Author: Anna Stanley
Publisher:
ISBN: 9780962197239
Category :
Languages : en
Pages : 442
Book Description
Anna Stanley, a pageant director (since 1983) and the author of The Crowning Touch: Preparing for Beauty Pageant Competition (1989), also wrote the first edition of Producing Beauty Pageants: A Director's Guide (1989). In the '90s, this first edition was used in the production of The Secret World of... series for The Learning Channel. Twenty-five years later, Anna has written Producing Beauty Pageants: A Director's Guide, 2nd Edition. Nine years in the making, not only does it feature entirely NEW pageant trade information, Producing Beauty Pageants has also been expanded into a series. The Producing Beauty Pageants series includes: A Director's Guide, 2nd Ed. Creating a Synergized National Pageant System Brokering a Pageant through Barter Contestant Handbook Sponsorship Fee Optionals Open Call Directing a Fundraiser Pageant A Guide to Pageant Terminology (FREE e-book) If you want the convenience of interactive hyperlinks to the references in this book, you will need to purchase the e-book version of the same title.
Producing Beauty Pageants
Author: Anna Stanley
Publisher:
ISBN: 9780962197239
Category :
Languages : en
Pages : 442
Book Description
Anna Stanley, a pageant director (since 1983) and the author of The Crowning Touch: Preparing for Beauty Pageant Competition (1989), also wrote the first edition of Producing Beauty Pageants: A Director's Guide (1989). In the '90s, this first edition was used in the production of The Secret World of... series for The Learning Channel. Twenty-five years later, Anna has written Producing Beauty Pageants: A Director's Guide, 2nd Edition. Nine years in the making, not only does it feature entirely NEW pageant trade information, Producing Beauty Pageants has also been expanded into a series. The Producing Beauty Pageants series includes: A Director's Guide, 2nd Ed. Creating a Synergized National Pageant System Brokering a Pageant through Barter Contestant Handbook Sponsorship Fee Optionals Open Call Directing a Fundraiser Pageant A Guide to Pageant Terminology (FREE e-book) If you want the convenience of interactive hyperlinks to the references in this book, you will need to purchase the e-book version of the same title.
Publisher:
ISBN: 9780962197239
Category :
Languages : en
Pages : 442
Book Description
Anna Stanley, a pageant director (since 1983) and the author of The Crowning Touch: Preparing for Beauty Pageant Competition (1989), also wrote the first edition of Producing Beauty Pageants: A Director's Guide (1989). In the '90s, this first edition was used in the production of The Secret World of... series for The Learning Channel. Twenty-five years later, Anna has written Producing Beauty Pageants: A Director's Guide, 2nd Edition. Nine years in the making, not only does it feature entirely NEW pageant trade information, Producing Beauty Pageants has also been expanded into a series. The Producing Beauty Pageants series includes: A Director's Guide, 2nd Ed. Creating a Synergized National Pageant System Brokering a Pageant through Barter Contestant Handbook Sponsorship Fee Optionals Open Call Directing a Fundraiser Pageant A Guide to Pageant Terminology (FREE e-book) If you want the convenience of interactive hyperlinks to the references in this book, you will need to purchase the e-book version of the same title.
Producing Beauty Pageants
Author: Anna Stanley
Publisher:
ISBN: 9780962197291
Category :
Languages : en
Pages :
Book Description
When I began producing pageants in 1983, I held Informational Meetings to tell prospective contestants about my pageant. If I could personally meet prospective contestants to explain the pageant process, I would have a better chance of getting these girls to attend my motivational deadline-to-register event: a pageant commercial filming, boutique photoshoot, or pageant workshop. Besides, an Open Call session was the best place and opportunity for me to educate prospective contestants about sponsorship support, such as how to pitch to sponsors, collect sponsorship fees, and return to the deadline-to-register motivational event to become official contestants. Meeting prospective contestants also built a foundation of trust. After every Open Call session, I set a deadline to collect the first sponsorship installment (never a deposit, as this is too easy to walk away from). To motivate the deadline date and encourage many Open contestants - usually ending up to be about 40% - I needed to have an enticing motivator, such as a pageant commercial filming, a boutique photoshoot, or a pageant workshop. I truly believed that the deadline - and all that it encompassed - had to be the secret to my huge contestant numbers. It didn't occur to me, at least not until years later, that what I was doing before the deadline was the result of huge contestant entries. Whatever this powerful industry secret is called - Informational Meeting, Contestant Meeting, Contestant Call, Recruitment Meeting, Registration Night, Casting Call, Orientation Meeting, Orientation Tea, Open House, Open Call Workshops, Pageant Informational Meeting, Pageant Meet Up, Trunk Show Open Call, and last, but not least, Open Call - it is incorporated by the #1 youth pageant system in the world, National American Miss. You might be wondering what is so secret about Open Call in the pageant industry, because you may have already heard about it. Open Call is simply the strongest contestant recruitment tool designed, even though we borrowed the terminology from the modeling industry. Open Call is designed to