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Author: United States. Bureau of Naval Personnel
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Author: United States. Bureau of Naval Personnel
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Get Book Here
Book Description
Author: United States. Bureau of Naval Personnel
Publisher:
ISBN:
Category : Motion picture projection
Languages : en
Pages : 70
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Book Description
The 16mm projectionist performs a valuable service to the Navy training program ashore and afloat. All the skill of the motion picture industry, all the skill of the director and actors have gone into the making of a training film. All these skills will be lost unless the projectionist knows his job. Good projection does not call attention to itself; poor projection is marked by distractions and interruptions. These disturbances can be prevented by you if you know your projector and your job. This manual is not a technical service manual but is intended to provide a general understanding of the problems of 16mm motion picture and 35mm filmstrip projector operation. It gives many useful and practical hints that will help you, the projectionist, do a better job of showing Navy training films. For complete technical information referred to the instruction book that comes with the projector. - Introduction.
Author:
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 44
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Book Description
Author: United States. War Department
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: Frank Herbert Richardson
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 602
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Book Description
Author: United States Department of the Army
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
Author: Robert A. Mitchell
Publisher:
ISBN:
Category : Motion picture projection
Languages : en
Pages : 468
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Book Description
Author: United States. Bureau of Naval Personnel
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 316
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Book Description
Author: Paolo Usai
Publisher: George Eastman House
ISBN: 9780935398311
Category : Art
Languages : en
Pages : 344
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Book Description
The history of cinema is full of love stories, but none has been as essential as the love between projectionists and their machines. The Art of Film Projection-A Beginner's Guide is a comprehensive outline of the materials, equipment, and knowledge needed to present the magic of cinema to an enthralled audience. Part manual and part manifesto, this book compiles more than fifty years of expertise from the staff of the world-renowned George Eastman Museum and the students of the L. Jeffrey Selznick School of Film Preservation into the most authoritative and accessible guide to film projection ever produced. No film comes to life until it is shown on the big screen, but with the proliferation of digital movie theaters, the expertise of film projection has become rare. Written for both the casual enthusiast and the professional projectionist in training, this book demystifies the process of film projection and offers an in-depth understanding of the aesthetic, technical, and historical features of motion pictures. Join in the fight to save the authentic experience of seeing motion pictures on film.
Author: Gabriel Menotti
Publisher: Oxford University Press
ISBN: 0190934131
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation in the '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked to facilitate mobility. These examples show how projection continually speaks to the rearrangement of media technology. Projection therefore needs to be examined as a pivotal element in the future of visual media's technological transition. In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technical systems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomous operation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies.
