Prometheus does one thing, and it does it well. Author and Prometheus developer Brian Brazil guides you through Prometheus setup, the Node exporter, and the Alertmanager, then demonstrates how to use them for application and infrastructure monitoring. Know where and how much to apply instrumentation to your application code Identify metrics with labels using unique key-value pairs Get an introduction to Grafana, a popular tool for building dashboards Learn how to use the Node Exporter to monitor your infrastructure Use service discovery to provide different views of your machines and services Use Prometheus with Kubernetes and examine exporters you can use with containers Convert data from other monitoring systems into the Prometheus format
The Eleven Comedies (Complete)
Author: Aristophanes
Publisher: Library of Alexandria
ISBN: 1465549978
Category : Fiction
Languages : en
Pages : 967
Book Description
This was the fourth play in order of time produced by Aristophanes on the Athenian stage; it was brought out at the Lenaean Festival, in January, 424 B.C. Of the author's previous efforts, two, 'The Revellers' and 'The Babylonians,' were apparently youthful essays, and are both lost. The other, 'The Acharnians,' forms the first of the three Comedies dealing directly with the War and its disastrous effects and urging the conclusion of Peace; for this reason it is better ranged along with its sequels, the 'Peace' and the 'Lysistrata,' and considered in conjunction with them. In many respects 'The Knights' may be reckoned the great Comedian's masterpiece, the direct personal attack on the then all-powerful Cleon, with its scathing satire and tremendous invective, being one of the most vigorous and startling things in literature. Already in 'The Acharnians' he had threatened to "cut up Cleon the Tanner into shoe-leather for the Knights," and he now proceeds to carry his menace into execution, "concentrating the whole force of his wit in the most unscrupulous and merciless fashion against his personal enemy." In the first-mentioned play Aristophanes had attacked and satirized the whole general policy of the democratic party—and incidentally Cleon, its leading spirit and mouthpiece since the death of Pericles; he had painted the miseries of war and invasion arising from this mistaken and mischievous line of action, as he regarded it, and had dwelt on the urgent necessity of peace in the interests of an exhausted country and ruined agriculture. Now he turns upon Cleon personally, and pays him back a hundredfold for the attacks the demagogue had made in the Public Assembly on the daring critic, and the abortive charge which the same unscrupulous enemy had brought against him in the Courts of having "slandered the city in the presence of foreigners." "In this bitterness of spirit the play stands in strong contrast with the good-humoured burlesque of 'The Acharnians' and the 'Peace,' or, indeed, with any other of the author's productions which has reached us." The characters are five only. First and foremost comes Demos, 'The People,' typifying the Athenian democracy, a rich householder—a self-indulgent, superstitious, weak creature. He has had several overseers or factors in succession, to look after his estate and manage his slaves. The present one is known as 'the Paphlagonian,' or sometimes as 'the Tanner,' an unprincipled, lying, cheating, pilfering scoundrel, fawning and obsequious to his master, insolent towards his subordinates. Two of these are Nicias and Demosthenes. Here we have real names. Nicias was High Admiral of the Athenian navy at the time, and Demosthenes one of his Vice-Admirals; both held still more important commands later in connection with the Sicilian Expedition of 415-413 B.C. Fear of consequences apparently prevented the poet from doing the same in the case of Cleon, who is, of course, intended under the names of 'the Paphlagonian' and 'the Tanner.' Indeed, so great was the terror inspired by the great man that no artist was found bold enough to risk his powerful vengeance by caricaturing his features, and no actor dared to represent him on the stage. Aristophanes is said to have played the part himself, with his face, in the absence of a mask, smeared with wine-lees, roughly mimicking the purple and bloated visage of the demagogue. The remaining character is 'the Sausage-seller,' who is egged on by Nicias and Demosthenes to oust 'the Paphlagonian' from Demos' favour by outvying him in his own arts of impudent flattery, noisy boasting and unscrupulous allurement. After a fierce and stubbornly contested trial of wits and interchange of 'Billingsgate,' 'the Sausage-seller' beats his rival at his own weapons and gains his object; he supplants the disgraced favourite, who is driven out of the house with ignominy.
