Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Boston Musical Gazette
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
A Checklist of American Imprints for 1838
Author:
Publisher: Scarecrow Press
ISBN: 9780810821231
Category : United States
Languages : en
Pages : 264
Book Description
Publisher: Scarecrow Press
ISBN: 9780810821231
Category : United States
Languages : en
Pages : 264
Book Description
Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 710
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 710
Book Description
Transactions of the Albany Institute
Author: Albany Institute
Publisher:
ISBN:
Category : Albany (N.Y.)
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Albany (N.Y.)
Languages : en
Pages : 480
Book Description
A History of Music Education in the United States
Author: James A. Keene
Publisher: Glenbridge Publishing Ltd.
ISBN: 0944435661
Category : Education
Languages : en
Pages : 450
Book Description
Keene provides a detailed account of music instruction in colonial and nationalized America from the 1600s to the end of the 1960s. (Music)
Publisher: Glenbridge Publishing Ltd.
ISBN: 0944435661
Category : Education
Languages : en
Pages : 450
Book Description
Keene provides a detailed account of music instruction in colonial and nationalized America from the 1600s to the end of the 1960s. (Music)
Servanthood of Song
Author: Stanley R. McDaniel
Publisher: Wipf and Stock Publishers
ISBN: 1666755958
Category : Music
Languages : en
Pages : 613
Book Description
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship--Black and White, Protestant and Catholic--is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music--whatever the genre--must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
Publisher: Wipf and Stock Publishers
ISBN: 1666755958
Category : Music
Languages : en
Pages : 613
Book Description
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship--Black and White, Protestant and Catholic--is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music--whatever the genre--must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
Our American Music
Author: John Tasker Howard
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 812
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 812
Book Description
Lectures and Bibliographical Materials for a Course in the History of American Music
Author: Hugh Wiley Hitchcock
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 538
Book Description
A Survey of Teacher Training Programs in Music
Author: Richard Lee James
Publisher:
ISBN:
Category : Music teachers
Languages : en
Pages : 628
Book Description
Publisher:
ISBN:
Category : Music teachers
Languages : en
Pages : 628
Book Description
Lowell Mason, "the Father of Singing Among the Children,"
Author: Arthur Lowndes Rich
Publisher: Chapel Hill : The University of North Carolina Press
ISBN:
Category :
Languages : en
Pages : 250
Book Description
"A capacity for music is much more common than is generally supposed"; "some degree of cultivation is necessary to enable us to enter into the spirit of singing"; "children must be taught music as they are taught to read"; "the practice of music might be pursued in such a manner as to afford relief from other studies and be a pleasant and agreeable employment". These were radical ideas in 1826, the year Lowell Mason delivered his Address on Church Music, for in those days, as Mason observed twenty-five years later, "children did not generally sing, nor was it supposed to be possible to teach them." Settling in Boston in 1827, Mason organized the first children's singing school -- a voluntary class which at first consisted of no more than six or eight, but which increased eventually to five or six hundred. In 1833, inspired by the public performances of these singing children, a group of Bostonians organized the Boston Academy of Music, a society which sustained Mason's work among the children until music was introduced into the schools of the city. In this book, based upon an exhaustive study of primary sources, Dr. Rich gives a full account of Mason's career as a church musician, chorus master, and pioneer in training teachers of public school music; of his struggles for self-education and his failures and successes as a practicing musician, teacher, and publisher. It stresses the educational aspects of his career, his methods, his theories on music teaching for school children, and his interrelationships with such educators as Rousseau, Pestalozzi, Barnard, and Horace Mann. A valuable feature of this study is the bibliography, which contains a complete catalog of Mason's writings and publications with a list of their numerous editions and the names of collections and libraries where copies are available. - Jacket flap.
Publisher: Chapel Hill : The University of North Carolina Press
ISBN:
Category :
Languages : en
Pages : 250
Book Description
"A capacity for music is much more common than is generally supposed"; "some degree of cultivation is necessary to enable us to enter into the spirit of singing"; "children must be taught music as they are taught to read"; "the practice of music might be pursued in such a manner as to afford relief from other studies and be a pleasant and agreeable employment". These were radical ideas in 1826, the year Lowell Mason delivered his Address on Church Music, for in those days, as Mason observed twenty-five years later, "children did not generally sing, nor was it supposed to be possible to teach them." Settling in Boston in 1827, Mason organized the first children's singing school -- a voluntary class which at first consisted of no more than six or eight, but which increased eventually to five or six hundred. In 1833, inspired by the public performances of these singing children, a group of Bostonians organized the Boston Academy of Music, a society which sustained Mason's work among the children until music was introduced into the schools of the city. In this book, based upon an exhaustive study of primary sources, Dr. Rich gives a full account of Mason's career as a church musician, chorus master, and pioneer in training teachers of public school music; of his struggles for self-education and his failures and successes as a practicing musician, teacher, and publisher. It stresses the educational aspects of his career, his methods, his theories on music teaching for school children, and his interrelationships with such educators as Rousseau, Pestalozzi, Barnard, and Horace Mann. A valuable feature of this study is the bibliography, which contains a complete catalog of Mason's writings and publications with a list of their numerous editions and the names of collections and libraries where copies are available. - Jacket flap.