Author:
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 114
Book Description
Amateur Movie Journal
Author:
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 114
Book Description
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 114
Book Description
Professional Movie Tricks for Amateurs
Author: Tamar Lane
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 144
Book Description
Popular Science
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.
Amateur Cinema
Author: Charles Tepperman
Publisher: Univ of California Press
ISBN: 0520959558
Category : Performing Arts
Languages : en
Pages : 377
Book Description
From the very beginning of cinema, there have been amateur filmmakers at work. It wasn’t until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the "amateur" in film history and modern visual culture. In the middle decades of the twentieth century—the period that saw Hollywood’s rise to dominance in the global film industry—a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of "advanced" amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.
Publisher: Univ of California Press
ISBN: 0520959558
Category : Performing Arts
Languages : en
Pages : 377
Book Description
From the very beginning of cinema, there have been amateur filmmakers at work. It wasn’t until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the "amateur" in film history and modern visual culture. In the middle decades of the twentieth century—the period that saw Hollywood’s rise to dominance in the global film industry—a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of "advanced" amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.
Cutting Rhythms
Author: Karen Pearlman
Publisher: Taylor & Francis
ISBN: 113605989X
Category : Performing Arts
Languages : en
Pages : 469
Book Description
How does a film editor make decisions about where and when to cut in order to make a film 'feel right'? Generally speaking, the answer is, 'it's intuitive', which is accurate but leaves one wanting to know more. Cutting Rhythms breaks down the definition of intuition to find that, even if rhythmic thinking is intuitive thinking, we can still say more than we 'just know.' This book offers possibilities rather than prescriptions. It presents questions an editor or filmmaker can ask themselves about their work, and a clear and useful vocabulary for working with those questions. Cutting Rhythms makes ideas about rhythm in film editing clear and accessible, so that you can do more than just imitate editing you've seen on TV. With this book you'll develop your own sense of rhythm, refine our rhythmic shaping skills, and increase your creativity--and in so doing, become a better filmmaker.
Publisher: Taylor & Francis
ISBN: 113605989X
Category : Performing Arts
Languages : en
Pages : 469
Book Description
How does a film editor make decisions about where and when to cut in order to make a film 'feel right'? Generally speaking, the answer is, 'it's intuitive', which is accurate but leaves one wanting to know more. Cutting Rhythms breaks down the definition of intuition to find that, even if rhythmic thinking is intuitive thinking, we can still say more than we 'just know.' This book offers possibilities rather than prescriptions. It presents questions an editor or filmmaker can ask themselves about their work, and a clear and useful vocabulary for working with those questions. Cutting Rhythms makes ideas about rhythm in film editing clear and accessible, so that you can do more than just imitate editing you've seen on TV. With this book you'll develop your own sense of rhythm, refine our rhythmic shaping skills, and increase your creativity--and in so doing, become a better filmmaker.
Amateur Movie Makers
Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 706
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 706
Book Description
Have You Seen?
Author: David Thomson
Publisher: Knopf Publishing Group
ISBN: 0375711341
Category : Performing Arts
Languages : en
Pages : 1025
Book Description
"Including masterpieces, oddities, guilty pleasures, and classics (with just a few disasters)"--Cover.
Publisher: Knopf Publishing Group
ISBN: 0375711341
Category : Performing Arts
Languages : en
Pages : 1025
Book Description
"Including masterpieces, oddities, guilty pleasures, and classics (with just a few disasters)"--Cover.
Amateur Movie Making
Author: Martha J. McNamara
Publisher: Indiana University Press
ISBN: 0253027055
Category : Performing Arts
Languages : en
Pages : 322
Book Description
A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.
Publisher: Indiana University Press
ISBN: 0253027055
Category : Performing Arts
Languages : en
Pages : 322
Book Description
A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.
Reel Families
Author: Patricia R. Zimmermann
Publisher: Indiana University Press
ISBN: 9780253209443
Category : Performing Arts
Languages : en
Pages : 216
Book Description
Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.
Publisher: Indiana University Press
ISBN: 9780253209443
Category : Performing Arts
Languages : en
Pages : 216
Book Description
Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.
Disappearing Tricks
Author: Matthew Solomon
Publisher: University of Illinois Press
ISBN: 0252076974
Category : Biography & Autobiography
Languages : en
Pages : 214
Book Description
This work revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. The author treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.
Publisher: University of Illinois Press
ISBN: 0252076974
Category : Biography & Autobiography
Languages : en
Pages : 214
Book Description
This work revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. The author treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.