Publisher: Library of Alexandria
ISBN: 1465549978
Category : Fiction
Languages : en
Pages : 967
Book Description
This was the fourth play in order of time produced by Aristophanes on the Athenian stage; it was brought out at the Lenaean Festival, in January, 424 B.C. Of the author's previous efforts, two, 'The Revellers' and 'The Babylonians,' were apparently youthful essays, and are both lost. The other, 'The Acharnians,' forms the first of the three Comedies dealing directly with the War and its disastrous effects and urging the conclusion of Peace; for this reason it is better ranged along with its sequels, the 'Peace' and the 'Lysistrata,' and considered in conjunction with them. In many respects 'The Knights' may be reckoned the great Comedian's masterpiece, the direct personal attack on the then all-powerful Cleon, with its scathing satire and tremendous invective, being one of the most vigorous and startling things in literature. Already in 'The Acharnians' he had threatened to "cut up Cleon the Tanner into shoe-leather for the Knights," and he now proceeds to carry his menace into execution, "concentrating the whole force of his wit in the most unscrupulous and merciless fashion against his personal enemy." In the first-mentioned play Aristophanes had attacked and satirized the whole general policy of the democratic party—and incidentally Cleon, its leading spirit and mouthpiece since the death of Pericles; he had painted the miseries of war and invasion arising from this mistaken and mischievous line of action, as he regarded it, and had dwelt on the urgent necessity of peace in the interests of an exhausted country and ruined agriculture. Now he turns upon Cleon personally, and pays him back a hundredfold for the attacks the demagogue had made in the Public Assembly on the daring critic, and the abortive charge which the same unscrupulous enemy had brought against him in the Courts of having "slandered the city in the presence of foreigners." "In this bitterness of spirit the play stands in strong contrast with the good-humoured burlesque of 'The Acharnians' and the 'Peace,' or, indeed, with any other of the author's productions which has reached us." The characters are five only. First and foremost comes Demos, 'The People,' typifying the Athenian democracy, a rich householder—a self-indulgent, superstitious, weak creature. He has had several overseers or factors in succession, to look after his estate and manage his slaves. The present one is known as 'the Paphlagonian,' or sometimes as 'the Tanner,' an unprincipled, lying, cheating, pilfering scoundrel, fawning and obsequious to his master, insolent towards his subordinates. Two of these are Nicias and Demosthenes. Here we have real names. Nicias was High Admiral of the Athenian navy at the time, and Demosthenes one of his Vice-Admirals; both held still more important commands later in connection with the Sicilian Expedition of 415-413 B.C. Fear of consequences apparently prevented the poet from doing the same in the case of Cleon, who is, of course, intended under the names of 'the Paphlagonian' and 'the Tanner.' Indeed, so great was the terror inspired by the great man that no artist was found bold enough to risk his powerful vengeance by caricaturing his features, and no actor dared to represent him on the stage. Aristophanes is said to have played the part himself, with his face, in the absence of a mask, smeared with wine-lees, roughly mimicking the purple and bloated visage of the demagogue. The remaining character is 'the Sausage-seller,' who is egged on by Nicias and Demosthenes to oust 'the Paphlagonian' from Demos' favour by outvying him in his own arts of impudent flattery, noisy boasting and unscrupulous allurement. After a fierce and stubbornly contested trial of wits and interchange of 'Billingsgate,' 'the Sausage-seller' beats his rival at his own weapons and gains his object; he supplants the disgraced favourite, who is driven out of the house with ignominy.
Ares
Author: Evangelos Varagiannis
Publisher: BoD – Books on Demand
ISBN: 3839134064
Category :
Languages : en
Pages : 350
Book Description
A victim of alien abduction becomes a reluctant leader of multiple races in a war against an enemy that seeks to conquer not only this universe, but all universes.
Publisher: BoD – Books on Demand
ISBN: 3839134064
Category :
Languages : en
Pages : 350
Book Description
A victim of alien abduction becomes a reluctant leader of multiple races in a war against an enemy that seeks to conquer not only this universe, but all universes.
Twelve Classic One-Act Plays
Author: Mary Carolyn Waldrep
Publisher: Courier Corporation
ISBN: 0486474909
Category : Drama
Languages : en
Pages : 226
Book Description
Ideal for performers looking for inexpensive material, this collection of royalty-free, one-act plays contains classics by well-known playwrights. Featured productions include Glaspell's Trifles, Synge's Riders to the Sea, and Strindberg's The Stronger, plus works by Aristophanes, Chekhov, Millay, O'Neill, and others.