secure the GREATEST PERCENTAGE OF CONTESTANT ENTRIES. Pageant directors who do know about Open Call, yet choose not to employ it, probably don't understand its strength and, therefore, can't perceive the financial impact that it can bestow upon their pageant system's bottom line. Pageant directors who do employ it, like International Junior Miss, USA National Miss, and last, but not least, the most successful of all, National American Miss, often make Open Call appear as inconsequential; after all, it is rare that successful pageant directors want to admit to the secret of their success. They probably fear that their competition (other pageants) will also employ Open Call, segment the contestant pool, muck up their business model, and affect their income. This is unlikely to happen. There are many newbie prospective contestants - more than enough for every pageant system out there. You just need to know where to go, to get the girls to come to you. The non-Open Call pageant producers' attempts to reach out to the same demographics - before they are snagged by Open Call pageants - often prove fruitless. What generally happens is that the non-Open Call pageants prime those girls for Open Call pageants! Pageant directors who plainly don't know about Open Call - well, what they don't know can hurt them. I asked Kathy Raese, director of Porcelain Dolls Nationals and Heavenly Angels, if she employed Open Call in her pageant systems. She replied, "What's that?" While I did include Open Call in my business model, from the start, it wouldn't be until years later before I truly understood the Open Call mantra: going to the girls, to get them to come to you. Producing Beauty Pageants: Open Call shows you just this.
Publisher:
ISBN: 9780962197291
Category :
Languages : en
Pages :
Book Description
When I began producing pageants in 1983, I held Informational Meetings to tell prospective contestants about my pageant. If I could personally meet prospective contestants to explain the pageant process, I would have a better chance of getting these girls to attend my motivational deadline-to-register event: a pageant commercial filming, boutique photoshoot, or pageant workshop. Besides, an Open Call session was the best place and opportunity for me to educate prospective contestants about sponsorship support, such as how to pitch to sponsors, collect sponsorship fees, and return to the deadline-to-register motivational event to become official contestants. Meeting prospective contestants also built a foundation of trust. After every Open Call session, I set a deadline to collect the first sponsorship installment (never a deposit, as this is too easy to walk away from). To motivate the deadline date and encourage many Open contestants - usually ending up to be about 40% - I needed to have an enticing motivator, such as a pageant commercial filming, a boutique photoshoot, or a pageant workshop. I truly believed that the deadline - and all that it encompassed - had to be the secret to my huge contestant numbers. It didn't occur to me, at least not until years later, that what I was doing before the deadline was the result of huge contestant entries. Whatever this powerful industry secret is called - Informational Meeting, Contestant Meeting, Contestant Call, Recruitment Meeting, Registration Night, Casting Call, Orientation Meeting, Orientation Tea, Open House, Open Call Workshops, Pageant Informational Meeting, Pageant Meet Up, Trunk Show Open Call, and last, but not least, Open Call - it is incorporated by the #1 youth pageant system in the world, National American Miss. You might be wondering what is so secret about Open Call in the pageant industry, because you may have already heard about it. Open Call is simply the strongest contestant recruitment tool designed, even though we borrowed the terminology from the modeling industry. Open Call is designed to secure the GREATEST PERCENTAGE OF CONTESTANT ENTRIES. Pageant directors who do know about Open Call, yet choose not to employ it, probably don't understand its strength and, therefore, can't perceive the financial impact that it can bestow upon their pageant system's bottom line. Pageant directors who do employ it, like International Junior Miss, USA National Miss, and last, but not least, the most successful of all, National American Miss, often make Open Call appear as inconsequential; after all, it is rare that successful pageant directors want to admit to the secret of their success. They probably fear that their competition (other pageants) will also employ Open Call, segment the contestant pool, muck up their business model, and affect their income. This is unlikely to happen. There are many newbie prospective contestants - more than enough for every pageant system out there. You just need to know where to go, to get the girls to come to you. The non-Open Call pageant producers' attempts to reach out to the same demographics - before they are snagged by Open Call pageants - often prove fruitless. What generally happens is that the non-Open Call pageants prime those girls for Open Call pageants! Pageant directors who plainly don't know about Open Call - well, what they don't know can hurt them. I asked Kathy Raese, director of Porcelain Dolls Nationals and Heavenly Angels, if she employed Open Call in her pageant systems. She replied, "What's that?" While I did include Open Call in my business model, from the start, it wouldn't be until years later before I truly understood the Open Call mantra: going to the girls, to get them to come to you. Producing Beauty Pageants: Open Call shows you just this.
