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Author: Jeremy Havardi
Publisher: McFarland
ISBN: 1476604398
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
This detailed chronological analysis of British World War II movies from 1939 until the present explores how films projected recognizable stereotypes of British national character and how the times in which a film was made shaped its perspectives. Several chapters look at films made during and immediately after the war. In depictions of the Home Front, characters display resolve as well as emotional restraint and present an image of an undivided society cooperating to fight evil. By contrast, duty and service are the paramount virtues of combat films while spy melodramas exemplify the British love of improvisation. Fifties war films are examined against the backdrop of alarm and uncertainty caused by the Cold War. Such films reflect traditional national character stereotypes, though the stiff upper lip begins to be questioned by the end of the decade. The book then traces the radical effect of the 1960s revolution, revealing how the fondness for skeptical antiwar movies went hand in hand with the questioning of Britain's place in the world. The book ends by looking at recent war films and asks whether these reflect the cult of narcissism so prevalent in modern Britain.
Author: Jeremy Havardi
Publisher: McFarland
ISBN: 1476604398
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
This detailed chronological analysis of British World War II movies from 1939 until the present explores how films projected recognizable stereotypes of British national character and how the times in which a film was made shaped its perspectives. Several chapters look at films made during and immediately after the war. In depictions of the Home Front, characters display resolve as well as emotional restraint and present an image of an undivided society cooperating to fight evil. By contrast, duty and service are the paramount virtues of combat films while spy melodramas exemplify the British love of improvisation. Fifties war films are examined against the backdrop of alarm and uncertainty caused by the Cold War. Such films reflect traditional national character stereotypes, though the stiff upper lip begins to be questioned by the end of the decade. The book then traces the radical effect of the 1960s revolution, revealing how the fondness for skeptical antiwar movies went hand in hand with the questioning of Britain's place in the world. The book ends by looking at recent war films and asks whether these reflect the cult of narcissism so prevalent in modern Britain.
Author: Thomas Patrick Doherty
Publisher: Columbia University Press
ISBN: 9780231116350
Category : History
Languages : en
Pages : 396
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Book Description
Topics include: the influence of Leni Riefenstahl; negro soldiers; depicting Vietnam in films. Films examined include: Sergeant York, Air force, Saving Private Ryan, The thin red line.
Author: T. G. Otte
Publisher: Cambridge University Press
ISBN: 1107198852
Category : History
Languages : en
Pages : 331
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Book Description
Reshapes the discourse surrounding the nature of British global power in this crucial period of transformation in international politics.
Author: Philip M. Taylor
Publisher: Cambridge University Press
ISBN: 9780521046411
Category : History
Languages : en
Pages : 380
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Book Description
This book traces the origins and early development of what are today loosely termed Britain's Overseas Information Services. It examines how, at the end of the First World War, the British government came to forfeit the considerable lead it had established in propaganda since 1914, and the reasons why it had gradually to re-enter the field during the inter-war years as a direct response to totalitarianism. It surveys the pioneering work of the Foreign Office News Department and its important press office, the commercial propaganda conducted by the Empire Marketing Board and the Travel Association, the foundation and rapid peacetime growth of the British Council to conduct 'cultural diplomacy', and the beginning of the BBC's World Service with the inauguration of foreign-language broadcasts in 1938.
Author: Angus Deaton
Publisher: Taylor & Francis
ISBN: 9780470204535
Category : Great Britain
Languages : en
Pages : 261
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Book Description
Author: Philip M. Taylor
Publisher: CUP Archive
ISBN: 9780521238434
Category : History
Languages : en
Pages : 394
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Book Description
This book traces the origins and early development of what are today loosely termed Britain's Overseas Information Services. It examines how, at the end of the First World War, the British government came to forfeit the considerable lead it had established in propaganda since 1914, and the reasons why it had gradually to re-enter the field during the inter-war years as a direct response to totalitarianism. It surveys the pioneering work of the Foreign Office News Department and its important press office, the commercial propaganda conducted by the Empire Marketing Board and the Travel Association, the foundation and rapid peacetime growth of the British Council to conduct 'cultural diplomacy', and the beginning of the BBC's World Service with the inauguration of foreign-language broadcasts in 1938.
