Author: L. G. Kerr
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Processes and Paradoxes in the Late Parodic Poetry of Luis de Góngora and Lope de Vega
Author: L. G. Kerr
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Processes and Paradoxes in the Late Parodic Poetry of Luis de Góngora and Lope de Vega
Author: Lindsay Geraldine Kerr
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Luis de Góngora and Lope de Vega
Author: Lindsay G. Kerr
Publisher: Boydell & Brewer
ISBN: 1855663171
Category : Humor
Languages : en
Pages : 221
Book Description
Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.
Publisher: Boydell & Brewer
ISBN: 1855663171
Category : Humor
Languages : en
Pages : 221
Book Description
Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.
Poetry as Play
Author: Maria Cristina Quintero
Publisher: John Benjamins Publishing
ISBN: 9789027217622
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
During the Golden Age, poetry and drama entered into a dynamic intertextual and intergeneric exchange. The Comedia appropriated the different poetic currents prevalent during the Renaissance and also often enacted the controversies surrounding poetic language. Of particular interest is the influence of gongorismo on the comedia. Luis de Gongora himself experimented with dramatic form in his two little-known plays, "Las firmezas de Isabela and El doctor Carlino." In his quest for effective dramatic language, Lope de Vega dramatized Gongorine language through both parody and respectful imitation. Calderon de la Barca, whose plays represent the culmination of Gongora's influence on Golden Age theater, transformed gongorismo into a rich, performative code that functions simultaneously as poetic discourse and dramatic convention.
Publisher: John Benjamins Publishing
ISBN: 9789027217622
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
During the Golden Age, poetry and drama entered into a dynamic intertextual and intergeneric exchange. The Comedia appropriated the different poetic currents prevalent during the Renaissance and also often enacted the controversies surrounding poetic language. Of particular interest is the influence of gongorismo on the comedia. Luis de Gongora himself experimented with dramatic form in his two little-known plays, "Las firmezas de Isabela and El doctor Carlino." In his quest for effective dramatic language, Lope de Vega dramatized Gongorine language through both parody and respectful imitation. Calderon de la Barca, whose plays represent the culmination of Gongora's influence on Golden Age theater, transformed gongorismo into a rich, performative code that functions simultaneously as poetic discourse and dramatic convention.
The Soledades, Góngora's Masque of the Imagination
Author: Marsha Suzan Collins
Publisher: University of Missouri Press
ISBN: 0826262856
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture.
Publisher: University of Missouri Press
ISBN: 0826262856
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture.
Góngora's Poetic Textual Tradition
Author: Diane Chaffee-Sorace
Publisher: Tamesis
ISBN: 9780729302807
Category : Literary Criticism
Languages : en
Pages : 104
Book Description
Described as one of Spain's foremost Golden-Age poets, Luis de Gongora generated a vast and complex poetic textual tradition through the creation, revision and dissemination of his verse. In later life, he authorized his friend Antonio Chacon to compile an anthology of his poetic works which had been in disarray for many years. Gongora's assistance in identifying the genuine versions of his poems and his participation in the compiling, editing and dating of these poems make the Chacon manuscript (1620) an authoritative collection of the poet's verse. Nevertheless, it includes defective poems and, moreover, the plethora of variants, versions and imitations of his poetry raises questions of authorship and authenticity.
Publisher: Tamesis
ISBN: 9780729302807
Category : Literary Criticism
Languages : en
Pages : 104
Book Description
Described as one of Spain's foremost Golden-Age poets, Luis de Gongora generated a vast and complex poetic textual tradition through the creation, revision and dissemination of his verse. In later life, he authorized his friend Antonio Chacon to compile an anthology of his poetic works which had been in disarray for many years. Gongora's assistance in identifying the genuine versions of his poems and his participation in the compiling, editing and dating of these poems make the Chacon manuscript (1620) an authoritative collection of the poet's verse. Nevertheless, it includes defective poems and, moreover, the plethora of variants, versions and imitations of his poetry raises questions of authorship and authenticity.
Góngora and the "Pyramus and Thisbe" Myth from Ovid to Shakespeare
Author: David Garrison
Publisher: Juan de La Cuesta-Hispanic Monographs
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Publisher: Juan de La Cuesta-Hispanic Monographs
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Poetry as Play
Author: María Cristina Quintero
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
Book Description
The Melancholy Void
Author: Felipe Valencia (1983- author)
Publisher: U of Nebraska Press
ISBN: 1496227697
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.
Publisher: U of Nebraska Press
ISBN: 1496227697
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.
Poetry and Truth in the Spanish Works of Fray Luis de León
Author: David Jonathan Hildner
Publisher: Tamesis Books
ISBN: 9781855660175
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
A study of the mentality of the 16c Spanish writer, Fray Luis de León. Luis de León, poet and Biblical exegete, lived from 1527 to 1591. The study attempts to explain the impression received from his prose and verse works that he intended them to conform to what he believed to exist in Nature, society, and the spiritual world, but that he gave equal attention to their aesthetic form, i.e. the figures and fictions they contain. The following questions are posed: does Fray Luis make any distinction between truth and fiction inthe content of his works, or between poetic language and logical language in their form? If so, does he use any consistent criteria for these distinctions?
Publisher: Tamesis Books
ISBN: 9781855660175
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
A study of the mentality of the 16c Spanish writer, Fray Luis de León. Luis de León, poet and Biblical exegete, lived from 1527 to 1591. The study attempts to explain the impression received from his prose and verse works that he intended them to conform to what he believed to exist in Nature, society, and the spiritual world, but that he gave equal attention to their aesthetic form, i.e. the figures and fictions they contain. The following questions are posed: does Fray Luis make any distinction between truth and fiction inthe content of his works, or between poetic language and logical language in their form? If so, does he use any consistent criteria for these distinctions?