Beauty Diplomacy
Author: Oluwakemi M. Balogun
Publisher: Globalization in Everyday Life
ISBN: 9781503610972
Category : Social Science
Languages : en
Pages : 256
Book Description
The Nigerian beauty pageant industry positions itself as working to symbolically restore the public face of the nation while seeking to materially shift the private lives of affiliates on the ground.
Publisher: Globalization in Everyday Life
ISBN: 9781503610972
Category : Social Science
Languages : en
Pages : 256
Book Description
The Nigerian beauty pageant industry positions itself as working to symbolically restore the public face of the nation while seeking to materially shift the private lives of affiliates on the ground.
The Most Beautiful Girl in the World
Author: Sarah Banet-Weiser
Publisher: Univ of California Press
ISBN: 0520217918
Category : Health & Fitness
Languages : en
Pages : 302
Book Description
This is work in the best tradition of cultural analysis, refashioning a seemingly banal cultural object into a newly complicated and eye-opening thing.
Publisher: Univ of California Press
ISBN: 0520217918
Category : Health & Fitness
Languages : en
Pages : 302
Book Description
This is work in the best tradition of cultural analysis, refashioning a seemingly banal cultural object into a newly complicated and eye-opening thing.
Pageants, Parlors, and Pretty Women
Author: Blain Roberts
Publisher: UNC Press Books
ISBN: 1469614219
Category : Social Science
Languages : en
Pages : 378
Book Description
From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife. Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.
Publisher: UNC Press Books
ISBN: 1469614219
Category : Social Science
Languages : en
Pages : 378
Book Description
From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife. Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.
101 Secrets to Winning Beauty Pageants
Author: Ann-Marie Bivans
Publisher: Citadel Press
ISBN: 9780806516431
Category : Self-Help
Languages : en
Pages : 267
Book Description
Presents advice on the best attitude, clothes and accessories, and performance techniques for beauty pageant competition
Publisher: Citadel Press
ISBN: 9780806516431
Category : Self-Help
Languages : en
Pages : 267
Book Description
Presents advice on the best attitude, clothes and accessories, and performance techniques for beauty pageant competition
Here She Is
Author: Hilary Levey Friedman
Publisher: Beacon Press
ISBN: 080708364X
Category : Social Science
Languages : en
Pages : 290
Book Description
A fresh exploration of American feminist history told through the lens of the beauty pageant world. Many predicted that pageants would disappear by the 21st century. Yet they are thriving. America’s most enduring contest, Miss America, celebrates its 100th anniversary in 2020. Why do they persist? In Here She Is, Hilary Levey Friedman reveals the surprising ways pageants have been an empowering feminist tradition. She traces the role of pageants in many of the feminist movement’s signature achievements, including bringing women into the public sphere, helping them become leaders in business and politics, providing increased educational opportunities, and giving them a voice in the age of #MeToo. Using her unique perspective as a NOW state president, daughter to Miss America 1970, sometimes pageant judge, and scholar, Friedman explores how pageants became so deeply embedded in American life from their origins as a P.T. Barnum spectacle at the birth of the suffrage movement, through Miss Universe’s bathing beauties to the talent- and achievement-based competitions of today. She looks at how pageantry has morphed into culture everywhere from The Bachelor and RuPaul’s Drag Race to cheer and specialized contests like those for children, Indigenous women, and contestants with disabilities. Friedman also acknowledges the damaging and unrealistic expectations pageants place on women in society and discusses the controversies, including Miss America’s ableist and racist history, Trump’s ownership of the Miss Universe Organization, and the death of child pageant-winner JonBenét Ramsey. Presenting a more complex narrative than what’s been previously portrayed, Here She Is shows that as American women continue to evolve, so too will beauty pageants.