Publisher: Courier Corporation
ISBN: 0486474909
Category : Drama
Languages : en
Pages : 226
Book Description
Ideal for performers looking for inexpensive material, this collection of royalty-free, one-act plays contains classics by well-known playwrights. Featured productions include Glaspell's Trifles, Synge's Riders to the Sea, and Strindberg's The Stronger, plus works by Aristophanes, Chekhov, Millay, O'Neill, and others.
Philosophy, Poetry, and Power in Aristophanes's Birds
Author: Daniel Holmes
Publisher: Rowman & Littlefield
ISBN: 1498590772
Category : Philosophy
Languages : en
Pages : 247
Book Description
Aristophanes was clearly anxious about the role of the sophists and the “new” education in Athens. After the perceived failure of Clouds in 423 and its subsequent, unperformed revision, Aristophanes, this book argues, returned in 414 with Birds, a continuation and deepening of his critique found in Clouds. Peisetaerus or “persuader of his comrades,” the protagonist of Birds, though an old man, is clearly a student of Socrates’ phrontisterion. Unlike Socrates, however, he is political and ambitious and he understands the whole of human nature, both rational and irrational. Peisetaerus employs the various deconstructive techniques of Socrates and his allies (which is summed up on the comic sage in the image of “father-beating”) to overturn not just human society, but, with the help of his new allies, the divine and musical birds, the cosmos. After his new gods and bird city, Cloudcuckooland, are actually established, however, the hero re-introduces the “old” ways - justice, moderation, and obedience to law – but now under his personal authority, and thereby becomes “the highest of the gods.” Thus, the author postulates, in 414 Aristophanes has come to acknowledge the potency of the apparent civic-minded turn (or element) of the sophists, while aware of the self-aggrandizing nature of their ambition. Peisetaerus, unlike Socrates, is successful: he is establishing a just polis and cosmos and, therefore, must be victorious. But the consequence or cost of this success is illustrated through the Bird Chorus. After the polis is founded, the birds never again sing of their musical reciprocity with the Muses, the source of melodies for men. The birds are now political and the policemen of human beings. The sophist-run cosmos has lost its music. The new Zeus is an ugly bird-mutant. The gods and all nomoi have lost their beauty, honor, and reverential nature. Birds, in its finale, hilariously, but boldlyilluminates the inherent tension between philosophy (reason) and poetry (divinely-inspired tradition).
Publisher: Rowman & Littlefield
ISBN: 1498590772
Category : Philosophy
Languages : en
Pages : 247
Book Description
Aristophanes was clearly anxious about the role of the sophists and the “new” education in Athens. After the perceived failure of Clouds in 423 and its subsequent, unperformed revision, Aristophanes, this book argues, returned in 414 with Birds, a continuation and deepening of his critique found in Clouds. Peisetaerus or “persuader of his comrades,” the protagonist of Birds, though an old man, is clearly a student of Socrates’ phrontisterion. Unlike Socrates, however, he is political and ambitious and he understands the whole of human nature, both rational and irrational. Peisetaerus employs the various deconstructive techniques of Socrates and his allies (which is summed up on the comic sage in the image of “father-beating”) to overturn not just human society, but, with the help of his new allies, the divine and musical birds, the cosmos. After his new gods and bird city, Cloudcuckooland, are actually established, however, the hero re-introduces the “old” ways - justice, moderation, and obedience to law – but now under his personal authority, and thereby becomes “the highest of the gods.” Thus, the author postulates, in 414 Aristophanes has come to acknowledge the potency of the apparent civic-minded turn (or element) of the sophists, while aware of the self-aggrandizing nature of their ambition. Peisetaerus, unlike Socrates, is successful: he is establishing a just polis and cosmos and, therefore, must be victorious. But the consequence or cost of this success is illustrated through the Bird Chorus. After the polis is founded, the birds never again sing of their musical reciprocity with the Muses, the source of melodies for men. The birds are now political and the policemen of human beings. The sophist-run cosmos has lost its music. The new Zeus is an ugly bird-mutant. The gods and all nomoi have lost their beauty, honor, and reverential nature. Birds, in its finale, hilariously, but boldlyilluminates the inherent tension between philosophy (reason) and poetry (divinely-inspired tradition).