Author: James G. Mansell
Publisher: Bloomsbury Publishing
ISBN: 1839020431
Category : Performing Arts
Languages : en
Pages : 721
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Book Description
The General Post Office (GPO) Film Unit sat at the creative epicentre of Britain in the 1930s. It nurtured a vital crop of artistic talent, built a forum for a new kind of cinematic address and created Britain's first self-consciously national cinema. In 2011, UNESCO added its work to the UK Memory of the World Register, recognising its status as part of Britain's cultural heritage. Elements of the GPO Film Unit's story are well known: John Grierson's development of documentary cinema; the influence of Mass Observation and Surrealism on its cinematic vision; the Watt–Auden–Britten collaboration Night Mail. The Projection of Britain: A History of the GPO Film Unit brings together primary materials and critical appraisals to revisit, re-contextualise and revitalise these seminal moments in British cinema. Here, the insights of an archivist, a musicologist, a design historian, a sports historian, a geographer and a postman – among others – have been edited into a rich critical archaeology of a compelling moment in cinematic history. Interspersed with these essays are primary materials – memoirs, magazine articles, posters and government documents – that detail everything from Alberto Cavalcanti's vision for the documentary movement to a claim for the clothes Humphrey Jennings lost while shooting on location. In recent years there has been a resurgence of interest in the GPO Film Unit and its work, on the big screen, in DVD boxsets and on the web. The Projection of Britain ties together the Unit's diverse artistic, historical and cultural threads into an essential one-stop resource. Provocative, imaginative and ambitious, this expansive study is the definitive companion to an extraordinary episode in cinematic history.
Author: Eva Ulrike Pirker
Publisher: Routledge
ISBN: 1136682716
Category : History
Languages : en
Pages : 368
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Book Description
Since the mid-1990s, the black experience in Britain has begun to be (re)negotiated intensely, with a strong focus on history. Narrative Projections of a Black British History considers narratives that construct, or engage with, aspects of a black British history. Part I poses the question of what sort of narratives have emerged from, and in turn determine, key events (such as the iconic 'Windrush' moment) and developments and provides basic insights into theoretical frameworks. It also offers a large number of comparative readings, considering both 'factual' and 'fictional' forms of representation such as history books, documentary films, life writing, novels, and drama, and identifies main strands, 'official' narratives and countercurrents. Part II embarks on close readings and analyses of a selection of narratives that can be classed as reactions to the 'established' historical culture. Overall, the book draws attention to collective currents and individual positions, affirmative and critical approaches: Together, they form a representative image of a specific moment in the ongoing debate about a black British history.
Author: John Fisher
Publisher: Routledge
ISBN: 1351042688
Category : History
Languages : en
Pages : 241
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Book Description
Outskirts of Empire: Studies in British Power Projection investigates the substructure of Britain’s interests in the Near East and beyond during the nineteenth and twentieth centuries. Essays address themes in British power projection in a geographically wide area encompassing parts of the Ottoman Empire, Morocco and Abyssinia, illuminating interlinking elements of Britain’s power and presence through commerce, religion, consular activity, expatriates, travel and exploration and technology. Through careful investigation of the interface of these themes the book develops a deeper sense of Britain’s presence in the Near East and contiguous areas and highlights the network of Britons who were required to sustain that presence.
Author:
Publisher: BRILL
ISBN: 9004226702
Category : History
Languages : en
Pages : 240
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Book Description
The two centuries that chronologically bind the topics in this volume span a period in which Europe was in its global ascendancy. The projection of imperial powers reflected the increasing centralization of states. The ability of state institutions to control and pay for the acquisition, protection and maintenance of empires could only be achieved when internal threats abated and centralized bureaucratic states emerged. Expansion, however, was not uniform, and the desire to export power was often limited by economic considerations and internal political and social conflict. Nevertheless, between 1618-1850 hegemonic empires were established and yet, the incidence of conflict between them declined in the years after 1815. This volume explores the various factors related to the projection and limitation of imperial powers in the western world. Contributors are Jeremy Black, Paul W. Schroeder, John A. Lynn, Dennis Showalter, Peter H. Wilson, Janet M. Hartley, Ciro Paoletti and Robert Epstein.
