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Author: John N. Duvall
Publisher: State University of New York Press
ISBN: 0791489469
Category : Social Science
Languages : en
Pages : 239
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Book Description
Productive Postmodernism addresses the differing accounts of postmodernism found in the work of Fredric Jameson and Linda Hutcheon, a debate that centers around the two theorists' senses of pastiche and parody. For Jameson, postmodern texts are ahistorical, playing with pastiched images and aesthetic forms, and are therefore unable to provide a critical purchase on culture and capital. For Hutcheon, postmodern fiction and architecture remain political, opening spaces for social critique through a parody that deconstructs official history. Thinking in the space between these two sharply different positions, the essays in this collection investigate a broad range of contemporary fiction, film, and architecture—from such narratives as Don DeLillo's Libra, Toni Morrison's Beloved, and Ridley Scott's Blade Runner, to the vastly different spaces of Las Vegas casinos and the United States Holocaust Memorial Museum—in order to ask what the cultural work of a postmodern aesthetic might be.
Author: John N. Duvall
Publisher: State University of New York Press
ISBN: 0791489469
Category : Social Science
Languages : en
Pages : 239
Get Book Here
Book Description
Productive Postmodernism addresses the differing accounts of postmodernism found in the work of Fredric Jameson and Linda Hutcheon, a debate that centers around the two theorists' senses of pastiche and parody. For Jameson, postmodern texts are ahistorical, playing with pastiched images and aesthetic forms, and are therefore unable to provide a critical purchase on culture and capital. For Hutcheon, postmodern fiction and architecture remain political, opening spaces for social critique through a parody that deconstructs official history. Thinking in the space between these two sharply different positions, the essays in this collection investigate a broad range of contemporary fiction, film, and architecture—from such narratives as Don DeLillo's Libra, Toni Morrison's Beloved, and Ridley Scott's Blade Runner, to the vastly different spaces of Las Vegas casinos and the United States Holocaust Memorial Museum—in order to ask what the cultural work of a postmodern aesthetic might be.
Author: Jeffrey Nealon
Publisher: Stanford University Press
ISBN: 0804783217
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural life. If "fragmentation" was the preferred watchword of postmodern America, "intensification" is the dominant cultural logic of our contemporary era. Post-Postmodernism surveys a wide variety of cultural texts in pursuing its analyses—everything from the classic rock of Black Sabbath to the post-Marxism of Antonio Negri, from considerations of the corporate university to the fare at the cineplex, from reading experimental literature to gambling in Las Vegas, from Badiou to the undergraduate classroom. Insofar as cultural realms of all kinds have increasingly been overcoded by the languages and practices of economics, Nealon aims to construct a genealogy of the American present, and to build a vocabulary for understanding the relations between economic production and cultural production today—when American-style capitalism, despite its recent battering, seems nowhere near the point of obsolescence. Post-postmodern capitalism is seldom late but always just in time. As such, it requires an updated conceptual vocabulary for diagnosing and responding to our changed situation.
Author: Jean-François Lyotard
Publisher: U of Minnesota Press
ISBN: 9780816611737
Category : Philosophy
Languages : en
Pages : 142
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Book Description
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
Author: W. Lawrence Hogue
Publisher: University of Illinois Press
ISBN: 0252033833
Category : American literature
Languages : en
Pages : 232
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Book Description
Redefining postmodern American literature to include the voices of women and nonwhite writers
Author: Fredric Jameson
Publisher: Duke University Press
ISBN: 9780822310907
Category : Literary Criticism
Languages : en
Pages : 474
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Book Description
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
Author: Joseph Francese
Publisher: SUNY Press
ISBN: 9780791435137
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Although Morrison, Doctorow, and Tabucchi vary in their stylisitic responses to these changes, their narratives propose a collective recovery of the past into a future-oriented present and serve as examples of how literature can intervene in history, rather than merely reflecting and acquiescing to it.
Author: Simon Susen
Publisher: Springer
ISBN: 1137318236
Category : Political Science
Languages : en
Pages : 437
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Book Description
Simon Susen examines the impact of the 'postmodern turn' on the contemporary social sciences. On the basis of an innovative five-dimensional approach, this study provides a systematic, comprehensive, and critical account of the legacy of the 'postmodern turn', notably in terms of its continuing relevance in the twenty-first century.
Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 0521151570
Category : Music
Languages : en
Pages : 223
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Book Description
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
Author: Daniel Cordle
Publisher: Routledge
ISBN: 1351909649
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
In 1996 the physicist Alan Sokal planted a hoax article in the journal Social Text, mimicking the social constructionist view of science popular in the humanities, and sparked into life the ’science wars’ which had been rumbling throughout the 1990s. Postmodern Postures puts this contemporary controversy into the context of earlier debates about the ’two cultures’, between F.R. Leavis and C.P. Snow, and Mathew Arnold and T.H. Huxley. Through an interrogation of interdisciplinary approaches to literature and science, and a discussion of the arguments surrounding postmodern culture, the book formulates a literary critical methodology for literature/science criticism, highlighting both the benefits and the limitations of attempts to link the two cultures. Three case studies, focused through the issues of knowledge, identity and time, put this methodology into practice, showing how ideas resonate through the culture between literature and science.
Author: Tasha Haines
Publisher: Bloomsbury Publishing USA
ISBN: 1501394525
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
From Virginia Woolf to David Foster Wallace and beyond, 'redemptive hybridism' – a new way of reading texts full of possibility and genre blending – emerges as a key trajectory for post-postmodernity. Tasha Haines investigates what she calls 'redemptive hybridism' a tendency in post-postmodern writing characterized by possibility. She suggests that near the 21st century, postmodern élitisme gives way to a reparative blending of high-low forms and genre collaborations for challenging and extending the relationship between writer, written material, and reader. By combining an innovative literary investigation with creative and auto-theoretical strategies, Haines offers valuable new interpretations for texts of 'the modernisms continuum'. Her conversational survey moves among the hybridity of Virginia Woolf, the paratextuality of David Foster Wallace, with Nathalie Sarraute, Édouard Levé, Maggie Nelson and more. In reference to Deleuze and Guattari, Hassan, and others, writers are curated for their approach to form, method, and content, evoking and invoking textual hybridity. Haines articulates a new way of viewing works via comparisons and close-ups that exemplify the possibility and genre-blending that is Redemptive Hybridism in Post-Postmodern Writing.