Essays on Ayn Rand's Anthem
Author: Robert Mayhew
Publisher: Lexington Books
ISBN: 9780739110317
Category : Literary Collections
Languages : en
Pages : 360
Book Description
In this first book-length study of Ayn Rand's anti-utopia Anthem, essays explore the historical, literary, and philosophical themes presiding in this novella written in opposition to the totalitarianism of the Soviet Union (and Nazi Germany). Written in 1937, published in 1938 in Britain, and subsequently in a revised form in the United States in 1946, Anthem investigates the importance of the ego and freedom, and the individual against the state. Editor Robert Mayhew has collected a variety of essays dealing with such topics including: the history behind the novella's creation, publication, and reception; its connection to other anti-utopian novels; and, the significance of ego and freedom, which it portrays and defends. This book is important to philosophers as well as readers looking to gain a better understanding of Ayn Rand and Anthem.
Publisher: Lexington Books
ISBN: 9780739110317
Category : Literary Collections
Languages : en
Pages : 360
Book Description
In this first book-length study of Ayn Rand's anti-utopia Anthem, essays explore the historical, literary, and philosophical themes presiding in this novella written in opposition to the totalitarianism of the Soviet Union (and Nazi Germany). Written in 1937, published in 1938 in Britain, and subsequently in a revised form in the United States in 1946, Anthem investigates the importance of the ego and freedom, and the individual against the state. Editor Robert Mayhew has collected a variety of essays dealing with such topics including: the history behind the novella's creation, publication, and reception; its connection to other anti-utopian novels; and, the significance of ego and freedom, which it portrays and defends. This book is important to philosophers as well as readers looking to gain a better understanding of Ayn Rand and Anthem.
Rousseau's Reader
Author: John T. Scott
Publisher: University of Chicago Press
ISBN: 022668914X
Category : Philosophy
Languages : en
Pages : 339
Book Description
On his famous walk to Vincennes to visit the imprisoned Diderot, Rousseau had what he called an “illumination”—the realization that man was naturally good but becomes corrupted by the influence of society—a fundamental change in Rousseau’s perspective that would animate all of his subsequent works. At that moment, Rousseau “saw” something he had hitherto not seen, and he made it his mission to help his readers share that vision through an array of rhetorical and literary techniques. In Rousseau’s Reader, John T. Scott looks at the different strategies Rousseau used to engage and persuade the readers of his major philosophical works, including the Social Contract, Discourse on Inequality, and Emile. Considering choice of genre; textual structure; frontispieces and illustrations; shifting authorial and narrative voice; addresses to readers that alternately invite and challenge; apostrophe, metaphor, and other literary devices; and, of course, paradox, Scott explores how the form of Rousseau’s writing relates to the content of his thought and vice versa. Through this skillful interplay of form and content, Rousseau engages in a profoundly transformative dialogue with his readers. While most political philosophers have focused, understandably, on Rousseau’s ideas, Scott shows convincingly that the way he conveyed them is also of vital importance, especially given Rousseau’s enduring interest in education. Giving readers the key to Rousseau’s style, Scott offers fresh and original insights into the relationship between the substance of his thought and his literary and rhetorical techniques, which enhance our understanding of Rousseau’s project and the audiences he intended to reach.
Publisher: University of Chicago Press
ISBN: 022668914X
Category : Philosophy
Languages : en
Pages : 339
Book Description
On his famous walk to Vincennes to visit the imprisoned Diderot, Rousseau had what he called an “illumination”—the realization that man was naturally good but becomes corrupted by the influence of society—a fundamental change in Rousseau’s perspective that would animate all of his subsequent works. At that moment, Rousseau “saw” something he had hitherto not seen, and he made it his mission to help his readers share that vision through an array of rhetorical and literary techniques. In Rousseau’s Reader, John T. Scott looks at the different strategies Rousseau used to engage and persuade the readers of his major philosophical works, including the Social Contract, Discourse on Inequality, and Emile. Considering choice of genre; textual structure; frontispieces and illustrations; shifting authorial and narrative voice; addresses to readers that alternately invite and challenge; apostrophe, metaphor, and other literary devices; and, of course, paradox, Scott explores how the form of Rousseau’s writing relates to the content of his thought and vice versa. Through this skillful interplay of form and content, Rousseau engages in a profoundly transformative dialogue with his readers. While most political philosophers have focused, understandably, on Rousseau’s ideas, Scott shows convincingly that the way he conveyed them is also of vital importance, especially given Rousseau’s enduring interest in education. Giving readers the key to Rousseau’s style, Scott offers fresh and original insights into the relationship between the substance of his thought and his literary and rhetorical techniques, which enhance our understanding of Rousseau’s project and the audiences he intended to reach.