Publisher: Beacon Press
ISBN: 080708364X
Category : Social Science
Languages : en
Pages : 290
Book Description
A fresh exploration of American feminist history told through the lens of the beauty pageant world. Many predicted that pageants would disappear by the 21st century. Yet they are thriving. America’s most enduring contest, Miss America, celebrates its 100th anniversary in 2020. Why do they persist? In Here She Is, Hilary Levey Friedman reveals the surprising ways pageants have been an empowering feminist tradition. She traces the role of pageants in many of the feminist movement’s signature achievements, including bringing women into the public sphere, helping them become leaders in business and politics, providing increased educational opportunities, and giving them a voice in the age of #MeToo. Using her unique perspective as a NOW state president, daughter to Miss America 1970, sometimes pageant judge, and scholar, Friedman explores how pageants became so deeply embedded in American life from their origins as a P.T. Barnum spectacle at the birth of the suffrage movement, through Miss Universe’s bathing beauties to the talent- and achievement-based competitions of today. She looks at how pageantry has morphed into culture everywhere from The Bachelor and RuPaul’s Drag Race to cheer and specialized contests like those for children, Indigenous women, and contestants with disabilities. Friedman also acknowledges the damaging and unrealistic expectations pageants place on women in society and discusses the controversies, including Miss America’s ableist and racist history, Trump’s ownership of the Miss Universe Organization, and the death of child pageant-winner JonBenét Ramsey. Presenting a more complex narrative than what’s been previously portrayed, Here She Is shows that as American women continue to evolve, so too will beauty pageants.
High Glitz
Author: Susan Anderson
Publisher: powerHouse Books
ISBN: 9781576875148
Category : Beauty contestants
Languages : en
Pages : 0
Book Description
An intimate look at America's child beauty pagaents. The vibrant portraits of these young contestants twist notions of sexuality and identity, exposing a new perspective on a uniquely American subculture. High Glitz is a subgenre of pagaents characterised by couture costumes,glamour make-up, elaborate hair styles and even dental veneers. The girls are spray-tanned, made-up and groomed to glossy perfection. Anderson captures the results of this time-consuming and often unnerving endeavour in exquisite detail.
Publisher: powerHouse Books
ISBN: 9781576875148
Category : Beauty contestants
Languages : en
Pages : 0
Book Description
An intimate look at America's child beauty pagaents. The vibrant portraits of these young contestants twist notions of sexuality and identity, exposing a new perspective on a uniquely American subculture. High Glitz is a subgenre of pagaents characterised by couture costumes,glamour make-up, elaborate hair styles and even dental veneers. The girls are spray-tanned, made-up and groomed to glossy perfection. Anderson captures the results of this time-consuming and often unnerving endeavour in exquisite detail.
Pageant
Author: Albert Evans
Publisher: Samuel French, Inc.
ISBN: 9780573696558
Category : Drama
Languages : en
Pages : 68
Book Description
Judges selected from the audience actually vote and determine the winner who, therefore, may be different at each performance. The show takes its shots not by mocking the pageant from the outside, but by being one. The six contestants compete for the title of Miss Glamouresse (Glamouresse being a cosmetics company). Miss Deep South, Miss West Coast, Miss Great Plains, Miss Bible Belt, Miss Industrial Northeast. and Miss Texas and compete in evening gowns, talent, swim-wear and spokemodeling, plus the finalists answer actual calls from the Glamouresse Beauty Crisis Hotline.
Publisher: Samuel French, Inc.
ISBN: 9780573696558
Category : Drama
Languages : en
Pages : 68
Book Description
Judges selected from the audience actually vote and determine the winner who, therefore, may be different at each performance. The show takes its shots not by mocking the pageant from the outside, but by being one. The six contestants compete for the title of Miss Glamouresse (Glamouresse being a cosmetics company). Miss Deep South, Miss West Coast, Miss Great Plains, Miss Bible Belt, Miss Industrial Northeast. and Miss Texas and compete in evening gowns, talent, swim-wear and spokemodeling, plus the finalists answer actual calls from the Glamouresse Beauty Crisis Hotline.
Queen for a Day
Author: Marcia Ochoa
Publisher: Duke University Press
ISBN: 0822376997
Category : Social Science
Languages : en
Pages : 367
Book Description
Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delve deeply into complex questions of media and spectacle, gender and sexuality, race and class, and self-fashioning and identity in Venezuela. Beauty pageants play an outsized role in Venezuela. The country has won more international beauty contests than any other. The femininity performed by Venezuelan women in high-profile, widely viewed pageants defines a kind of national femininity. Ochoa argues that as transformistas and misses work to achieve the bodies, clothing and makeup styles, and postures and gestures of this national femininity, they come to embody Venezuelan modernity.
Publisher: Duke University Press
ISBN: 0822376997
Category : Social Science
Languages : en
Pages : 367
Book Description
Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delve deeply into complex questions of media and spectacle, gender and sexuality, race and class, and self-fashioning and identity in Venezuela. Beauty pageants play an outsized role in Venezuela. The country has won more international beauty contests than any other. The femininity performed by Venezuelan women in high-profile, widely viewed pageants defines a kind of national femininity. Ochoa argues that as transformistas and misses work to achieve the bodies, clothing and makeup styles, and postures and gestures of this national femininity, they come to embody Venezuelan modernity.