Work on Myth
Author: Hans Blumenberg
Publisher: MIT Press
ISBN: 0262521334
Category : Philosophy
Languages : en
Pages : 727
Book Description
In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Valéry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.
Publisher: MIT Press
ISBN: 0262521334
Category : Philosophy
Languages : en
Pages : 727
Book Description
In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Valéry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.
The The Docker Workshop
Author: Vincent Sesto
Publisher: Packt Publishing Ltd
ISBN: 1838986138
Category : Computers
Languages : en
Pages : 791
Book Description
Get started with Docker on your local machine and progress towards deploying useful applications in production with this simplified, practical guide Key FeaturesGet a working understanding of Docker containers by incorporating them in your development processComplete interesting exercises to learn how to secure and control access of your containersWork with advanced features of Docker to make your development process smoother and reliable Book Description No doubt Docker Containers are the future of highly-scalable software systems and have cost and runtime efficient supporting infrastructure. But learning it might look complex as it comes with many technicalities. This is where The Docker Workshop will help you. Through this workshop, you’ll quickly learn how to work with containers and Docker with the help of practical activities. The workshop starts with Docker containers, enabling you to understand how it works. You’ll run third party Docker images and also create your own images using Dockerfiles and multi-stage Dockerfiles. Next, you’ll create environments for Docker images, and expedite your deployment and testing process with Continuous Integration. Moving ahead, you’ll tap into interesting topics and learn how to implement production-ready environments using Docker Swarm. You’ll also apply best practices to secure Docker images and to ensure that production environments are running at maximum capacity. Towards the end, you’ll gather skills to successfully move Docker from development to testing, and then into production. While doing so, you’ll learn how to troubleshoot issues, clear up resource bottlenecks and optimize the performance of services. By the end of this workshop, you’ll be able to utilize Docker containers in real-world use cases. What you will learnGet a solid understanding of how Docker containers workNetwork Docker images and environments to allow communication between servicesBuild and publish docker images from a CI/CD pipelineUse Docker Swarm to implement production-ready environmentsFind out how to replace Swarm with Kubernetes clustersExtend your Docker images with PluginsWho this book is for This is the right learning asset if you are a developer or a beginner who wants to get a practical understanding of Docker containers. If you have experienced in running command shells or knowledge of IntelliJ, atom, or VSCode editors, then you will grasp the topics covered here quickly.
Publisher: Packt Publishing Ltd
ISBN: 1838986138
Category : Computers
Languages : en
Pages : 791
Book Description
Get started with Docker on your local machine and progress towards deploying useful applications in production with this simplified, practical guide Key FeaturesGet a working understanding of Docker containers by incorporating them in your development processComplete interesting exercises to learn how to secure and control access of your containersWork with advanced features of Docker to make your development process smoother and reliable Book Description No doubt Docker Containers are the future of highly-scalable software systems and have cost and runtime efficient supporting infrastructure. But learning it might look complex as it comes with many technicalities. This is where The Docker Workshop will help you. Through this workshop, you’ll quickly learn how to work with containers and Docker with the help of practical activities. The workshop starts with Docker containers, enabling you to understand how it works. You’ll run third party Docker images and also create your own images using Dockerfiles and multi-stage Dockerfiles. Next, you’ll create environments for Docker images, and expedite your deployment and testing process with Continuous Integration. Moving ahead, you’ll tap into interesting topics and learn how to implement production-ready environments using Docker Swarm. You’ll also apply best practices to secure Docker images and to ensure that production environments are running at maximum capacity. Towards the end, you’ll gather skills to successfully move Docker from development to testing, and then into production. While doing so, you’ll learn how to troubleshoot issues, clear up resource bottlenecks and optimize the performance of services. By the end of this workshop, you’ll be able to utilize Docker containers in real-world use cases. What you will learnGet a solid understanding of how Docker containers workNetwork Docker images and environments to allow communication between servicesBuild and publish docker images from a CI/CD pipelineUse Docker Swarm to implement production-ready environmentsFind out how to replace Swarm with Kubernetes clustersExtend your Docker images with PluginsWho this book is for This is the right learning asset if you are a developer or a beginner who wants to get a practical understanding of Docker containers. If you have experienced in running command shells or knowledge of IntelliJ, atom, or VSCode editors, then you will grasp the topics covered here quickly.